Linda Wagner-Martin - Böcker

Edith Wharton's novels of manners seem to grow in stature as time passes. Here she draws a beautiful social climber, Undine Sprague, who is a monster of selfishness and honestly doesn't know it. Although the worlds she wants to conquer have vanished, Undine herself is amazingly recognizable. She marries well above herself twice and both times fails to recognize her husbands' strengths of character or the weakness of her own, and it is they, not she, who pay the price.

The 1999 centennial of Ernest Hemingway's birth marks a time for the reevaluation of his position as America's premier modernist writer. The previously unpublished essays in this collection plumb unexplored details of Hemingway's life to illuminate new and unexpected dimensions of the force of his literary accomplishments. The essays discuss biographical details of Hemingway's personal and professional life as well as describe the subleties of his character.

The 1999 Hemingway centennial marks the perfect time for the reevaluation of his position as America's premier modernist writer. These essays, all written specially for this collection, plumb unexplored historical details of Hemingway's life to illuminate new and often unexpected dimensions of the force of his literary accomplishment. Discussing biographical details of his personal and professional life along with the subtleties of his character, the text includes a number of fascinating photos and images.

Provocative and compulsively readable, lively, engaging, and brilliantly representative, The Oxford Book of Women's Writing in the United States presents short stories, poems, essays, plays, speeches, performance pieces, erotica, diaries, correspondence, and even a few recipes from nearly one hundred of our best women writers.Reveling in the awareness that the best U.S. women's writing is, quite simply, some of the best in the world, editors Linda Wagner-Martin and Cathy N. Davidson have chosen selections spanning four centuries and reflecting the rich variety of American women's lives. The collection embraces the perspectives of age and youth, the traditional and the revolutionary, the public and the private. Here is Judith Sargent Murray's 1790 essay "On the Equality of the Sexes," journalist Martha Gellhorn's "Last Words on Vietnam, 1987," and Mary Gordon's homage to the ghosts of Ellis Island, "More Than Just a Shrine"; powerful short stories by Zora Neale Hurston, Edith Wharton, Cynthia Ozick, and Toni Morrison; letters from Abigail Adams, Sarah Moore Grimke[accent], Emma Goldman, and Georgia O'Keeffe; Alice B. Toklas's recipe "Bass for Picasso," and erotic offerings from Anais Nin and Rita Mae Brown. The moving autobiography of Zitkala- Sa[accent], whose mother was a Sioux, tells us more about "otherness" than any sociological treatise, while Janice Mirikitani's and Nellie Wong's poems about being young Asian-American women, like Alice Walker's meditation on the beauty of growing old, speak to all readers.A thought-provoking introduction and descriptive headnotes explore the history of women's writing in ways that help the reader to understand the American women who have used language to change their worlds and to remember the past, and as a means of etching their deepest, fondest dreams. A joy to read, The Oxford Book of Women's Writing in the United States is filled with eye-opening and unexpected selections. It is the perfect book for anyone fascinated by women's writing and women's lives.

Still the most popular book of Hemingway's to teach, The Sun Also Rises captures the quintessential romance of the expatriate Americans and Britains in Paris after World War I. As the international vacationers move from Paris to Pamplona for the bullfight festival, the characters wend their various narratives through the impressionistic colours of modern European life. The text provides a way for discussions of war, sexuality, personal angst, and national identity to be linked inextricably with the stylistic traits of modern writing. Both in theme and style, this novel has become synonymous with modernism and is often used as either a starting point for courses in modernism or as a representative modernist novel in broader survey courses. This collection of essays presents ideas published throughout the last half of the twentieth century, touching on topics of sexuality, religion, alcoholism, gender, Spanish culture and economics - as well as humour. Five of the essays have been published since 1995, and they represent the most current thinking about the novel. The volume also includes an interview with Hemingway conducted by George Plimpton.

