Brian Hulse, College of William and Mary, USA and Nick Nesbitt, Princeton University, USA

''... a groundbreaking and exceptionally thought-provoking collection with potential for longstanding and pervasive influence across disciplines, institutions and specializations.' Notes

• 1: The Image of Thought and Ideas of Music; 2: Thinking Musical Difference: Music Theory as Minor Science *; 3: A Deleuzian Noise/Excavating the Body of Abstract Sound; 4: The Sound of Repeating Life: Ethics and Metaphysics in Deleuze's Philosophy of Music; 5: Enforced Deterritorialization, or the Trouble with Musical Politics 1; 6: Gilles Deleuze and the Musical Spinoza; 7: Intensity, Music, and Heterogenesis in Deleuze *; 8: Critique and Clinique: From Sounding Bodies to the Musical Event; 9: Logic of Edge: Wolfgang Rihm's Am Horizont; 10: Music and the Difference in Becoming; 11: Transformation and Becoming Other in the Music and Poetics of Luciano Berio; 12: Line, Surface, Speed: Nomadic Features of Melody

Brian Hulse, College of William and Mary, USA and Nick Nesbitt, Princeton University, USA

''... a groundbreaking and exceptionally thought-provoking collection with potential for longstanding and pervasive influence across disciplines, institutions and specializations.' Notes

• 1: The Image of Thought and Ideas of Music; 2: Thinking Musical Difference: Music Theory as Minor Science *; 3: A Deleuzian Noise/Excavating the Body of Abstract Sound; 4: The Sound of Repeating Life: Ethics and Metaphysics in Deleuze's Philosophy of Music; 5: Enforced Deterritorialization, or the Trouble with Musical Politics 1; 6: Gilles Deleuze and the Musical Spinoza; 7: Intensity, Music, and Heterogenesis in Deleuze *; 8: Critique and Clinique: From Sounding Bodies to the Musical Event; 9: Logic of Edge: Wolfgang Rihm's Am Horizont; 10: Music and the Difference in Becoming; 11: Transformation and Becoming Other in the Music and Poetics of Luciano Berio; 12: Line, Surface, Speed: Nomadic Features of Melody

Brian Hulse, College of William and Mary, USA and Nick Nesbitt, Princeton University, USA

''... a groundbreaking and exceptionally thought-provoking collection with potential for longstanding and pervasive influence across disciplines, institutions and specializations.' Notes

• 1: The Image of Thought and Ideas of Music; 2: Thinking Musical Difference: Music Theory as Minor Science *; 3: A Deleuzian Noise/Excavating the Body of Abstract Sound; 4: The Sound of Repeating Life: Ethics and Metaphysics in Deleuze's Philosophy of Music; 5: Enforced Deterritorialization, or the Trouble with Musical Politics 1; 6: Gilles Deleuze and the Musical Spinoza; 7: Intensity, Music, and Heterogenesis in Deleuze *; 8: Critique and Clinique: From Sounding Bodies to the Musical Event; 9: Logic of Edge: Wolfgang Rihm's Am Horizont; 10: Music and the Difference in Becoming; 11: Transformation and Becoming Other in the Music and Poetics of Luciano Berio; 12: Line, Surface, Speed: Nomadic Features of Melody