Companion to Medieval Art

Conrad Rudolph is Distinguished Professor of Art History at the University of California, Riverside. He is an elected Fellow of the Medieval Academy of America and a former Guggenheim and Getty Fellow.

• Notes on Contributors ixSeries Editor’s Preface xviiPreface to the First Edition xixPreface to the Second Edition xxiii1 Introduction: A Sense of Loss: An Overview of the Historiography of Romanesque and Gothic Art 1Conrad Rudolph2 Artifex and Opifex – The Medieval Artist 45Beate Fricke3 Vision 71Cynthia Hahn4 Materials, Materia, “Materiality” 95Aden Kumler5 Reception of Images by Medieval Viewers 119Madeline Harrison Caviness6 Narrative, Narratology, and Meaning 147Suzanne Lewis7 Formalism 171Linda Seidel8 Gender and Medieval Art 195Brigitte Kurmann‐Schwarz9 Gregory the Great and Image Theory in Northern Europe During the Twelfth and Thirteenth Centuries 221Herbert L. Kessler10 Iconography 245Shirin Fozi11 Art and Exegesis 267Christopher G. Hughes12 Whodunnit? Patronage, the Canon, and the Problematics of Agency in Romanesque and Gothic Art 287Jill Caskey13 Collecting (and Display) 309Pierre Alain Mariaux14 The Concept of Spolia 331Dale Kinney15 The Monstrous 357Thomas E.A. Dale16 Making Sense of Marginalized Images in Manuscripts and Religious Architecture 383Laura Kendrick17 Definitions and Explanations of the Romanesque Style in Architecture from the 1960s to the Present Day 407Eric Fernie18 Romanesque Sculpture in Northern Europe 417Colum Hourihane19 Modern Origins of Romanesque Sculpture 439Robert A. Maxwell20 The Historiography of Romanesque Manuscript Illumination 463Adam S. Cohen21 The Study of Gothic Architecture 489Stephen Murray22 France, Germany, and the Historiography of Gothic Sculpture 513Jacqueline E. Jung23 Gothic Manuscript Illustration: The Case of France 547Anne D. Hedeman24 “‘Specially English’: Gothic Illumination c.1190 to the Early Fourteenth Century” 569Kathryn A. Smith25 From Institutional to Private and from Latin to the Vernacular: German Manuscript Illumination in the Thirteenth Century 601Michael Curschmann26 Glazing Medieval Buildings 627Elizabeth Carson Pastan27 Toward a Historiography of the Sumptuous Arts 657Brigitte Buettner28 Reliquaries 681Cynthia Hahn29 East Meets West: The Art and Architecture of the Crusader States 705Jaroslav Folda30 Gothic in the Latin East 729Michalis Olympios31 Art and Liturgy in the Middle Ages 759Eric Palazzo32 Architectural Layout: Design, Structure, and Construction in Northern Europe 777Marie‐Therese Zenner33 Sculptural Programs 801Bruno Boerner34 The Art and Architecture of Female Monasticism 823Jeffrey F. Hamburger35 Cistercian Architecture 857Peter Fergusson36 Art and Pilgrimage: Mapping the Way 881Paula Gerson37 “The Scattered Limbs of the Giant”: Recollecting Medieval Architectural Revivals 907Tina Waldeier Bizzarro38 Medieval Art Collections 933Janet T. Marquardt39 The Modern Medieval Museum 957Michelle P. BrownIndex 977