Griffin, Carrie; Allen, Graham; O'Connell, Mary

• Introduction, Graham Allen, Carrie Griffin, Mary O’Connell; Chapter 1 The Memory and Impact of Oral Performance: Shaping the Understanding of Late Medieval Readers, John J. Thompson; Chapter 2 Print, Miscellaneity and the Reader in Robert Herrick’s Hesperides, Ruth Connolly; Chapter 3 Searching for Spectators: From Istoria to History Painting, Liam Lenihan; Chapter 4 Returning to the Text of Frankenstein, Graham Allen; Chapter 5 ‘Casualty’, Mrs Shelley and Seditious Libel: Cleansing Britain’s Most Corrupt Poet of Error, Nora Crook; Chapter 6 Writing Textual Materiality: Charles Clark, his Books and his Bookplate Poem, Carrie Griffin, Mary O’Connell; Chapter 7 Charles Dickens’s Readers and the Material Circulation of the Text, Robert McParland; Chapter 8 Victorian Pantomime Libretti and the Reading Audience, Jill A. Sullivan; Chapter 9 Material Modernism and Yeats, Alex Davis; Chapter 10, Alistair McCleery; Chapter 11, Ton van Kalmthout; Chapter 12 Intermediality: Experiencing the Virtual Text, Órla Murphy;

Griffin, Carrie; Allen, Graham; O'Connell, Mary

• Introduction, Graham Allen, Carrie Griffin, Mary O’Connell; Chapter 1 The Memory and Impact of Oral Performance: Shaping the Understanding of Late Medieval Readers, John J. Thompson; Chapter 2 Print, Miscellaneity and the Reader in Robert Herrick’s Hesperides, Ruth Connolly; Chapter 3 Searching for Spectators: From Istoria to History Painting, Liam Lenihan; Chapter 4 Returning to the Text of Frankenstein, Graham Allen; Chapter 5 ‘Casualty’, Mrs Shelley and Seditious Libel: Cleansing Britain’s Most Corrupt Poet of Error, Nora Crook; Chapter 6 Writing Textual Materiality: Charles Clark, his Books and his Bookplate Poem, Carrie Griffin, Mary O’Connell; Chapter 7 Charles Dickens’s Readers and the Material Circulation of the Text, Robert McParland; Chapter 8 Victorian Pantomime Libretti and the Reading Audience, Jill A. Sullivan; Chapter 9 Material Modernism and Yeats, Alex Davis; Chapter 10, Alistair McCleery; Chapter 11, Ton van Kalmthout; Chapter 12 Intermediality: Experiencing the Virtual Text, Órla Murphy;