Staging Conventions in Medieval English Theatre

Philip Butterworth is Visiting Research Fellow in the Institute for Medieval Studies at the University of Leeds. He was formerly Reader in Medieval Theatre and Dean for Research at the University of Leeds. In 2005 he took early retirement in order to concentrate on full-time research. His principal medieval publications are Theatre of Fire: Special Effects in Early English and Scottish Theatre (1998), Magic on the Early English Stage (Cambridge, 2005 and 2010, and winner of the David Bevington Prize, 2006) and The Narrator, the Expositor, and the Prompter in European Medieval Theatre (ed.) 2007. He also co-authored The Cambridge Introduction to Scenography (with Joslin McKinney, Cambridge, 2009). He was a founder member of the renowned Octagon Theatre, Bolton and taught in the Drama Department at Bretton Hall for many years.

'Butterworth's book will be of use to those seeking a scholarly discussion of problems and strategies in the performance of medieval drama, both as it was once written and played, and for contemporary revivals. His knowledge is extensive and his practical experience of the staging of many of these works clearly and helpfully informs his comments on their characteristic ways of working in space, time, and action.' Tom Bishop, Speculum

• Introduction; 1. Outdoors and indoors; 2. Casting and doubling; 3. Rehearsing, memorising and cueing; 4. Coming and going; 5. Playing, feigning and counterfeiting; 6. Dressing and disguising; 7. Expounding and monitoring; 8. Effecting effects; 9. Timing and waiting; 10. Hearing, seeing and responding.