Martin Scorsese's Divine Comedy

Movies and Religion

AvCatherine O'Brien

Inbunden, Engelska, 2018

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Beskrivning

This book is open access and available on www.bloomsburycollections.com. It is funded by Knowledge Unlatched.Catherine O’Brien draws on the structure of Dante Alighieri’s Divine Comedy to explore Martin Scorsese’s feature films from Who’s That Knocking at My Door (1967-69) to Silence (2016). This is the first full-length study to focus on the trajectory of faith and doubt during this period, taking very seriously the oft-quoted words of the director himself: ‘My whole life has been movies and religion. That’s it. Nothing else.’ Films discussed include GoodFellas, The Last Temptation of Christ, Taxi Driver and Mean Streets, as well as the more recent The Wolf of Wall Street.In Dante’s poem in 100 cantos, the Pilgrim is guided by the poet Virgil down through the circles of Hell in Inferno; he then climbs the steep Mountain of the Seven Deadly Sins in Purgatory; and he finally encounters God in Paradise. Embracing this popular analogy, this study envisions Scorsese as a contemporary Dante, with his filmic oeuvre offering the dimensions of a cinematic Divine Comedy. Drawing on debates at the heart of religious studies, theology, literature and film, this book goes beyond existing explorations of religion in Scorsese’s work to address issues of sin and salvation within the context of wider debates in eschatology and the afterlife.

Produktinformation

Utgivningsdatum:2018-05-17
Mått:160 x 236 x 18 mm
Vikt:460 g
Format:Inbunden
Språk:Engelska
Serie:Continnuum-3PL
Antal sidor:224
Förlag:Bloomsbury Publishing PLC
ISBN:9781350003279

Utforska kategorier

Kristendom inom Filosofi och religion
Film inom Kultur

Mer om författaren

Catherine O'Brien is Co-director of the Centre for Marian Studies, UK, and was Senior Lecturer in Film Studies and French at Kingston University, UK. She is the author of The Celluloid Madonna (2011) and Women's Fictional Responses to the First World War (1997), and co-editor of Sacred Spaces/Forbidden Places (2000).

Recensioner i media

O’Brien’s text is a welcome contribution and achieves a unique goal in the scholarship on Scorsese, as well as film and religion. This will be an indispensable text for scholars and admirers of Scorsese alike, and it is a case study in how focused religious interpretation of film should be done. One of the highest compliments that can be paid to the author is that the work not only sheds new light on and offers passionate, fresh interpretation of an abundantly studied filmmaker, but the text itself is as engrossing, provocative, and contemplative as the films that are the subject of its investigation. This is sure to be an essential text for course adoption, students, and even general readers, especially if a paperback edition ismade available.

Innehållsförteckning

AcknowledgmentsIntroductionPart One. Inferno: Visions of Hell1. Hell on Earth2. Sympathy for the Devil3. TreacheryPart Two. Purgatory: The Three Story Mountain4. Misdirected love5. Insufficient love6. Excessive lovePart Three. Paradise: (Lost or Found?)7. Encountering Jesus8. The compassion connection9. The mystery of God’s loveConclusionBibliographyFilmographyIndex

Richard Wilk

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