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    How to Direct Shakespeare

    AvAdrian Noble

    Häftad, Engelska, 2022

    336 kr

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    Beskrivning

    You may be a student, or just starting out in the theatre profession, or an actor contemplating a switch to directing, or anyone dreaming of a life in the theatre. Know this: by developing and sharpening your skills on a Shakespeare text, you will be preparing yourself for your next production whatever or wherever that might be. Practical, inspirational and steeped in the wisdom and expertise of one of the great Shakespearean directors of our age, How to Direct Shakespeare guides you through each step of a production, from conception to final presentation to an audience. It includes close analysis of the text and provides strategies for focusing on the main action and structure; it considers dramatic energy and the world of the play, and illuminates these with examples drawn from a variety of Shakespeare's plays. It will assist you with creating your vision for the production as you collaborate with the design team, cast the play and work with actors in rehearsal. And it walks you through the encounter with the audience as you open your production.Drawing on examples from his work as artistic director of The Royal Shakespeare Company and subsequent directing work that has taken him all over the world, Noble shows how every production is shaped by a vision of the world — the interplay of the writer’s vision and the director’s interpretation of it. How to Direct Shakespeare will inspire and equip you as you develop your vision for your next production.

    Produktinformation

    • Utgivningsdatum:2022-09-08
    • Mått:138 x 214 x 22 mm
    • Vikt:322 g
    • Format:Häftad
    • Språk:Engelska
    • Antal sidor:248
    • Förlag:Bloomsbury Publishing PLC
    • ISBN:9781350231238

    Utforska kategorier

    • Teater inom Kultur

    Mer om författaren

    Adrian Noble is a freelance director of theatre, opera and film, whose work can be seen in the UK, USA, Canada, China, Hong Kong and across Europe. He was the Artistic Director of The Royal Shakespeare Company, 1991-2003, and of the Shakespeare Festival, San Diego, USA, 2010-2013. In 2014 Nobel was Mellon Visiting Artist and Thinker at Columbia University, USA. He is the recipient of multiple awards and honours in the UK, USA and Europe.

    Recensioner i media

    How to Direct Shakespeare is a 'must have' book for ALL directors- experienced and aspiring! Adrian Noble shares his vast experience and leads the reader through the whole journey of directing Shakespeare’s plays from the preparation through all stages of rehearsal leading up to the opening night. It's a wonderful companion to his How to Do Shakespeare for actors. However his guidance can be used for directing any plays as it gives a wonderful insight into a director's process. Invaluable.

    Innehållsförteckning

    • Acknowledgements and thanksList of IllustrationsIntroductionChapter 1: YouChapter 2: HimChapter 3: The Director and the textPart 1: The World (Who’s Who)Part 2: Reading the PlayPart 3: Analysing the PlayPart 4: Entering Shakespeare’s WorldChapter 4: Awayday One; Dramatic Energy (How does he do it?)1: Apposition2: Metaphor3: Metre and Pulse4: Line Endings5: Word Play6: Vocabulary7: Shape and StructureChapter 5: Let’s Design it! The EyeTo Start: 1: Wall of Ideas2: Read the Play3: Analyse4: BrainstormThe ModelA MethodologySpaceThe mechanics FloorsEntrancesAxesWallsThe Skeleton of the PlayThe Journey and two Casebooks Playtime“In the Round”ThrustTechnology (How to get from A to B)Colour, Texture and DecorationStoryboardShow and TellCostume and the ActorWorking with Lighting DesignersChapter 6: Design (The Ear)Music and Sound Chapter 7: Casting the Play1. The Actor’s World2. Do I Cast the Part or the Actor?3. The Process4. Putting it Together Chapter 8: Awayday Two: Stanislavski and ActioningChapter 9: To Cut or Not to CutLengthShapeChoice of EditionChapter 10: The Rehearsal PlanThe Traditional WayBasic Aims of RehearsalMaking a PlanChapter 11: Rehearsing the Play; the BeginningThe Rehearsal RoomStage ManagementAn Approach to Day One of RehearsalsChapter 12: Awayday Three: Improvisation1. Building a Company2. Building a Character3. Developing Relationships and Exploring the World of the Play4. Exploring Scenes and Situations without using the textChapter 13: Rehearsing the Play: End of the BeginningWork on LanguageWork on CharacterChapter 14: Rehearsing the Play: MiddleAims for Middle Section of RehearsalsExamples from Romeo and Juliet“The Tank”BlockingBlocking Large Scale ScenesSecond Pass at ScenesWhat to do if your Actors get Inhibited or StuckChapter 15: Rehearsing the Play: EndFirst Run Through: How does it Work?How to give your NotesSecond and Third Run ThroughsPreparing for the TheatreChapter 16: The “Tech”, “Dress”, Previews and Opening1. The Tech; How to set up a Tech and how to run a Tech2. The Dress3. Curtain Calls4. Previews5. Opening Index