Post-Cinematic Theatre and Performance

AvP. Woycicki

Inbunden, Engelska, 2014

Del i serien Palgrave Studies in Performance and Technology

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Beskrivning

A cinema without cameras, without actors, without screen frames and without narratives almost seems like an antithetical impossibility of what is usually expected from a cinematic spectacle. This book defines an emergent field of post-cinematic theatre and performance, challenging our assumptions and expectations about theatre and film.

Produktinformation

Utgivningsdatum:2014-10-29
Mått:140 x 216 x 23 mm
Vikt:476 g
Format:Inbunden
Språk:Engelska
Serie:Palgrave Studies in Performance and Technology
Antal sidor:268
Upplaga:2014
Förlag:Palgrave Macmillan
ISBN:9781137375483

Utforska kategorier

Teater inom Kultur

Mer om författaren

Piotr Woycicki is a Lecturer in Theatre and Performance Studies at Aberystwyth University, UK. His previous publications include articles in the Journal of Beckett Studies and the Journal of Performance Research.

Recensioner i media

'This book offers an original and exciting contribution to existing scholarship on contemporary intermedial performance. It skilfully defines 'post cinematic theatre' and traces its distinctive features in terms of form, content and address, using some well chosen examples. Piotr Woycicki deals with complex ideas in an accessible way and the eclectic range of theoretical material in this book will help give students and academics alike an excellent critical vocabulary with which to engage with this emerging body of practice.' - Victoria Lowe, University of Manchester, UK

Innehållsförteckning

List of Figures Series Editors' Preface Acknowledgements 1. The Post-Cinematic Landscape 2. Décalage and Mediaphors in Robert Lepage's Elsinore and The Andersen Project 3. Acinematic Montage in Roadmetal Sweetbread and Mare's Nest 4. Guilty pleasures and intermedial archaeologies in Wooster Group's House/Lights and Hamlet 5. The Ethics of Perception in Wunschkonzert 6. Disorienting Landscapes in Hotel Methuselah 7. Pedipulating 'footage' in Duncan Speakman's As if it were the last time 8. Landscapes and Aporias in Lars Von Trier's Dogville 9. Conclusion Bibliography Index