Pronouns in Literature

Alison Gibbons is Reader in Contemporary Stylistics at Sheffield Hallam University, UK. She is the author of Multimodality, Cognition, and Experimental Literature (2012), co-author of Contemporary Stylistics: Language, Interpretation, Cognition (2018), and co-editor of Mark Z. Danielewski (2011), Routledge Companion to Experimental Literature (2012), and Metamodernism: Historicity, Affect, and Depth after Postmodernism (2017).Andrea Macrae is Senior Lecturer in Stylistics at Oxford Brookes University, UK. She specialises in deixis and has published work on pronouns in the Journal of Literary Semantics (2010), the journal Diegesis (2016), and in The Pragmatics of Personal Pronouns (2015) and Texts and Minds (2012).

“when going through Pronouns in Literature: Positions and Perspectives in Language, readers will find themselves on a magical tour of communicating with characters and narrators in literary texts of different times and regions. Due to the unique character and the flexible facet of pronouns in literature, this innovative volume will definitely appeal to students and scholars of linguistics, theoretical and applied linguistics, stylistics and cognitive poetics, psychology, narratology and literary criticism.” (Yanli Jia, Language and Literature, August, 2018)

• 1. Positions and Perspectives on Pronouns in Literature: The State of the Subject; Alison Gibbons and Andrea Macrae.- 2. “I am thy father’s spirit”: The First-Person Pronoun and the Rhetoric of Identity in Hamlet; Katie Wales.- 3. “We have tomorrow bright before us like a flame”: Pronouns, Enactors, and Cross-Writing in The Dream Keeper and Other Poems; Marcello Giovanelli.- 4. Positioning the Reader in Post-Arpartheid Literature of Trauma: I and You in Zoë Wicomb’s David’s Story; Andrea Macrae.- 5. Autonarration, I, and odd address in Ben Lerner’s Autofictional Novel 10:04; Alison Gibbons.- 6. Placements and Functions of Brief Second-Person Passages in Fiction; Joshua Parker.- 7. On the Interpretive Effects of Double Perspective in Genitive Constructions; Helen de Hoop and Kim Schreurs.- 8. They-Narratives; Jan Alber.- 9. The observing we in literary representations of neglect and social alienation: Types of narrator involvement in Janice Galloway’s “Scenes from the life no. 26: The community and the senior citizen” and Jon McGregor’s Even the Dogs; Catherine Emmott.- 10. Let Us Tell You Our Story: We-Narratives and its Pronominal Peculiarities; Monika Fludernik.- 11. Multi-Teller and Multi-Voiced Stories: The Poetics and Politics of Pronouns; Marina Grishakova.- 12. Pronouns in Literary Fiction as Inventive Discourse; Henrik Skov Nielsen.- 13. Postscript: Unusual Voices and Multiple Identities; Brian Richardson.-