Eoin Price is Lecturer in English Literature, 1500–1650 at the University of Edinburgh. He is the author of 'Public' and 'Private' Playhouses in Renaissance England (2015). He won the 2020 Calvin and Rose G. Hoffman Prize for Distinguished Publication on Christopher Marlowe. Harry Newman is Senior Lecturer in Shakespeare and Early Modern Literature at Royal Holloway, University of London. He is the author of Impressive Shakespeare: Identity, Authority and the Imprint in Shakespearean Drama (2019; shortlisted for University English Book Prize), and editor of 'Character Beyond Shakespeare' (special issue, Journal for Early Modern Cultural Studies 21.2, 2021).

'Reprints and Revivals of Renaissance Drama is a true original in its deft, exhilarating explorations of what is not original. In shifting away from scholarship's focus on firsts and newness, and through beautifully crafted case studies, this book offers a profound methodological intervention in early modern theatre and book history.' Peter Kirwan, Professor of Shakespeare & Performance, Mary Baldwin University

• Introduction Eoin Price and Harry Newman; Part I. Logic of Renewal: 1. 1584: the first evidence for playhouse reprints and revivals? Andy Kesson; 2. Alterations, Piracies and Nonce volumes: Shakespeare's print popularity, 1660 –1700 Emma Depledge; 3. The malcontent and the records of revival Eoin Price; Part II. Agents Of Renewal: 4. Henslowe on revivals Roslyn L. Knutson; 5. Reviving by design: the Christmas season at court, 1621 –1622 David Nicol; 6. Reprinting Othello in republican England Justin Kuhn; Part III. The Appeal of The Old: 7. Performing nostalgia: revivals of Jacobean plays at the court of Charles I Catherine Clifford; 8. A century of English drama: restoration reprints of Tudor plays Heidi Craig; 9. Cham's Beardofnd Tartar's bow: staging Mongolia in and after the Elizabethan repertory Elizabeth E. Tavares; Part IV. Making It New: Frames And Forms: 10. New worlds, old plots: Atlantic conquest and the revised every man in his humour Andrew Bozio; 11. Musical reinventions for the king's men Jennifer Moss Waghorn; 12. Frames without pictures: Shirley's prologues and epilogues in poems &c (1646) Laura Estill; Bibliography; Index.

Eoin Price is Lecturer in English Literature, 1500–1650 at the University of Edinburgh. He is the author of 'Public' and 'Private' Playhouses in Renaissance England (2015). He won the 2020 Calvin and Rose G. Hoffman Prize for Distinguished Publication on Christopher Marlowe. Harry Newman is Senior Lecturer in Shakespeare and Early Modern Literature at Royal Holloway, University of London. He is the author of Impressive Shakespeare: Identity, Authority and the Imprint in Shakespearean Drama (2019; shortlisted for University English Book Prize), and editor of 'Character Beyond Shakespeare' (special issue, Journal for Early Modern Cultural Studies 21.2, 2021).

'Reprints and Revivals of Renaissance Drama is a true original in its deft, exhilarating explorations of what is not original. In shifting away from scholarship's focus on firsts and newness, and through beautifully crafted case studies, this book offers a profound methodological intervention in early modern theatre and book history.' Peter Kirwan, Professor of Shakespeare & Performance, Mary Baldwin University

• Introduction Eoin Price and Harry Newman; Part I. Logic of Renewal: 1. 1584: the first evidence for playhouse reprints and revivals? Andy Kesson; 2. Alterations, Piracies and Nonce volumes: Shakespeare's print popularity, 1660 –1700 Emma Depledge; 3. The malcontent and the records of revival Eoin Price; Part II. Agents Of Renewal: 4. Henslowe on revivals Roslyn L. Knutson; 5. Reviving by design: the Christmas season at court, 1621 –1622 David Nicol; 6. Reprinting Othello in republican England Justin Kuhn; Part III. The Appeal of The Old: 7. Performing nostalgia: revivals of Jacobean plays at the court of Charles I Catherine Clifford; 8. A century of English drama: restoration reprints of Tudor plays Heidi Craig; 9. Cham's Beardofnd Tartar's bow: staging Mongolia in and after the Elizabethan repertory Elizabeth E. Tavares; Part IV. Making It New: Frames And Forms: 10. New worlds, old plots: Atlantic conquest and the revised every man in his humour Andrew Bozio; 11. Musical reinventions for the king's men Jennifer Moss Waghorn; 12. Frames without pictures: Shirley's prologues and epilogues in poems &c (1646) Laura Estill; Bibliography; Index.