Still the most popular book of Hemingway's to teach, The Sun Also Rises captures the quintessential romance of the expatriate Americans and Britains in Paris after World War I. As the international vacationers move from Paris to Pamplona for the bullfight festival, the characters wend their various narratives through the impressionistic colours of modern European life. The text provides a way for discussions of war, sexuality, personal angst, and national identity to be linked inextricably with the stylistic traits of modern writing. Both in theme and style, this novel has become synonymous with modernism and is often used as either a starting point for courses in modernism or as a representative modernist novel in broader survey courses. This collection of essays presents ideas published throughout the last half of the twentieth century, touching on topics of sexuality, religion, alcoholism, gender, Spanish culture and economics - as well as humour. Five of the essays have been published since 1995, and they present the most current thinking about the novel. The volume also includes an interview with Hemingway conducted by George Plimpton.

Wagner-Martin, a respected scholar of American modernism and former president of the Ernest Hemingway Foundation and Society, offers a comprehensive guide to the novel's genesis, plot, background, themes, style, and critical reception. Each chapter overviews a significant element of the novel and includes thorough documentation. A bibliographic essay is also included.A landmark of American literature, Hemingway's A Farewell to Arms (1929) is one of the most widely read and studied novels of the 20th century. Written by a respected scholar of American modernism and former president of the Ernest Hemingway Foundation and Society, this reference is a comprehensive guide to the novel's genesis, plot, background, themes, style, and critical reception. Each chapter overviews a significant element of the novel and includes thorough documentation. The volume closes with a bibliographic essay, which provides summaries of current criticism in such fields as gender and feminist theory, medical humanities, and lesbian and gay studies.

This set comprises 40 volumes covering 19th and 20th century European and American authors. These volumes will be available as a complete set, mini boxed sets (by theme) or as individual volumes. This second set compliments the first 68 volume set of Critical Heritage published by Routledge in October 1995.

This set comprises 40 volumes covering 19th and 20th century European and American authors. These volumes will be available as a complete set, mini boxed sets (by theme) or as individual volumes. This second set compliments the first 68 volume set of Critical Heritage published by Routledge in October 1995.

The Sun Also Rises (1926) was Hemingway's first novel and is widely considered to be the most important of his longer works of fiction. Written in an accessible style by prominent scholars, this collection of essays provides helpful and valuable insight for general readers and Hemingway specialists alike. Each essay is devoted to a major aspect of the novel: Hemingway's use of humor, the literary and historical context of the book, the atypically prevalent character of Brett Ashley, and topical approaches to issues of sexuality in the novel.

Go Down, Moses (1942) came to fruition during the Second World War, was written during one of Faulkner's most traumatic periods, and has fallen to critical neglect amid the vast scholarship on the great Southern writer. In part, this collection aims to tilt the balance, forcing the reader beyond critical commonplaces through asking challenging questions. The five essays assembled here explore the tensions of race and gender apparent throughout the novel. Judith Sensibar approaches the work through Faulkner's relationship with Caroline Barr, the black woman who was his primary caretaker in life; Judith Wittenberg offers an ecological reading; John T. Matthews redefines the novel as a 'Southern' experience; Minrose Gwin focuses on the spaces in the text occupied by black women characters; and Thadious M. Davis charts further complications of the black-white relationships that lie at the heart of the novel.

Go Down, Moses (1942) came to fruition during the Second World War, was written during one of Faulkner's most traumatic periods, and has fallen to critical neglect amid the vast scholarship on the great Southern writer. In part, this collection aims to tilt the balance, forcing the reader beyond critical commonplaces through asking challenging questions. The five essays assembled here explore the tensions of race and gender apparent throughout the novel. Judith Sensibar approaches the work through Faulkner's relationship with Caroline Barr, the black woman who was his primary caretaker in life; Judith Wittenberg offers an ecological reading; John T. Matthews redefines the novel as a 'Southern' experience; Minrose Gwin focuses on the spaces in the text occupied by black women characters; and Thadious M. Davis charts further complications of the black-white relationships that lie at the heart of the novel.

