King-fai Tam is an Associate Professor in the Department of Chinese Culture at Hong Kong Polytechnic University, Hong Kong, China.Timothy Y. Tsu is a Professor in the School of International Studies at Kwansei Gaukuin University, Japan.Sandra Wilson is a Professor in the School of Arts and a Fellow of the Asia Research Centre at Murdoch University, Australia.

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• 1. The Second World War in Post-War Chinese and Japanese Film 2. A Genealogy of Anti-Japanese Protagonists in Chinese War Films, 1949-2011 3. Film, Ethnic Minorities, and the Anti-Japanese War: An Analysis of The Muslim Detachment and Jin Yuji 4. The Sino-Japanese War in Ip Man: From Miscommunication to Poetic Combat 5. War, Horror and Trauma: Japanese Atrocities on Chinese Screens 6. Documentaries as Historical Text: the Emergence of the East River Column on the Hong Kong Television Screen 7. The Theme of Salvation in Chinese and Japanese War Movies 8. Establishing the Genre of the Revisionist War Film: The Shin-Tōhō Body of Post-Occupation War Films in Japan 9. Wild, Wild War: Okamoto Kihachi and the Politics of the Desperado Films 10. Japan’s Longest Days: Tōhō and the Politics of War Memory, 1967-1972 11. The Himeyuri Film Cycle: Cultural Change and Remakes of an Okinawan Tragedy 12. What is There to Laugh About? University of Laughs as an Anti-War Film Comedy 13. A Past to be Ashamed or Proud of? Echoes of the Fifteen-Year War in Japanese Film

King-fai Tam is an Associate Professor in the Department of Chinese Culture at Hong Kong Polytechnic University, Hong Kong, China.Timothy Y. Tsu is a Professor in the School of International Studies at Kwansei Gaukuin University, Japan.Sandra Wilson is a Professor in the School of Arts and a Fellow of the Asia Research Centre at Murdoch University, Australia.

Select Guide Rating

• 1. The Second World War in Post-War Chinese and Japanese Film 2. A Genealogy of Anti-Japanese Protagonists in Chinese War Films, 1949-2011 3. Film, Ethnic Minorities, and the Anti-Japanese War: An Analysis of The Muslim Detachment and Jin Yuji 4. The Sino-Japanese War in Ip Man: From Miscommunication to Poetic Combat 5. War, Horror and Trauma: Japanese Atrocities on Chinese Screens 6. Documentaries as Historical Text: the Emergence of the East River Column on the Hong Kong Television Screen 7. The Theme of Salvation in Chinese and Japanese War Movies 8. Establishing the Genre of the Revisionist War Film: The Shin-Tōhō Body of Post-Occupation War Films in Japan 9. Wild, Wild War: Okamoto Kihachi and the Politics of the Desperado Films 10. Japan’s Longest Days: Tōhō and the Politics of War Memory, 1967-1972 11. The Himeyuri Film Cycle: Cultural Change and Remakes of an Okinawan Tragedy 12. What is There to Laugh About? University of Laughs as an Anti-War Film Comedy 13. A Past to be Ashamed or Proud of? Echoes of the Fifteen-Year War in Japanese Film