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Jen Harvie, Dan Rebellato - The Cambridge Companion to British Theatre since 1945, Häftad

Häftad, Engelska, 2024

The Cambridge Companion to British Theatre since 1945

Av Jen Harvie, Dan Rebellato

Del i serien Cambridge Companions to Theatre and Performance

486 kr

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Beskrivning
British theatre underwent a vast transformation and expansion in the decades after World War II. This Companion explores the historical, political, and social contexts and conditions that not only allowed it to expand but, crucially, shaped it. Resisting a critical tendency to focus on plays alone, the collection expands understanding of British theatre by illuminating contexts such as funding, unionisation, devolution, immigration, and changes to legislation. Divided into four parts, it guides readers through changing attitudes to theatre-making (acting, directing, writing), theatre sectors (West End, subsidised, Fringe), theatre communities (audiences, Black theatre, queer theatre), and theatre's relationship to the state (government, infrastructure, nationhood). Supplemented by a valuable Chronology and Guide to Further Reading, it presents up-to-date approaches informed by critical race theory, queer studies, audience studies, and archival research to demonstrate important new ways of conceptualising post-war British theatre's history, practices and potential futures.
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JEN HARVIE is Professor of Contemporary Theatre and Performance at Queen Mary University of London. Her books include Fair Play – Art, Performance and Neoliberalism (2013), Staging the UK (2005), and The Routledge Companion to Theatre and Performance (2nd ed. 2014). She co-edits the book series Theatre &. DAN REBELLATO is Professor of Contemporary Theatre at Royal Holloway University of London. His books include 1956 and All That (1999), Modern British Playwriting 2000-2009 (2013), and Playwriting (2023). He co-edits the book series Theatre &. His many plays include Static and Chekhov in Hell.

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'Harvie and Rebellato's comprehensive assessment of postwar British theatre is highly readable and superbly researched. This is an essential tool for students, scholars, and artists interested in understanding the 'offstage' stories shaping British postwar performance.' Kim Solga, University of Western Ontario

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