Christina Riggs is Professor of the History of Visual Culture at Durham University.

'A beautifully written and fascinating account of the photographs and photographic practices related to Tutankhamun. It will be a landmark study in the relationships between archives, photographs, and archaeology.'--J.A. Baird, Birkbeck College, University of London, UK'Photographing Tutankhamun is a remarkable achievement for many different reasons, but it is perhaps this contribution that makes the book stand out. [...] Riggs’s ability to look across social, empirical and theoretical domains and not lose sight of the idiosyncrasies of Tutankhamun offers a valuable case study in recognising the oscillations and contingencies underpinning the work of photographs in archaeological practice.'--Antiquity

• Table of ContentsList of FiguresAcknowledgmentsPrefaceChapter 1. Photographing Tutankhamun: An Introduction Chapter 2. Mirrored Memories: Excavating the Photographic Archive Chapter 3. 'The first and most pressing need': Photographic Practice at the Tomb of Tutankhamun Chapter 4. Tutankhamun's Treasures: Objects, Artworks, Bodies Chapter 5. Men at Work: The Resurrection of the Boy-king Chapter 6. Worlds Exclusive: Mediating TutankhamunChapter 7. The Looking-glass: Egyptology’s Archival AfterlivesNotesBibliographyIndex

Christina Riggs is Professor of the History of Visual Culture at Durham University.

'A beautifully written and fascinating account of the photographs and photographic practices related to Tutankhamun. It will be a landmark study in the relationships between archives, photographs, and archaeology.'--J.A. Baird, Birkbeck College, University of London, UK'Photographing Tutankhamun is a remarkable achievement for many different reasons, but it is perhaps this contribution that makes the book stand out. [...] Riggs’s ability to look across social, empirical and theoretical domains and not lose sight of the idiosyncrasies of Tutankhamun offers a valuable case study in recognising the oscillations and contingencies underpinning the work of photographs in archaeological practice.'--Antiquity

• Table of ContentsList of FiguresAcknowledgmentsPrefaceChapter 1. Photographing Tutankhamun: An Introduction Chapter 2. Mirrored Memories: Excavating the Photographic Archive Chapter 3. 'The first and most pressing need': Photographic Practice at the Tomb of Tutankhamun Chapter 4. Tutankhamun's Treasures: Objects, Artworks, Bodies Chapter 5. Men at Work: The Resurrection of the Boy-king Chapter 6. Worlds Exclusive: Mediating TutankhamunChapter 7. The Looking-glass: Egyptology’s Archival AfterlivesNotesBibliographyIndex

Christina Riggs is Professor of the History of Visual Culture at Durham University.

'A beautifully written and fascinating account of the photographs and photographic practices related to Tutankhamun. It will be a landmark study in the relationships between archives, photographs, and archaeology.'--J.A. Baird, Birkbeck College, University of London, UK'Photographing Tutankhamun is a remarkable achievement for many different reasons, but it is perhaps this contribution that makes the book stand out. [...] Riggs’s ability to look across social, empirical and theoretical domains and not lose sight of the idiosyncrasies of Tutankhamun offers a valuable case study in recognising the oscillations and contingencies underpinning the work of photographs in archaeological practice.'--Antiquity

• Table of ContentsList of FiguresAcknowledgmentsPrefaceChapter 1. Photographing Tutankhamun: An Introduction Chapter 2. Mirrored Memories: Excavating the Photographic Archive Chapter 3. 'The first and most pressing need': Photographic Practice at the Tomb of Tutankhamun Chapter 4. Tutankhamun's Treasures: Objects, Artworks, Bodies Chapter 5. Men at Work: The Resurrection of the Boy-king Chapter 6. Worlds Exclusive: Mediating TutankhamunChapter 7. The Looking-glass: Egyptology’s Archival AfterlivesNotesBibliographyIndex