Routledge Introduction to American Modernism

Linda Wagner-Martin is Frank Borden and Barbara Lasater Hanes Professor of English Emerita at the University of North Carolina, Chapel Hill, USA. She has recently been awarded the Hubbell Medal for her lifetime of work in American literature.

'Linda Wagner-Martin’s plainspoken and illuminating introduction is distinguished by its emphasis on American modernism’s commonplace language and surprising dose of common sense. Her always-lucid guidance to authors, texts, and trends blends time-honored insights with fresh perspectives drawn from the New Modernist Studies.' William J. Maxwell, Washington University in St. Louis, USA'The great virtue of Linda Wagner-Martin’s study of the modernist aesthetic in American literature is that she extends her discussion well beyond the conventional wisdom that sees the movement as largely confined to the 1920s. She is aware that movements in the arts don’t suddenly end at some convenient point to suit the timetable of the literary historian. Thus we are presented with readings of authors frequently ignored in other studies, such as Jack Conroy and Tom Kromer, as well as an account of the Harlem Renaissance that emphasizes the continuities between the ‘black aesthetic’ and the formal experimentation of ‘white’ writers. Her book ranges widely and the readings are brisk, informed, and lucid.' Henry Claridge, University of Kent, UK'Professor Wagner-Martin has produced a superlative introduction to the field of American literary modernism, detailed in its coverage, persuasive in its argument, and assiduous in its scholarship. The book extends the parameters of American literary modernism and forces the reader to re-evaluate lesser known writers and texts, whilst also covering important canonical works. The Routledge Introduction to American Modernism will prove an invaluable guide for newcomers to the field and an important touchstone for all scholars of American literary modernism.' Catherine Morley, University of Leicester, UK'The survey is straightforward and moves quickly, but it is always insightful. Wagner-Martin includes dozens of brief excerpts from key works to help students at the beginning of their studies glean enough information to follow the argument. She is masterful in weaving interpretations of primary texts with concise author biographies, a bit of historical context, and information about critical tradition and new approaches. Each chapter includes a list of suggested further reading, and the volume concludes with a full bibliography. An introduction in the best sense, this well-written volume will be accessible to the uninitiated, and it is sophisticated enough for those who think they are beyond an introduction. Summing Up: Highly Recommended' J. W. Miller, Gonzaga University, CHOICE January 2017

• Introduction1. Struggles (against England and for national aesthetic freedom)2. United States Expatriation3. Poetry as Origin4. Ernest Hemingway as star pupil5. Fitzgerald and Faulkner – United Stated Romanticism6. The Harlem Renaissance and After7. The 1930s and omnipresent class distinctions8. World War II and after: is this what postmodernism looks like?