Susan Fast is Professor in the Department of English and Cultural Studies and Director of the Graduate Program in Gender Studies & Feminist Research at McMaster University. She is co-editor of Music, Politics, and Violence (2012), and author of Michael Jackson’s Dangerous (2014) and In the Houses of the Holy: Led Zeppelin and the Power of Rock Music (2001). Craig Jennex is Assistant Professor in the Department of English at Ryerson University. His work is published in Popular Music and Society, GUTS: Canadian Feminist Magazine, and TOPIA: Canadian Journal of Cultural Studies.

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• Acknowledgments / Indroduction (Craig Jennex and Susan Fast) / Part I: Displacing Whiteness / Introduction (Daphne A. Brooks) / 1. Visions of Wondaland: On Janelle Monaé’s Afrofuturistic Vision (Marquita R. Smith) / 2. Listening to Difference: Recognition and Refusal in Queer Music Diasporas (Craig Jennex) / 3. Who’s Your Daddy?: Beyoncé, the Dixie Chicks, and the Art of Outlaw Protest (Francesca T. Royster) / Part II: Rethinking Difference / Introduction (Annie Janeiro Randall) / 4. "Brave New Ideas Begin:" Disability, Gender, and Life-Writing in Twenty-First-Century Pop (Laurie Stras) / 5. "Round my Hometown:" Listening to London in the Racial Politics of Post-Millennial British Soul (Freya Jarman with Emily Baker) / 6. Born to Run and Reckless: My Life as a Pretender: Rewriting the Political Imaginary of Rock Music Memoir (Pamela Fox) / Part III: Decolonizing Sound / Introduction (Ellie M. Hisama) / 7. Sounding the Halluci Nation: Decolonizing Race, Masculinity, and Global Solidarities with A Tribe Called Red (Alexa Woloshyn) / 8. Addict(ive) Sex: Toward an Intersectional Approach to Truth Hurts’ "Addictive" and Afro-South Asian Hip Hop and R&B (Elliott H. Powell) / 9. Hip Hop Dialogues: Sampling Women’s Hand Drum Songs and the Canadian Popular Mainstream (Liz Przybylski) / Part IV: Refusing Conventions / Introduction (Maureen Mahon) / 10. Electro-Pop as Trojan Horse: Hearing the Call to Arms in Anohni’s HOPELESSNESS (Maria Murphy) / 11. Genders, Genres, Generations: Jacqueline Warwick and Susan McClary in Conversation (Susan McClary and Jacqueline Warwick) / 12. Power in the Darkness and "Angry Atthis:" Anthems, Genres and the Queer Voice (Jack Halberstam) / Part V: Voicing Resilience / Introduction (Murray Forman) / 13. Resisting the Politics of Aging: Madonna and the Value of Female Labor in Popular Music (Tiffany Naiman) / 14. Vera Lynn 100: Retirement, Aging, and Legacy for a "National Treasure" (Christina Baade) / 15. Sounding Lockdown: Singing in Administrative Segregation at the Louisiana Correctional Institute for Women (Benjamin J. Harbert and Consuela Gaines) Index

Susan Fast is Professor in the Department of English and Cultural Studies and Director of the Graduate Program in Gender Studies & Feminist Research at McMaster University. She is co-editor of Music, Politics, and Violence (2012), and author of Michael Jackson’s Dangerous (2014) and In the Houses of the Holy: Led Zeppelin and the Power of Rock Music (2001). Craig Jennex is Assistant Professor in the Department of English at Ryerson University. His work is published in Popular Music and Society, GUTS: Canadian Feminist Magazine, and TOPIA: Canadian Journal of Cultural Studies.

