Joanne Pettitt is based in the School of European Culture and Languages at the University of Kent, Canterbury, UK.Vered Weiss is a post-doc working in the Program in Jewish Culture and Society at the University of Illinois at Urbana-Champaign, USA.

• Introduction Section one: geographies of the Holocaust 1. Life in space, space in life: Nazi topographies, geographical imaginations, and Lebensraum 2. Controversies surrounding the excavation at Börneplatz, Frankfurt am Main, 1987 Section two: remembering and experiencing the concentration camps in the present day 3. "Romantic Auschwitz": examples and perceptions of contemporary visitor photography at the Auschwitz-Birkenau State Museum 4. The concentration camp brothels in memory 5. The sacred, the profane, and the space in between: site-specific performance at Auschwitz Section three: filmic topographies 6. The cinematic city and the destruction of Lublin’s Jews 7. Transcultural engagement with Polish memory of the Holocaust while watching Leszek Wosiewicz’s Kornblumenblau Section four: literary topographies 8. Post-witnessing the concentration camps: Paul Auster’s and Angela Morgan Cutler’s investigative and imaginative encounters with sites of mass murder 9. Extra-territorial places in W. G. Sebald’s Austerlitz 10. British representations of the camps Afterword

Joanne Pettitt is based in the School of European Culture and Languages at the University of Kent, Canterbury, UK.Vered Weiss is a post-doc working in the Program in Jewish Culture and Society at the University of Illinois at Urbana-Champaign, USA.

• Introduction Section one: geographies of the Holocaust 1. Life in space, space in life: Nazi topographies, geographical imaginations, and Lebensraum 2. Controversies surrounding the excavation at Börneplatz, Frankfurt am Main, 1987 Section two: remembering and experiencing the concentration camps in the present day 3. "Romantic Auschwitz": examples and perceptions of contemporary visitor photography at the Auschwitz-Birkenau State Museum 4. The concentration camp brothels in memory 5. The sacred, the profane, and the space in between: site-specific performance at Auschwitz Section three: filmic topographies 6. The cinematic city and the destruction of Lublin’s Jews 7. Transcultural engagement with Polish memory of the Holocaust while watching Leszek Wosiewicz’s Kornblumenblau Section four: literary topographies 8. Post-witnessing the concentration camps: Paul Auster’s and Angela Morgan Cutler’s investigative and imaginative encounters with sites of mass murder 9. Extra-territorial places in W. G. Sebald’s Austerlitz 10. British representations of the camps Afterword

Joanne Pettitt is based in the School of European Culture and Languages at the University of Kent, Canterbury, UK.Vered Weiss is a post-doc working in the Program in Jewish Culture and Society at the University of Illinois at Urbana-Champaign, USA.

• Introduction Section one: geographies of the Holocaust 1. Life in space, space in life: Nazi topographies, geographical imaginations, and Lebensraum 2. Controversies surrounding the excavation at Börneplatz, Frankfurt am Main, 1987 Section two: remembering and experiencing the concentration camps in the present day 3. "Romantic Auschwitz": examples and perceptions of contemporary visitor photography at the Auschwitz-Birkenau State Museum 4. The concentration camp brothels in memory 5. The sacred, the profane, and the space in between: site-specific performance at Auschwitz Section three: filmic topographies 6. The cinematic city and the destruction of Lublin’s Jews 7. Transcultural engagement with Polish memory of the Holocaust while watching Leszek Wosiewicz’s Kornblumenblau Section four: literary topographies 8. Post-witnessing the concentration camps: Paul Auster’s and Angela Morgan Cutler’s investigative and imaginative encounters with sites of mass murder 9. Extra-territorial places in W. G. Sebald’s Austerlitz 10. British representations of the camps Afterword