Jacqueline Millner is Associate Professor of Visual Arts at La Trobe University, Australia. She has published extensively on contemporary art, with a focus on Australian and feminist practices. Her books include Conceptual Beauty (2010), the co-authored Australian Artists in the Contemporary Museum (2014), and Fashionable Art (2015). Catriona Moore lectures in art history at the University of Sydney, Australia. Her ongoing engagement with modern and contemporary art and feminism dates from her pioneering books Indecent Exposures: Australian Feminist Photography 1970–1990 (1994) and Dissonance: Twenty Years of Australian Feminist Art Writing (1994).

"A rousing riposte to anyone who thinks that feminism is now ‘post’, this book full of fascinating accounts of a disparate range of practises provides a challenge to patriarchal attitudes in the artworld in engaging, enlightening and at times humorous ways – a veritable celebration of female creativity and thought." - Elizabeth Ann Macgregor OBE, Director, Museum of Contemporary Art Australia

• Introduction; Chapter 1 A feminist curator walks into a gallery…; Chapter 2 The value of maturity: Anne Ferran, Judith Wright, Lindy Lee; Chapter 3 Women in the Cross-cultural Studio: Invisible Tracks in the Indigenous artist’s archive; Chapter 4 The Pearl Gibbs ‘Gambanyi’ Kangaroo Cloak; Chapter 5 Still in my mind: Gurindji location, experience and visuality; Chapter 6 The practice of remaining perpetually contingent; Chapter 7 Curating Grief; Chapter 8 The Intimate Monument: Memorialising from a feminist perspective; Chapter 9 FLORINA PREFECTURE: Women in the shadow of ‘The Magnificent Empire’ 1900-1922 & 2017 — a feminist interpretation of Greek-Australian identity as explored in contemporary art; Chapter 10 Feeling seeing: image, sound and touch in the video installations of Angelica Mesiti; Chapter 11 Materialising the Interval: Relationality as a feminist art practice; Chapter 12 Heave, Ho, Ha: Disgust, humour and failure in contemporary feminist art; Chapter 13 Slim evidence of fat fortunes: toward a gendered history of fat acceptance

Jacqueline Millner is Associate Professor of Visual Arts at La Trobe University, Australia. She has published extensively on contemporary art, with a focus on Australian and feminist practices. Her books include Conceptual Beauty (2010), the co-authored Australian Artists in the Contemporary Museum (2014), and Fashionable Art (2015). Catriona Moore lectures in art history at the University of Sydney, Australia. Her ongoing engagement with modern and contemporary art and feminism dates from her pioneering books Indecent Exposures: Australian Feminist Photography 1970–1990 (1994) and Dissonance: Twenty Years of Australian Feminist Art Writing (1994).

"A rousing riposte to anyone who thinks that feminism is now ‘post’, this book full of fascinating accounts of a disparate range of practises provides a challenge to patriarchal attitudes in the artworld in engaging, enlightening and at times humorous ways – a veritable celebration of female creativity and thought." - Elizabeth Ann Macgregor OBE, Director, Museum of Contemporary Art Australia

• Introduction; Chapter 1 A feminist curator walks into a gallery…; Chapter 2 The value of maturity: Anne Ferran, Judith Wright, Lindy Lee; Chapter 3 Women in the Cross-cultural Studio: Invisible Tracks in the Indigenous artist’s archive; Chapter 4 The Pearl Gibbs ‘Gambanyi’ Kangaroo Cloak; Chapter 5 Still in my mind: Gurindji location, experience and visuality; Chapter 6 The practice of remaining perpetually contingent; Chapter 7 Curating Grief; Chapter 8 The Intimate Monument: Memorialising from a feminist perspective; Chapter 9 FLORINA PREFECTURE: Women in the shadow of ‘The Magnificent Empire’ 1900-1922 & 2017 — a feminist interpretation of Greek-Australian identity as explored in contemporary art; Chapter 10 Feeling seeing: image, sound and touch in the video installations of Angelica Mesiti; Chapter 11 Materialising the Interval: Relationality as a feminist art practice; Chapter 12 Heave, Ho, Ha: Disgust, humour and failure in contemporary feminist art; Chapter 13 Slim evidence of fat fortunes: toward a gendered history of fat acceptance

Jacqueline Millner is Associate Professor of Visual Arts at La Trobe University, Australia. She has published extensively on contemporary art, with a focus on Australian and feminist practices. Her books include Conceptual Beauty (2010), the co-authored Australian Artists in the Contemporary Museum (2014), and Fashionable Art (2015). Catriona Moore lectures in art history at the University of Sydney, Australia. Her ongoing engagement with modern and contemporary art and feminism dates from her pioneering books Indecent Exposures: Australian Feminist Photography 1970–1990 (1994) and Dissonance: Twenty Years of Australian Feminist Art Writing (1994).

"A rousing riposte to anyone who thinks that feminism is now ‘post’, this book full of fascinating accounts of a disparate range of practises provides a challenge to patriarchal attitudes in the artworld in engaging, enlightening and at times humorous ways – a veritable celebration of female creativity and thought." - Elizabeth Ann Macgregor OBE, Director, Museum of Contemporary Art Australia

• Introduction; Chapter 1 A feminist curator walks into a gallery…; Chapter 2 The value of maturity: Anne Ferran, Judith Wright, Lindy Lee; Chapter 3 Women in the Cross-cultural Studio: Invisible Tracks in the Indigenous artist’s archive; Chapter 4 The Pearl Gibbs ‘Gambanyi’ Kangaroo Cloak; Chapter 5 Still in my mind: Gurindji location, experience and visuality; Chapter 6 The practice of remaining perpetually contingent; Chapter 7 Curating Grief; Chapter 8 The Intimate Monument: Memorialising from a feminist perspective; Chapter 9 FLORINA PREFECTURE: Women in the shadow of ‘The Magnificent Empire’ 1900-1922 & 2017 — a feminist interpretation of Greek-Australian identity as explored in contemporary art; Chapter 10 Feeling seeing: image, sound and touch in the video installations of Angelica Mesiti; Chapter 11 Materialising the Interval: Relationality as a feminist art practice; Chapter 12 Heave, Ho, Ha: Disgust, humour and failure in contemporary feminist art; Chapter 13 Slim evidence of fat fortunes: toward a gendered history of fat acceptance