Matthew Feldman is Professorial Teaching Fellow, Norwegian Study Centre, University of York, UK.Anna Svendsen is a researcher and university instructor based in Pittsburgh, Pennsylvania, USA. She is also the Associate Director of the David Jones Research Center in Takoma Park, Maryland, and a co-director of the David Jones Digital Archive project overseen by the Center.Erik Tonning is Professor of English at NLA University College, Norway, and Professor II of British Literature and Culture at the University of Bergen, Norway. He is co-editor of the Modernist Archives series and the Historicizing Modernism series, both published by Bloomsbury. He is the author of Samuel Beckett’s Abstract Drama and Modernism and Christianity, as well as the editor of a number of volumes on modernism.

“The splendid essays collected here show how the ‘archival turn’ in Modernist Studies continues to bring bold new perspectives to bear on some of the most canonical and commented upon writers of the period. An exciting and informative addition to the indispensable Historicizing Modernism series.”

• Introduction: Matthew Feldman, University of York, UK Erik Tonning, University of Bergen, Norway and Anna Svendsen, University of Pittsburgh, USASection I: Archival approaches to canonical Modernists Chapter One: Useful Knowledge beyond the Beinecke: Gertrude Stein reading discourses of democracy and nationalism in Life Magazine and The Literary Digest, Dr Isabelle Parkinson, Queen Mary, University of London, UKChapter Two: WoofNotes: Virgina Woolf’s reading and Research Notes Online, Prof. Michèle Barrett, Queen Mary, University of London, UKChapter Three: The Biopolitics of Mrs Dalloway: Intelligence and Sentiment, Dr Natasha Periyan, Royal Holloway, University of London, UKChapter Four: ‘[B]it by dirty jew mania for World Domination’: Ezra Pound, Graham Seton Hutchison and Olivia Rossetti Agresti, Svetlana Ehtee, University of New Brunswick, Canada Chapter Five: Will this Yowling Never Cease? The Pound/Agresti correspondence and the changing scope of Ezra Pound Studies, Prof. Alec Marsh, Muhlenberg College, PA, USAChapter Six: Clashes over Transcendence: T.S. Eliotand Karl Mannheim’s dialogues on the future of civilisation, Dr Jonas Kurlberg, Durham University, UK 8. Chapter Seven: Methods of Montage in Beckett’s ‘Residua’, Dr Anthony Paraskeva, University of Roehampton, UKPart II: Emerging themes and approaches 9. Chapter Eight: David Jones’s ‘Balaam business’: The Poetics of Forgiveness after Passchendaele, Dr Thomas Berenato, University of Virginia, USA10. Chapter Nine: Modernist Archives and Little Magazine Networks, Dr Archie Henderson, Independent Scholar / Centre for Analysis of the Radical Right, UK Chapter Ten: Modernist (dis)location: The Case of Katherine Mansfield, Dr Gerri Kimber, University of Northampton, UKChapter Eleven: “Gossip from abroad, or, why historicise modernism?, Dr Alexander Howard, University of Sydney, AustraliaChapter Twelve: Expanding the Archives of the Queer Harlem Renaissance: Richards Bruce Nugent’s Unpublished Modernism, Dr David Deutsch, University of Alabama, USAChapter Thirteen: Q.D. Leavis, archives and the ‘art of living’, Prof. Miranda Dunham-Hickman, McGill University, Canada

Matthew Feldman is Professorial Teaching Fellow, Norwegian Study Centre, University of York, UK.Anna Svendsen is a researcher and university instructor based in Pittsburgh, Pennsylvania, USA. She is also the Associate Director of the David Jones Research Center in Takoma Park, Maryland, and a co-director of the David Jones Digital Archive project overseen by the Center.Erik Tonning is Professor of English at NLA University College, Norway, and Professor II of British Literature and Culture at the University of Bergen, Norway. He is co-editor of the Modernist Archives series and the Historicizing Modernism series, both published by Bloomsbury. He is the author of Samuel Beckett’s Abstract Drama and Modernism and Christianity, as well as the editor of a number of volumes on modernism.

“The splendid essays collected here show how the ‘archival turn’ in Modernist Studies continues to bring bold new perspectives to bear on some of the most canonical and commented upon writers of the period. An exciting and informative addition to the indispensable Historicizing Modernism series.”

