Farah Karim-Cooper is Head of Higher Education & Research at Shakespeare’s Globe and Visiting Research Fellow, King’s College London, UK.

• List of illustrationsList of contributorsSeries prefaceIntroduction, Farah Karim-Cooper (Shakespeare's Globe, UK)Part 1: Genre, style and sources1. Senecan belatedness and Titus Andronicus, Curtis Perry (University of Illinois at Urbana Champaign, USA)2. Titus Andronicus: Elizabethan Classicism and the Styles of New Tragedy, Goran Stanivukovic (Saint Mary's University, Canada)3. Soliloquies in Titus Andronicus: An Empirical Approach, James Hirsh (Georgia State University, USA)Part 2: Critical approaches: Race, culture and politics4. “I have done thy mother”: Racial and sexual geographies in Titus Andronicus, John Kunat (Sonoma State University, USA)5. Remixing the family: Blackness and domesticity in Shakespeare's Titus Andronicus, David Sterling Brown (Binghampton Universty, SUNY, USA)6. 'If I might have my will': Aaaron's affect and race in Titus Andronicus, Carol Mejia LaPerle (Wright State University, USA)Part 3: Critical approaches: Bodies, emotions and metaphor7. Metaphorically Speaking: Titus Andronicus and the Limits of Utterance, Jennifer Edwards (Shakespeare's Globe, UK)8. Granular Reading: Texture, Language and Surface Marks in Titus Andronicus, Whitney Sperrazza (University of Kansas, USA)Part 4: Performance and adaptation9. 'Did you see that?!': Titus Andronicus and Theatrical Transgression, Ralph Alan Cohen (Mary Baldwin University, USA)10. In/di/gestion: Seneca-->Shakespeare-->South Park, Lizz Angello (University of South Florida, St. Petersburg, USA)11. 'My tears will choke me, if I ope my mouth': Framing, Feasting and Speaking Sexual Violence in Titus Andronicus, 2006-2017, Emma Whipday (University of Newcastle, UK) NotesIndex

Farah Karim-Cooper is Head of Higher Education & Research at Shakespeare’s Globe and Visiting Research Fellow, King’s College London, UK.

• List of illustrationsList of contributorsSeries prefaceIntroduction, Farah Karim-Cooper (Shakespeare's Globe, UK)Part 1: Genre, style and sources1. Senecan belatedness and Titus Andronicus, Curtis Perry (University of Illinois at Urbana Champaign, USA)2. Titus Andronicus: Elizabethan Classicism and the Styles of New Tragedy, Goran Stanivukovic (Saint Mary's University, Canada)3. Soliloquies in Titus Andronicus: An Empirical Approach, James Hirsh (Georgia State University, USA)Part 2: Critical approaches: Race, culture and politics4. “I have done thy mother”: Racial and sexual geographies in Titus Andronicus, John Kunat (Sonoma State University, USA)5. Remixing the family: Blackness and domesticity in Shakespeare's Titus Andronicus, David Sterling Brown (Binghampton Universty, SUNY, USA)6. 'If I might have my will': Aaaron's affect and race in Titus Andronicus, Carol Mejia LaPerle (Wright State University, USA)Part 3: Critical approaches: Bodies, emotions and metaphor7. Metaphorically Speaking: Titus Andronicus and the Limits of Utterance, Jennifer Edwards (Shakespeare's Globe, UK)8. Granular Reading: Texture, Language and Surface Marks in Titus Andronicus, Whitney Sperrazza (University of Kansas, USA)Part 4: Performance and adaptation9. 'Did you see that?!': Titus Andronicus and Theatrical Transgression, Ralph Alan Cohen (Mary Baldwin University, USA)10. In/di/gestion: Seneca-->Shakespeare-->South Park, Lizz Angello (University of South Florida, St. Petersburg, USA)11. 'My tears will choke me, if I ope my mouth': Framing, Feasting and Speaking Sexual Violence in Titus Andronicus, 2006-2017, Emma Whipday (University of Newcastle, UK) NotesIndex

Farah Karim-Cooper is Head of Higher Education & Research at Shakespeare’s Globe and Visiting Research Fellow, King’s College London, UK.

• List of illustrationsList of contributorsSeries prefaceIntroduction, Farah Karim-Cooper (Shakespeare's Globe, UK)Part 1: Genre, style and sources1. Senecan belatedness and Titus Andronicus, Curtis Perry (University of Illinois at Urbana Champaign, USA)2. Titus Andronicus: Elizabethan Classicism and the Styles of New Tragedy, Goran Stanivukovic (Saint Mary's University, Canada)3. Soliloquies in Titus Andronicus: An Empirical Approach, James Hirsh (Georgia State University, USA)Part 2: Critical approaches: Race, culture and politics4. “I have done thy mother”: Racial and sexual geographies in Titus Andronicus, John Kunat (Sonoma State University, USA)5. Remixing the family: Blackness and domesticity in Shakespeare's Titus Andronicus, David Sterling Brown (Binghampton Universty, SUNY, USA)6. 'If I might have my will': Aaaron's affect and race in Titus Andronicus, Carol Mejia LaPerle (Wright State University, USA)Part 3: Critical approaches: Bodies, emotions and metaphor7. Metaphorically Speaking: Titus Andronicus and the Limits of Utterance, Jennifer Edwards (Shakespeare's Globe, UK)8. Granular Reading: Texture, Language and Surface Marks in Titus Andronicus, Whitney Sperrazza (University of Kansas, USA)Part 4: Performance and adaptation9. 'Did you see that?!': Titus Andronicus and Theatrical Transgression, Ralph Alan Cohen (Mary Baldwin University, USA)10. In/di/gestion: Seneca-->Shakespeare-->South Park, Lizz Angello (University of South Florida, St. Petersburg, USA)11. 'My tears will choke me, if I ope my mouth': Framing, Feasting and Speaking Sexual Violence in Titus Andronicus, 2006-2017, Emma Whipday (University of Newcastle, UK) NotesIndex