Placing herself in the avid reader’s chair, Linda Wagner-Martin writes about women’s biography from George Eliot and Virginia Woolf to Eleanor Roosevelt and Margaret Mead, and even to Cher and Elizabeth Taylor. Along the way, she looks at dozens of other life stories, probing at the differences between biographies of men and women, prevailing stereotypes about women’s lives and roles, questions about what is public and private, and the hazy margins between autobiography, biography, and other genres. In quick paced and wide-ranging discussions, she looks at issues of authorial stance (who controls the narrative? who chooses which story to tell?), voice (is this story told in the traditional objective tone? and if it is, what effect does that telling have on our reading?), and the politics of publishing (why aren’t more books about women’s lives published? and when they are, what happens to their advertising budgets?). She discusses the problems of writing biography of achieving women who were also wives (how does the biographer balance the two?), of daughters who attempt to write about their mothers, and of husbands trying to portray their wives.Telling Women’s Lives  is the first overview of  the writing and the history of biographies about women. It is a significant contribution to the reassessment of the work of the hundreds of women writers who have made a difference in our conception of what women’s stories--and women’s lives--have been, and are becoming. The book is a must read for anyone who loves reading biographies, particularly biographies of women.

This work is part of the "Continuum Contemporaries" series giving readers accessible and informative introductions to 30 of the most popular, most acclaimed and most influential contemporary novels. It contains a biography of the novelist, a full-length study of the novel, a summary of how the novel was received upon publication, a summary of how the novel has performed since publication, and a wide range of suggestions for further reading.

A HISTORY OF AMERICAN LITERATURE 1950 TO THE PRESENT Featuring works from notable authors as varied as Salinger and the Beats to Vonnegut, Capote, Morrison, Rich, Walker, Eggers, and DeLillo, A History of American Literature: 1950 to the Present offers a comprehensive analysis of the wide range of literary works produced in the United States over the last six decades and a fascinating survey of the dramatic changes during America’s transition from the innocence of the fifties to the harsh realities of the first decade of the new millennium. Author Linda Wagner-Martin - a highly acclaimed authority on all facets of modern American literature - covers major works of drama, poetry, fiction, non- fiction, memoirs, and popular genres such as science fiction and detective novels. Viewing works produced during this fertile literary period from a wide-ranging perspective, Wagner-Martin considers literature in relation to such issues as the politics of civil rights, feminism, sexual preferences, and race- and gender-based marketing. She also places a special emphasis on works produced during the twenty-first century, and writings influenced by recent historic events such as the 9/11 terrorist attacks, Hurricane Katrina, and the global financial crisis. With its careful balance of scholarly precision and accessibility, A History of American Literature: 1950 to the Present provides readers of all levels with rich and revealing insights into the diversity of literary forms and influences that characterize postmodern America. “A monumental distillation of an enormous range of material, Wagner-Martin’s rich book should be required reading for anyone grappling with making sense of the prolific, broad-spectrum, and diverse writing in the US since 1950.”Thadious M. Davis, University of Pennsylvania “Linda Wagner-Martin’s history impressively and judiciously surveys all fields of American writing over the past sixty years, taking full account of significant cultural and historical contexts and the major critical commentaries that have helped shape our understanding of developments in the second half of the last century and the dozen years following the millennium. Balanced, informative, and always highly readable there is much here for general readers, students, and specialists alike.”Christopher MacGowan, the College of William and Mary

