Adeline Johns-Putra is Reader in English Literature at the School of Literature and Languages, University of Surrey. She is the author of Heroes and Housewives: Women's Epic Poetry and Domestic Ideology in the Romantic Age (2001) and The History of the Epic (2006). She is also the editor of Process: Landscape and Text (2010) and Literature and Sustainability: Concept, Text and Culture (2017).

'… nuanced, solidly researched, well-argued, and methodically sound – indeed, methodologically innovative in its well-developed and sustained eudaimonistic framework … [Climate Change And The Contemporary Novel] will make significant contributions to the fields of environmental ethics, environmental literary criticism, ecofeminism, narrative ethics, and climate change studies, perhaps most importantly in showing these fields the benefits of cross-dialogue.' Cheryl Lousley, University of Edinburgh

• Introduction; 1. The ethics of posterity and the climate change novel; 2. The limits of parental care ethics: Cormac McCarthy's The Road and Maggie Gee's The Ice People; 3. Overpopulation and motherhood environmentalism: Edan Lepucki's California and Liz Jensen's The Road; 4. Identity, ethical agency, and radical posterity: Jeanette Winterson's The Stone Gods and Sarah Hall's The Carhullan Army; 5. Science, utopianism, and ecocentric posterity: Kim Stanley Robinson's 'Science in the Capital' and Barbara Kingsolver's Flight Behaviour; Conclusion: the sense of no ending.

Adeline Johns-Putra is Reader in English Literature at the School of Literature and Languages, University of Surrey. She is the author of Heroes and Housewives: Women's Epic Poetry and Domestic Ideology in the Romantic Age (2001) and The History of the Epic (2006). She is also the editor of Process: Landscape and Text (2010) and Literature and Sustainability: Concept, Text and Culture (2017).

'… nuanced, solidly researched, well-argued, and methodically sound – indeed, methodologically innovative in its well-developed and sustained eudaimonistic framework … [Climate Change And The Contemporary Novel] will make significant contributions to the fields of environmental ethics, environmental literary criticism, ecofeminism, narrative ethics, and climate change studies, perhaps most importantly in showing these fields the benefits of cross-dialogue.' Cheryl Lousley, University of Edinburgh

• Introduction; 1. The ethics of posterity and the climate change novel; 2. The limits of parental care ethics: Cormac McCarthy's The Road and Maggie Gee's The Ice People; 3. Overpopulation and motherhood environmentalism: Edan Lepucki's California and Liz Jensen's The Road; 4. Identity, ethical agency, and radical posterity: Jeanette Winterson's The Stone Gods and Sarah Hall's The Carhullan Army; 5. Science, utopianism, and ecocentric posterity: Kim Stanley Robinson's 'Science in the Capital' and Barbara Kingsolver's Flight Behaviour; Conclusion: the sense of no ending.

Adeline Johns-Putra is Reader in English Literature at the School of Literature and Languages, University of Surrey. She is the author of Heroes and Housewives: Women's Epic Poetry and Domestic Ideology in the Romantic Age (2001) and The History of the Epic (2006). She is also the editor of Process: Landscape and Text (2010) and Literature and Sustainability: Concept, Text and Culture (2017).

'… nuanced, solidly researched, well-argued, and methodically sound – indeed, methodologically innovative in its well-developed and sustained eudaimonistic framework … [Climate Change And The Contemporary Novel] will make significant contributions to the fields of environmental ethics, environmental literary criticism, ecofeminism, narrative ethics, and climate change studies, perhaps most importantly in showing these fields the benefits of cross-dialogue.' Cheryl Lousley, University of Edinburgh

• Introduction; 1. The ethics of posterity and the climate change novel; 2. The limits of parental care ethics: Cormac McCarthy's The Road and Maggie Gee's The Ice People; 3. Overpopulation and motherhood environmentalism: Edan Lepucki's California and Liz Jensen's The Road; 4. Identity, ethical agency, and radical posterity: Jeanette Winterson's The Stone Gods and Sarah Hall's The Carhullan Army; 5. Science, utopianism, and ecocentric posterity: Kim Stanley Robinson's 'Science in the Capital' and Barbara Kingsolver's Flight Behaviour; Conclusion: the sense of no ending.