Richard Andrews, University of Leeds, UKSilvia Bigliazzi, Verona University, ItalyLisanna Calvi, Verona University, ItalyKeir Elam, University of Bologna, ItalyEwan Fernie, University of Birmingham, UKAndrew Gurr, University of Reading, UKRobert Henke, University of Manchester, UKRoger Holdsworth, University of Manchester, UKPeter Holland, University of Notre Dame, USAKathleen McLuskie, University of Birmingham, UKLucia Nigri, University of Salford, UKEleonora Oggiano, Verona University, ItalyAlessandro Serpieri, University of Firenze, ItalyAlessandra Squeo, University of Bari, Italy

• Notes on the Contributors Introduction; Silvia Bigliazzi and Lisanna Calvi 1. The Tempest as Theatrical Magic; Andrew Gurr 2. The Tempest and Italian Improvised Theatre; Richard Andrews 3. Pastoral Tragicomedy and The Tempest ; Robert Henke 4. The Jonsonian Tempest ; Roger Holdsworth 5. The Labyrinth and the Oracle; Alessandro Serpieri 6. 'Dost thou hear?' On the Rhetoric of Narrative in The Tempest ; Silvia Bigliazzi 7. A Tempestuous Noise: on the Acoustics and Vocalics of Storms; Keir Elam 8. 'Suppos'd to be raised by magic', or The Tempest 'made fit'; Lisanna Calvi 9. 'Lost in Visual Pleasure': Charles Kean's Production of The Tempest ; Lucia Nigri 10. Magical Realism: Raising Storms and Other Quaint Devices; Peter Holland 11. 'This is a most majestic vision': Performing Prospero's Masque on Screen; Eleonora Oggiano 12. Shakespeare's Hypertextual Performances: Remediating The Tempest in Prospero's Books ; Alessandra Squeo 13. 'Abstraction and Allegory': Making The Tempest Mean; Kathleen E. McLuskie Afterword Is there a Tempest Problem?; Ewan Fernie