THE LIFE OF THE AUTHOR MAYA ANGELOUDISCOVER THE REMARKABLE LIFE OF MAYA ANGELOU WITH A HIGHLY PERSONAL AND DETAILED ACCOUNT OF HER CHALLENGES AND TRIUMPHSThe Life of the Author: Maya Angelou delivers an engaging and thorough retelling of the life and work of the celebrated and accomplished writer, director, and essayist. The book offers readers an engrossing retelling of Maya Angelou's entire life, from her time as a child in the segregated town of Stamps, Arkansas, to her death in 2014 in Winston-Salem.Written with an emphasis on accessibility, the author avoids critical theory and focuses on Maya Angelou's growth as a person and writer as well as the ways in which her life influenced her work. This new biography tells the story of a young black woman who overcomes poverty and endemic structural and personal obstacles to lead an accomplished life.Readers will also enjoy: A thorough retelling of the time Maya Angelou spent in Africa and how it shaped her views and workAn exploration of the screenplays written by Maya AngelouDiscussions of Maya Angelou's early life as a dancer, singer, and writerAccounts of Maya Angelou's writing and production of television showsA fulsome treatment of Maya Angelou's work, including her poems, autobiographies, films, music, and theatrePerfect for undergraduate students in Contemporary Literature courses as well as general readers who love Maya Angelou and her work, The Life of the Author: Maya Angelou will also earn a place in the libraries of biography and literature enthusiasts who seek to improve their understanding of the life and story of Maya Angelou with a highly personal and accessible new book.

The Routledge Introduction to American Postmodernism offers readers a fresh, insightful overview to all genres of postmodern writing. Drawing on a variety of works from not only mainstream authors but also those that are arguably unconventional, renowned scholar Linda Wagner-Martin gives the reader a solid framework and foundation to reading, understanding, and appreciating postmodern literature since its inception through the present day.

The Routledge Introduction to American Postmodernism offers readers a fresh, insightful overview to all genres of postmodern writing. Drawing on a variety of works from not only mainstream authors but also those that are arguably unconventional, renowned scholar Linda Wagner-Martin gives the reader a solid framework and foundation to reading, understanding, and appreciating postmodern literature since its inception through the present day.

The modernist period was crucial for American literature as it gave writers the chance to be truly innovative and create their own distinct identity. Starting slightly earlier than many guides to modernism this lucid and comprehensive guide introduces the reader to the essential history of the period including technology, religion, economy, class, gender and immigration. These contexts are woven of into discussions of many significant authors and texts from the period. Wagner-Martin brings her years of writing about American modernism to explicate poetry and drama as well as fiction and life-writing. Among the authors emphasized are Ernest Hemingway, William Faulkner, Zora Neale Hurston, Langston Hughes, F. Scott Fitzgerald, Gertrude Stein, Willa Cather, John Dos Passos, William Carlos Williams, Mike Gold, James T. Farrell, Clifford Odets, John Steinbeck and countless others.A clear and engaging introduction to an exciting period of literature, this is the ultimate guide for those seeking an overview of American Modernism.

The modernist period was crucial for American literature as it gave writers the chance to be truly innovative and create their own distinct identity. Starting slightly earlier than many guides to modernism this lucid and comprehensive guide introduces the reader to the essential history of the period including technology, religion, economy, class, gender and immigration. These contexts are woven of into discussions of many significant authors and texts from the period. Wagner-Martin brings her years of writing about American modernism to explicate poetry and drama as well as fiction and life-writing. Among the authors emphasized are Ernest Hemingway, William Faulkner, Zora Neale Hurston, Langston Hughes, F. Scott Fitzgerald, Gertrude Stein, Willa Cather, John Dos Passos, William Carlos Williams, Mike Gold, James T. Farrell, Clifford Odets, John Steinbeck and countless others.A clear and engaging introduction to an exciting period of literature, this is the ultimate guide for those seeking an overview of American Modernism.

This book aims to both describe and analyze the way Steinbeck learned the writing craft. It begins with his immersion in the short story, some years after he stopped attending Stanford University. Aside from a weak first novel, his professional writing career began with the publication in 1932 of The Pastures of Heaven, stories set in the Salinas Valley and dedicated to his parents. From that book he wrote truly commanding stories such as The Red Pony. Intermixed with Steinbeck’s journalism about California’s labor difficulties, his writing skill led to his 1930 masterpieces, Of Mice and Men, In Dubious Battle, and The Grapes of Wrath. The latter novel, winner of the Pulitzer Prize for Fiction in 1940, led eventually to his being awarded the Nobel Prize for Literature in 1962. He continued producing such wide-ranging works as The Pearl, East of Eden, The Winter of Our Discontent, and Travels with Charley up to just a few months before his death in 1968.

