Michael M. Wagoner is Assistant Professor of English at the United States Naval Academy, USA.

With its wide-ranging scope, its insightful close readings and its persuasive argument, Michael M. Wagoner’s Interruptions in Early Modern English Drama will be a useful addition to the libraries of all students of early modern drama, especially those invested in the workings of conventions and structural issues, and those interested in the editing of early modern plays, as well as experts of Shakespeare, Jonson and, especially, Fletcher.

• LIST OF FIGURESACKNOWLEDGMENTSIntroductionSection One: Microinterruptions Chapter One: DialogueChapter Two: SelfChapter Three: ActionSection Two: MacrointerruptionsChapter Four: DramaturgyChapter Five: ConventionContinuationBibliographyNotesINDEX

Michael M. Wagoner is Assistant Professor of English at the United States Naval Academy, USA.

With its wide-ranging scope, its insightful close readings and its persuasive argument, Michael M. Wagoner’s Interruptions in Early Modern English Drama will be a useful addition to the libraries of all students of early modern drama, especially those invested in the workings of conventions and structural issues, and those interested in the editing of early modern plays, as well as experts of Shakespeare, Jonson and, especially, Fletcher.

• LIST OF FIGURESACKNOWLEDGMENTSIntroductionSection One: Microinterruptions Chapter One: DialogueChapter Two: SelfChapter Three: ActionSection Two: MacrointerruptionsChapter Four: DramaturgyChapter Five: ConventionContinuationBibliographyNotesINDEX

Michael M. Wagoner is Assistant Professor of English at the United States Naval Academy, USA.

With its wide-ranging scope, its insightful close readings and its persuasive argument, Michael M. Wagoner’s Interruptions in Early Modern English Drama will be a useful addition to the libraries of all students of early modern drama, especially those invested in the workings of conventions and structural issues, and those interested in the editing of early modern plays, as well as experts of Shakespeare, Jonson and, especially, Fletcher.

• LIST OF FIGURESACKNOWLEDGMENTSIntroductionSection One: Microinterruptions Chapter One: DialogueChapter Two: SelfChapter Three: ActionSection Two: MacrointerruptionsChapter Four: DramaturgyChapter Five: ConventionContinuationBibliographyNotesINDEX