Three old friends in their mid-twenties. One remarkable day. For Ted, Danny and Charlotte, it’s time to seize control. Make a difference. Change things. This is it.A day trip through the parks and raves and cafes of South London, where life is what you make it. The rapid-fire words of Kate Tempest paint a picture of lives less ordinary in an unforgiving world, soundtracked by an exhilarating score.A play about love, life and losing your mind, Wasted heralded the dramatic career of one of the UK’s most exciting performance poets, Kate Tempest. It was originally produced by Paines Plough and is published here as a Methuen Drama Student Edition alongside commentary and notes by Katie Beswick, lecturer in Drama at the University of Exeter.The ancillary material is geared at students and includes:- an introduction outlining the play's plot, character, themes context and performance history- the full text of the play- a chronology of the playwright's life and work- extensive textual notes

Produktinformation

Utgivningsdatum:2020-01-23
Mått:128 x 196 x 10 mm
Vikt:100 g
Format:Häftad
Språk:Engelska
Serie:Student Editions
Antal sidor:96
Förlag:Bloomsbury Publishing PLC
Medarbetare:Katie Beswick
ISBN:9781350094925

Utforska kategorier

Musik och kultur inom Barn och ungdom
Dramatik inom Skönlitteratur

Mer om författaren

Kate Tempest was born in London in 1985. Her work includes the plays Wasted, Glasshouse, and Hopelessly Devoted; the poetry collections Everything Speaks in its Own Way and Hold Your Own; the albums Everybody Down, Balance, and Let Them Eat Chaos; the long poems Brand New Ancients and Let Them Eat Chaos; and her debut novel, The Bricks that Built the Houses. Katie Beswick is a writer and academic working at Goldsmiths, University of London. She is interested in arts and culture and their intersections with issues of class.

Recensioner i media

An ingenious whole that's funny and true about growing up, getting wasted and – as they gather round a tree planted to remember their friend – wasting life. Tempest's writing oscillates between dynamic poetry that's full of vividly phrased acute observation and dialogue that's plainer but just as spot-on ... [a] very exciting new play.