Dr. Alan Bradshaw is a Senior Lecturer in Marketing at Royal Holloway, University of London. Dr. Avi Shankar is a Senior Lecturer in Marketing and Consumer Research at the University of Bath. Previously, they were both comrades at the University of Exeter from where this collection was hatched.

• 1. Introduction. Alan Bradshaw and Avi Shankar.2. Revelations of cultural consumer lovemaps in Jamaican dancehall lyrics: An ethnomusicological ethnography Barbara Olsen and Stephen Gould 3. Getting heard in Tibet: Music, media and markets Anna Morcom 4. Developing a retro brand community: Re-releasing and marketing anti-Apartheid protest music in post-apartheid South Africa Michael Drewett5. Music meanings in movies: The case of the crime-plus-jazz genre Morris B. Holbrook 6. Towards a critical understanding of music, emotion and self-identity David Hesmondhalgh

Dr. Alan Bradshaw is a Senior Lecturer in Marketing at Royal Holloway, University of London. Dr. Avi Shankar is a Senior Lecturer in Marketing and Consumer Research at the University of Bath. Previously, they were both comrades at the University of Exeter from where this collection was hatched.

• 1. Introduction. Alan Bradshaw and Avi Shankar.2. Revelations of cultural consumer lovemaps in Jamaican dancehall lyrics: An ethnomusicological ethnography Barbara Olsen and Stephen Gould 3. Getting heard in Tibet: Music, media and markets Anna Morcom 4. Developing a retro brand community: Re-releasing and marketing anti-Apartheid protest music in post-apartheid South Africa Michael Drewett5. Music meanings in movies: The case of the crime-plus-jazz genre Morris B. Holbrook 6. Towards a critical understanding of music, emotion and self-identity David Hesmondhalgh

Dr. Alan Bradshaw is a Senior Lecturer in Marketing at Royal Holloway, University of London. Dr. Avi Shankar is a Senior Lecturer in Marketing and Consumer Research at the University of Bath. Previously, they were both comrades at the University of Exeter from where this collection was hatched.

• 1. Introduction. Alan Bradshaw and Avi Shankar.2. Revelations of cultural consumer lovemaps in Jamaican dancehall lyrics: An ethnomusicological ethnography Barbara Olsen and Stephen Gould 3. Getting heard in Tibet: Music, media and markets Anna Morcom 4. Developing a retro brand community: Re-releasing and marketing anti-Apartheid protest music in post-apartheid South Africa Michael Drewett5. Music meanings in movies: The case of the crime-plus-jazz genre Morris B. Holbrook 6. Towards a critical understanding of music, emotion and self-identity David Hesmondhalgh