Both male and female poets cross the gender line: men assume a female voice and women a male voice.
The Routledge Anthology of Cross-Gendered Verse is a fascinating collection of such poems, beginning in the age of Chaucer and working its way through to the present day. Together these poems offer a unique collection of masks, personae and voices, rife with issues of class, gender and race.
Alan Parker and Mark Willhardt, in bringing together these poems for the first time, assert an entirely new paradigm; a theoretical and practical reading of a heretofore undefined genre. They also provide a critical introduction which synthesizes traditional literary debates with current gender theory and, through the lens of historical, literary, social and theoretical issues, present a new way to interpret these ''ventriloquized'' poems.
The Routledge Anthology of Cross-Gendered Verse provides a wealth of material for students and teachers of literature and gender studies. It is a compelling collection which will also appeal to poetry lovers.

Both male and female poets cross the gender line: men assume a female voice and women a male voice.
The Routledge Anthology of Cross-Gendered Verse is a fascinating collection of such poems, beginning in the age of Chaucer and working its way through to the present day. Together these poems offer a unique collection of masks, personae and voices, rife with issues of class, gender and race.
Alan Parker and Mark Willhardt, in bringing together these poems for the first time, assert an entirely new paradigm; a theoretical and practical reading of a heretofore undefined genre. They also provide a critical introduction which synthesizes traditional literary debates with current gender theory and, through the lens of historical, literary, social and theoretical issues, present a new way to interpret these ''ventriloquized'' poems.
The Routledge Anthology of Cross-Gendered Verse provides a wealth of material for students and teachers of literature and gender studies. It is a compelling collection which will also appeal to poetry lovers.

Both male and female poets cross the gender line: men assume a female voice and women a male voice.
The Routledge Anthology of Cross-Gendered Verse is a fascinating collection of such poems, beginning in the age of Chaucer and working its way through to the present day. Together these poems offer a unique collection of masks, personae and voices, rife with issues of class, gender and race.
Alan Parker and Mark Willhardt, in bringing together these poems for the first time, assert an entirely new paradigm; a theoretical and practical reading of a heretofore undefined genre. They also provide a critical introduction which synthesizes traditional literary debates with current gender theory and, through the lens of historical, literary, social and theoretical issues, present a new way to interpret these ''ventriloquized'' poems.
The Routledge Anthology of Cross-Gendered Verse provides a wealth of material for students and teachers of literature and gender studies. It is a compelling collection which will also appeal to poetry lovers.