Narrative Global Politics

Naeem Inayatullah is Professor at Ithaca College, USA.Elizabeth Dauphinee is Professor at York University, Canada.

'Scholars, blessed with the luxury of time to think and razor sharp minds with which to do it, often fail to deliver insights in a manner allowing critical ideas to come alive. Inayatullah and Dauphine have crystalized a new direction in academic writing. This turn is far from simply stylistic, and begins the process of resuscitating the important cultural beast that is academic writing. In fact, as we see, they allow that beast to dance with grace and clarity.' - Jane-Marie Law, Associate Professor, Religious Studies and Asian Studies, Cornell University, USA'Narrative Global Politics offers a series of poignant and insightful essays that seek to locate the authors’ own bodies and experiences in their work and in their world. These essays offer a glimpse of how we might begin to understand the web of identity, relationships, place, and power in which we exist. Both tender and discerning, Narrative Global Politics vividly explores the scholarly and personal work of "being in relation.' - Catherine Taylor, Associate Professor, Ithaca College, USA'Narrative Global Politics is an intervention in international relations that gives new meaning to the feminist mantra ‘the personal is political.’ In a series of absorbing and often poignant essays, scholars and artists write about themselves and global politics. In the process, they simultaneously work toward and make a compelling case for new ways of understanding and acting on the self and the world.' - Lori Leonard, Associate Professor, Development Sociology, Cornell University, USA'This is global politics rendered at its riveting best, a distinct art form incessantly peeling layers of the political. The hackneyed is out and a whole new aesthetic inaugurated.' - Siddharth Mallavarapu, Associate Professor & Chairperson, Department of International Relations, South Asian University 'Narrative Global Politics fills an important niche in the complex economy of (academic) desire. It not only stages new and illuminating encounters with others and ourselves, but also allows us to dive deeper into the narrative making of the ‘social’ and the ‘self,’ and its inexhaustible mystery.' - Erzsebet Strausz, Teaching fellow, Department of Politics and International Studies, University of Warwickm UK

• 1. Permitted Urgency: a prologue, Naeem Inayatullah and Elizabeth Dauphinee 2. The Reluctant Immigrant: applicant to Modernity from afar Randolph B. Persaud 3. Dissolutions of the Self Véronique Pin-Fat 4. Simultaneous Translation: finding my core in the periphery Manuela L. Picq 5. The Intimate Architecture of Academic Stories: the politics of Political Science Paulo Ravecca 6. The Banality of Survival Aida A. Hozi? 7. Letters to Yvonne: words and/as worlds Sam Okoth Opondo 8. Your East Africa, My Pacific Northwest: a commercial view of Tanzania from an unfamiliar vantage Donnell Alexander 9. Loss of a Loss: Ground Zero, Spring 2014 Jenny Edkins 10. Contradictions, Nicholas Onuf 11. ‘Was will das Weib?’: from scholar-activism to film-making Ruth Halaj Reitan 12. What Might Still Sputter Forth Kevin C. Dunn 13. AUTO/BIO/GRAPH Paul Kirby 14. The Smell of Wood: Recuperating loss in a country of forgetting Charmaine Chua 15. Immobility, Intimacy, Movement: translating death, life, and border-crossings Richa Nagar 16. Suicide, the Only Political Act Worthy of the Name Dan Öberg 17. Dancing Modernity: an epilogue Cory Brown