Bokus
Martha Tupinamba de Ulhoa, Cláudia Azevedo, Felipe Trotta - Made in Brazil, Häftad

Häftad, Engelska, 2016

Made in Brazil

Studies in Popular Music

Av Martha Tupinamba de Ulhoa, Cláudia Azevedo, Felipe Trotta

Del i serien Routledge Global Popular Music Series

724 kr

Beställningsvara. Skickas inom 10-15 vardagar. Fri frakt över 249 kr.

Beskrivning
Made in Brazil: Studies in Popular Music serves as a comprehensive and thorough introduction to the history, sociology, and musicology of twentieth-century Brazilian popular music. The volume consists of essays by scholars of Brazilian music, and covers the major figures, styles, and social contexts of pop music in Brazil. Each essay provides adequate context so readers understand why the figure or genre under discussion is of lasting significance to Brazilian popular music. The book first presents a general description of the history and background of popular music in Brazil, followed by essays that are organized into thematic sections: Samba and Choro; History, Memory, and Representations; Scenes and Artists; and Music, Market and New Media.
Produktinformation
Utforska kategorier
Mer om författaren

Martha Tupinambá de Ulhôa is Professor of Musicology at UNIRIO—Universidade Federal do Estado do Rio de Janeiro—and Researcher of the Brazilian National Research Council (CNPq).Cláudia Azevedo is lecturer and developer of a post-doctoral research project on popular music analysis (with a FAPERJ—Fundação de Amparo à Pesquisa do Estado do Rio de Janeiro—scholarship) at the Program of Post-Graduation in Music at UNIRIO—Universidade Federal do Estado do Rio de Janeiro.Felipe Trotta is a faculty member of Media Studies Department at UFF—Universidade Federal Fluminense—and researcher of the Brazilian National Research Council (CNPq).

Recensioner i media

"This book is a major contribution to popular music studies, not only because it presents new data on Brazilian popular musics but also because of the new insights it brings into this field of study. Made in Brazil draws a complex picture of contemporaneity, stressing the confrontation between 'roots' and 'networks,' 'national' and 'trans-national,' and the instrumental character of popular music in the establishment of groups and social classes."—Pedro Félix, Universidade Nova de Lisboa, IASPM@Journal vol.5 no.2

Betyg & recensioner

0 recensioner

Inga recensioner tillgängliga.

Mer från samma serie