Select Guide Rating

• Acknowledgments / Indroduction (Craig Jennex and Susan Fast) / Part I: Displacing Whiteness / Introduction (Daphne A. Brooks) / 1. Visions of Wondaland: On Janelle Monaé’s Afrofuturistic Vision (Marquita R. Smith) / 2. Listening to Difference: Recognition and Refusal in Queer Music Diasporas (Craig Jennex) / 3. Who’s Your Daddy?: Beyoncé, the Dixie Chicks, and the Art of Outlaw Protest (Francesca T. Royster) / Part II: Rethinking Difference / Introduction (Annie Janeiro Randall) / 4. "Brave New Ideas Begin:" Disability, Gender, and Life-Writing in Twenty-First-Century Pop (Laurie Stras) / 5. "Round my Hometown:" Listening to London in the Racial Politics of Post-Millennial British Soul (Freya Jarman with Emily Baker) / 6. Born to Run and Reckless: My Life as a Pretender: Rewriting the Political Imaginary of Rock Music Memoir (Pamela Fox) / Part III: Decolonizing Sound / Introduction (Ellie M. Hisama) / 7. Sounding the Halluci Nation: Decolonizing Race, Masculinity, and Global Solidarities with A Tribe Called Red (Alexa Woloshyn) / 8. Addict(ive) Sex: Toward an Intersectional Approach to Truth Hurts’ "Addictive" and Afro-South Asian Hip Hop and R&B (Elliott H. Powell) / 9. Hip Hop Dialogues: Sampling Women’s Hand Drum Songs and the Canadian Popular Mainstream (Liz Przybylski) / Part IV: Refusing Conventions / Introduction (Maureen Mahon) / 10. Electro-Pop as Trojan Horse: Hearing the Call to Arms in Anohni’s HOPELESSNESS (Maria Murphy) / 11. Genders, Genres, Generations: Jacqueline Warwick and Susan McClary in Conversation (Susan McClary and Jacqueline Warwick) / 12. Power in the Darkness and "Angry Atthis:" Anthems, Genres and the Queer Voice (Jack Halberstam) / Part V: Voicing Resilience / Introduction (Murray Forman) / 13. Resisting the Politics of Aging: Madonna and the Value of Female Labor in Popular Music (Tiffany Naiman) / 14. Vera Lynn 100: Retirement, Aging, and Legacy for a "National Treasure" (Christina Baade) / 15. Sounding Lockdown: Singing in Administrative Segregation at the Louisiana Correctional Institute for Women (Benjamin J. Harbert and Consuela Gaines) Index

Susan Fast is Professor in the Department of English and Cultural Studies and Director of the Graduate Program in Gender Studies & Feminist Research at McMaster University. She is co-editor of Music, Politics, and Violence (2012), and author of Michael Jackson’s Dangerous (2014) and In the Houses of the Holy: Led Zeppelin and the Power of Rock Music (2001). Craig Jennex is Assistant Professor in the Department of English at Ryerson University. His work is published in Popular Music and Society, GUTS: Canadian Feminist Magazine, and TOPIA: Canadian Journal of Cultural Studies.

Select Guide Rating

• Acknowledgments / Indroduction (Craig Jennex and Susan Fast) / Part I: Displacing Whiteness / Introduction (Daphne A. Brooks) / 1. Visions of Wondaland: On Janelle Monaé’s Afrofuturistic Vision (Marquita R. Smith) / 2. Listening to Difference: Recognition and Refusal in Queer Music Diasporas (Craig Jennex) / 3. Who’s Your Daddy?: Beyoncé, the Dixie Chicks, and the Art of Outlaw Protest (Francesca T. Royster) / Part II: Rethinking Difference / Introduction (Annie Janeiro Randall) / 4. "Brave New Ideas Begin:" Disability, Gender, and Life-Writing in Twenty-First-Century Pop (Laurie Stras) / 5. "Round my Hometown:" Listening to London in the Racial Politics of Post-Millennial British Soul (Freya Jarman with Emily Baker) / 6. Born to Run and Reckless: My Life as a Pretender: Rewriting the Political Imaginary of Rock Music Memoir (Pamela Fox) / Part III: Decolonizing Sound / Introduction (Ellie M. Hisama) / 7. Sounding the Halluci Nation: Decolonizing Race, Masculinity, and Global Solidarities with A Tribe Called Red (Alexa Woloshyn) / 8. Addict(ive) Sex: Toward an Intersectional Approach to Truth Hurts’ "Addictive" and Afro-South Asian Hip Hop and R&B (Elliott H. Powell) / 9. Hip Hop Dialogues: Sampling Women’s Hand Drum Songs and the Canadian Popular Mainstream (Liz Przybylski) / Part IV: Refusing Conventions / Introduction (Maureen Mahon) / 10. Electro-Pop as Trojan Horse: Hearing the Call to Arms in Anohni’s HOPELESSNESS (Maria Murphy) / 11. Genders, Genres, Generations: Jacqueline Warwick and Susan McClary in Conversation (Susan McClary and Jacqueline Warwick) / 12. Power in the Darkness and "Angry Atthis:" Anthems, Genres and the Queer Voice (Jack Halberstam) / Part V: Voicing Resilience / Introduction (Murray Forman) / 13. Resisting the Politics of Aging: Madonna and the Value of Female Labor in Popular Music (Tiffany Naiman) / 14. Vera Lynn 100: Retirement, Aging, and Legacy for a "National Treasure" (Christina Baade) / 15. Sounding Lockdown: Singing in Administrative Segregation at the Louisiana Correctional Institute for Women (Benjamin J. Harbert and Consuela Gaines) Index