• Introduction: Matthew Feldman, University of York, UK Erik Tonning, University of Bergen, Norway and Anna Svendsen, University of Pittsburgh, USASection I: Archival approaches to canonical Modernists Chapter One: Useful Knowledge beyond the Beinecke: Gertrude Stein reading discourses of democracy and nationalism in Life Magazine and The Literary Digest, Dr Isabelle Parkinson, Queen Mary, University of London, UKChapter Two: WoofNotes: Virgina Woolf’s reading and Research Notes Online, Prof. Michèle Barrett, Queen Mary, University of London, UKChapter Three: The Biopolitics of Mrs Dalloway: Intelligence and Sentiment, Dr Natasha Periyan, Royal Holloway, University of London, UKChapter Four: ‘[B]it by dirty jew mania for World Domination’: Ezra Pound, Graham Seton Hutchison and Olivia Rossetti Agresti, Svetlana Ehtee, University of New Brunswick, Canada Chapter Five: Will this Yowling Never Cease? The Pound/Agresti correspondence and the changing scope of Ezra Pound Studies, Prof. Alec Marsh, Muhlenberg College, PA, USAChapter Six: Clashes over Transcendence: T.S. Eliotand Karl Mannheim’s dialogues on the future of civilisation, Dr Jonas Kurlberg, Durham University, UK 8. Chapter Seven: Methods of Montage in Beckett’s ‘Residua’, Dr Anthony Paraskeva, University of Roehampton, UKPart II: Emerging themes and approaches 9. Chapter Eight: David Jones’s ‘Balaam business’: The Poetics of Forgiveness after Passchendaele, Dr Thomas Berenato, University of Virginia, USA10. Chapter Nine: Modernist Archives and Little Magazine Networks, Dr Archie Henderson, Independent Scholar / Centre for Analysis of the Radical Right, UK Chapter Ten: Modernist (dis)location: The Case of Katherine Mansfield, Dr Gerri Kimber, University of Northampton, UKChapter Eleven: “Gossip from abroad, or, why historicise modernism?, Dr Alexander Howard, University of Sydney, AustraliaChapter Twelve: Expanding the Archives of the Queer Harlem Renaissance: Richards Bruce Nugent’s Unpublished Modernism, Dr David Deutsch, University of Alabama, USAChapter Thirteen: Q.D. Leavis, archives and the ‘art of living’, Prof. Miranda Dunham-Hickman, McGill University, Canada

Matthew Feldman is Professorial Teaching Fellow, Norwegian Study Centre, University of York, UK.Anna Svendsen is a researcher and university instructor based in Pittsburgh, Pennsylvania, USA. She is also the Associate Director of the David Jones Research Center in Takoma Park, Maryland, and a co-director of the David Jones Digital Archive project overseen by the Center.Erik Tonning is Professor of English at NLA University College, Norway, and Professor II of British Literature and Culture at the University of Bergen, Norway. He is co-editor of the Modernist Archives series and the Historicizing Modernism series, both published by Bloomsbury. He is the author of Samuel Beckett’s Abstract Drama and Modernism and Christianity, as well as the editor of a number of volumes on modernism.

“The splendid essays collected here show how the ‘archival turn’ in Modernist Studies continues to bring bold new perspectives to bear on some of the most canonical and commented upon writers of the period. An exciting and informative addition to the indispensable Historicizing Modernism series.”

• Introduction: Matthew Feldman, University of York, UK Erik Tonning, University of Bergen, Norway and Anna Svendsen, University of Pittsburgh, USASection I: Archival approaches to canonical Modernists Chapter One: Useful Knowledge beyond the Beinecke: Gertrude Stein reading discourses of democracy and nationalism in Life Magazine and The Literary Digest, Dr Isabelle Parkinson, Queen Mary, University of London, UKChapter Two: WoofNotes: Virgina Woolf’s reading and Research Notes Online, Prof. Michèle Barrett, Queen Mary, University of London, UKChapter Three: The Biopolitics of Mrs Dalloway: Intelligence and Sentiment, Dr Natasha Periyan, Royal Holloway, University of London, UKChapter Four: ‘[B]it by dirty jew mania for World Domination’: Ezra Pound, Graham Seton Hutchison and Olivia Rossetti Agresti, Svetlana Ehtee, University of New Brunswick, Canada Chapter Five: Will this Yowling Never Cease? The Pound/Agresti correspondence and the changing scope of Ezra Pound Studies, Prof. Alec Marsh, Muhlenberg College, PA, USAChapter Six: Clashes over Transcendence: T.S. Eliotand Karl Mannheim’s dialogues on the future of civilisation, Dr Jonas Kurlberg, Durham University, UK 8. Chapter Seven: Methods of Montage in Beckett’s ‘Residua’, Dr Anthony Paraskeva, University of Roehampton, UKPart II: Emerging themes and approaches 9. Chapter Eight: David Jones’s ‘Balaam business’: The Poetics of Forgiveness after Passchendaele, Dr Thomas Berenato, University of Virginia, USA10. Chapter Nine: Modernist Archives and Little Magazine Networks, Dr Archie Henderson, Independent Scholar / Centre for Analysis of the Radical Right, UK Chapter Ten: Modernist (dis)location: The Case of Katherine Mansfield, Dr Gerri Kimber, University of Northampton, UKChapter Eleven: “Gossip from abroad, or, why historicise modernism?, Dr Alexander Howard, University of Sydney, AustraliaChapter Twelve: Expanding the Archives of the Queer Harlem Renaissance: Richards Bruce Nugent’s Unpublished Modernism, Dr David Deutsch, University of Alabama, USAChapter Thirteen: Q.D. Leavis, archives and the ‘art of living’, Prof. Miranda Dunham-Hickman, McGill University, Canada