Brian Murdoch is Professor Emeritus of German at Stirling University in Scotland, and has held visiting fellowships or lectureships at Oxford and at Cambridge. He has published extensively on medieval and renaissance literature, especially biblical writings. In the modern field he has focussed on the literature of the world wars (on Erich Maria Remarque in particular), and has translated novels by Remarque, by Walter Flex and by modern German writers, as well as medieval works in German and Latin.

• Preface; Introduction; From the hymn of hate to the way of sacrifice: German writing in the First World War. On Erich Maria Remarque: All quiet on the Trojan front: Remarque, Homer and war as the targets of literary parody; Translating the western front: A. W. Wheen and E. M. Remarque [with an addendum]; Narrative strategies in Remarque’s Im Westen nichts Neues; ‘We Germans...’? Remarque’s English novel All Quiet on the Western Front; Paul Bäumer’s diary: Im Westen nichts Neues, the war diary and the fictionality of the war novel; Going forwards on the road back: the end of the war and its aftermath in Remarque’s second war novel; Innocent killing: Erich Maria Remarque and the Weimar anti-war novels. On Ernst Johanssen: Habent sua fata libelli: Ernst Johannsen’s Vier von der Infanterie and Remarque’s Im Westen nichts Neues; Bestial humans and humane beasts: Ernst Johannsen’s Vier von der Infanterie and Fronterinnerungen eines Pferdes, 1929 [with an addendum]. On Adrienne Thomas: ‘Hinter die Kulissen des Krieges sehen’: Adrienne Thomas, Evadne Price - and E. M. Remarque. On Edlef Köppen: Documentation and narrative: Edlef Köppen’s Heeresbericht and the anti-war novel of the Weimar Republic. On Leonhard Frank: War, identity, truth and love: Leonhard Frank’s Karl und Anna. On Arnold Zweig: Arnold Zweig. On Hans Chlumberg: Memory and prophecy among the war-graves: Hans Chlumberg’s drama, Miracle at Verdun. Bibliographical notes; Index.

Brian Murdoch is Professor Emeritus of German at Stirling University in Scotland, and has held visiting fellowships or lectureships at Oxford and at Cambridge. He has published extensively on medieval and renaissance literature, especially biblical writings. In the modern field he has focussed on the literature of the world wars (on Erich Maria Remarque in particular), and has translated novels by Remarque, by Walter Flex and by modern German writers, as well as medieval works in German and Latin.

• Preface; Introduction; From the hymn of hate to the way of sacrifice: German writing in the First World War. On Erich Maria Remarque: All quiet on the Trojan front: Remarque, Homer and war as the targets of literary parody; Translating the western front: A. W. Wheen and E. M. Remarque [with an addendum]; Narrative strategies in Remarque’s Im Westen nichts Neues; ‘We Germans...’? Remarque’s English novel All Quiet on the Western Front; Paul Bäumer’s diary: Im Westen nichts Neues, the war diary and the fictionality of the war novel; Going forwards on the road back: the end of the war and its aftermath in Remarque’s second war novel; Innocent killing: Erich Maria Remarque and the Weimar anti-war novels. On Ernst Johanssen: Habent sua fata libelli: Ernst Johannsen’s Vier von der Infanterie and Remarque’s Im Westen nichts Neues; Bestial humans and humane beasts: Ernst Johannsen’s Vier von der Infanterie and Fronterinnerungen eines Pferdes, 1929 [with an addendum]. On Adrienne Thomas: ‘Hinter die Kulissen des Krieges sehen’: Adrienne Thomas, Evadne Price - and E. M. Remarque. On Edlef Köppen: Documentation and narrative: Edlef Köppen’s Heeresbericht and the anti-war novel of the Weimar Republic. On Leonhard Frank: War, identity, truth and love: Leonhard Frank’s Karl und Anna. On Arnold Zweig: Arnold Zweig. On Hans Chlumberg: Memory and prophecy among the war-graves: Hans Chlumberg’s drama, Miracle at Verdun. Bibliographical notes; Index.