The most substantial collection of critical essays on Morrison to appear since her death in mid-2019, this book contains previously unpublished essays which both acknowledge the universal significance of her writing even as they map new directions. Essayists include pre-eminent Morrison scholars, as well as scholars who work in cultural criticism, African American letters, American modernism, and women’s writing. The book includes work on Morrison as a public intellectual; work which places Morrison’s writing within today’s currents of contemporary fiction; work which draws together Morrison’s “trilogy” of Beloved, Jazz, and Paradise alongside Dos Passos’ USA trilogy; work which links Morrison to such Black Atlantic artists as Lubaina Himid and others as well as work which offers a reading of “influence” that goes both directions between Morrison and Faulkner. Another cluster of essays treats seldom-discussed works by Morrison, including an essay on Morrison as writer of children’s books and as speaker for children’s education. In addition, a “Teaching Morrison” section is designed to help teachers and critics who teach Morrison in undergraduate classes. The Bloomsbury Handbook to Toni Morrison is wide-ranging, provocative, and satisfying; a fitting tribute to one of the greatest American novelists.

Bringing together leading voices from across the globe, The Bloomsbury Handbook to F. Scott Fitzgerald presents state-of-the-art scholarship on the renowned Jazz Age writer, as well as offering an approachable overview of his background, influences, and cultural context.This comprehensive volume features:- A variety of national and transnational perspectives- Essays which consider Fitzgerald's work via key contemporary approaches such as race studies, whiteness studies, queer studies, the digital humanities, literary geography, and ecocriticism- New comparative approaches that consider the author in the context of his contemporaries, including writers of the Harlem Renaissance and modernism- An innovative cluster of short essays by practitioners, reflecting on their work with Fitzgerald materialsOffering an indispensable resource for researchers and students alike, this handbook brings together the most exciting scholarship one a true giant of American literature.

The most substantial collection of critical essays on Morrison to appear since her death in mid-2019, this book contains previously unpublished essays which both acknowledge the universal significance of her writing even as they map new directions. Essayists include pre-eminent Morrison scholars, as well as scholars who work in cultural criticism, African American letters, American modernism, and women’s writing. The book includes work on Morrison as a public intellectual; work which places Morrison’s writing within today’s currents of contemporary fiction; work which draws together Morrison’s “trilogy” of Beloved, Jazz, and Paradise alongside Dos Passos’ USA trilogy; work which links Morrison to such Black Atlantic artists as Lubaina Himid and others as well as work which offers a reading of “influence” that goes both directions between Morrison and Faulkner. Another cluster of essays treats seldom-discussed works by Morrison, including an essay on Morrison as writer of children’s books and as speaker for children’s education. In addition, a “Teaching Morrison” section is designed to help teachers and critics who teach Morrison in undergraduate classes. The Bloomsbury Handbook to Toni Morrison is wide-ranging, provocative, and satisfying; a fitting tribute to one of the greatest American novelists.

Linda Wagner Martin's Zelda Sayre Fitzgerald is a twenty first century story. Using cultural and gender studies as contexts, Wagner Martin brings new information to the story of the Alabama judge's daughter who, at seventeen, met her husband to be, Scott Fitzgerald. Swept away from her stable home life into Jazz Age New York and Paris, Zelda eventually learned to be a writer and a painter and she came close to being a ballerina. An evocative portrayal of a talented woman's professional and emotional conflicts, this study contains extensive notes and new photographs. MARKET 1: Scholars and students of American literature; Women's Studies; Modernism; Twentieth-Century Literature MARKET 2: General reader

A HISTORY OF AMERICAN LITERATURE 1950 TO THE PRESENT Featuring works from notable authors as varied as Salinger and the Beats to Vonnegut, Capote, Morrison, Rich, Walker, Eggers, and DeLillo, A History of American Literature: 1950 to the Present offers a comprehensive analysis of the wide range of literary works produced in the United States over the last six decades and a fascinating survey of the dramatic changes during America’s transition from the innocence of the fifties to the harsh realities of the first decade of the new millennium. Author Linda Wagner-Martin - a highly acclaimed authority on all facets of modern American literature - covers major works of drama, poetry, fiction, non- fiction, memoirs, and popular genres such as science fiction and detective novels. Viewing works produced during this fertile literary period from a wide-ranging perspective, Wagner-Martin considers literature in relation to such issues as the politics of civil rights, feminism, sexual preferences, and race- and gender-based marketing. She also places a special emphasis on works produced during the twenty-first century, and writings influenced by recent historic events such as the 9/11 terrorist attacks, Hurricane Katrina, and the global financial crisis. With its careful balance of scholarly precision and accessibility, A History of American Literature: 1950 to the Present provides readers of all levels with rich and revealing insights into the diversity of literary forms and influences that characterize postmodern America. “A monumental distillation of an enormous range of material, Wagner-Martin’s rich book should be required reading for anyone grappling with making sense of the prolific, broad-spectrum, and diverse writing in the US since 1950.”Thadious M. Davis, University of Pennsylvania “Linda Wagner-Martin’s history impressively and judiciously surveys all fields of American writing over the past sixty years, taking full account of significant cultural and historical contexts and the major critical commentaries that have helped shape our understanding of developments in the second half of the last century and the dozen years following the millennium. Balanced, informative, and always highly readable there is much here for general readers, students, and specialists alike.”Christopher MacGowan, the College of William and Mary

Linda Wagner-Martin’s study of African American writer Toni Morrison’s work, beginning with The Bluest Eye in 1970 and continuing through her 2012 novel Home, describes Morrison as an inherently original novelist who was shaped throughout her career by her role within families. Morrison speaks of herself, compellingly and frequently, as daughter, sister, wife, mother, mentor, and friend. The energy from playing these roles in her life helped to lead to her thoroughly distinctive fiction. The book charts Morrison’s changing vision as well. Morrison’s deeper and deeper involvement in the history of African Americans within the United States leads to her study of the urban in Jazz, of the all-black Western towns in Paradise, of the upper-middle class in Love, as well as her poignant study of the returning Korean War veteran in Home. Morrison’s 2008 A Mercy, set in the seventeenth century, reprises much of the power of the prize-winning Beloved and returns readers to the quintessential theme of parent-child relationships. In Morrison’s fictional world, drawing from the human and spiritual forces in both Africa and the United States provides some hope of a truly satisfying existence.

In this revised edition, Linda Wagner-Martin offers a compelling study of African American writer Toni Morrison’s work, beginning with The Bluest Eye in 1970 and continuing through her 2015 novel God Help the Child. Wagner-Martin describes Morrison as an inherently original novelist who was shaped throughout her career by her role within families. Her study focuses on Morrison's use of family in her narratives, particularly on the roles of mother and child. Beginning with the paradigm of a good mother (Mrs. MacTeer) in The Bluest Eye, set against women who are found wanting in their mother roles, Morrison concentrates in various ways on emphasizing these mother characters. Sometimes those roles are peripheral; more often, they are central. In Sula, for example, the title character has no interest in mothering, but she shows herself to be the product of family disinterest; in Song of Solomon Morrison creates what she terms an ancestor figure to give guidance to the young; in Tar Baby Marie Therese continues that role. Beloved tackles many dimensions of a mothers role. As Morrison continues to write her varied and powerful novels, from Jazz and Paradise through Love, A Mercy, and Home, the attention to judging the efficacy of mothering grows. Finally, in God Help the Child, she attends to little else. In Morrison’s fictional world, drawing from the human and spiritual forces in both Africa and the United States provides some hope of a truly satisfying existence.