Ann Murray is an independent scholar from Ireland. She is the editor of Constructing the Memory of War in Visual Culture since 1914: The Eye on War (2018).

[Murray’s] efforts make a worthy contribution to the scholarship on Dix and are likely to interest scholars intrigued by the often-politicized reception of his work during and after the Great War, as well as in the lead-up to World War II.

• List of IllustrationsNote on TranslationsList of AbbreviationsAcknowledgementsIntroduction1. 1914-19182. The War Amputee as Anti-Icon3. Disenchanting Mars: The Trench and The War4. Metropolis as War Memorialisation 5. War at the Prussian Academy of Arts6. The Fate of the War Pictures in the Early Years of the Third ReichConclusionSources and BibliographyIndex

Ann Murray is an independent scholar from Ireland. She is the editor of Constructing the Memory of War in Visual Culture since 1914: The Eye on War (2018).

[Murray’s] efforts make a worthy contribution to the scholarship on Dix and are likely to interest scholars intrigued by the often-politicized reception of his work during and after the Great War, as well as in the lead-up to World War II.

• List of IllustrationsNote on TranslationsList of AbbreviationsAcknowledgementsIntroduction1. 1914-19182. The War Amputee as Anti-Icon3. Disenchanting Mars: The Trench and The War4. Metropolis as War Memorialisation 5. War at the Prussian Academy of Arts6. The Fate of the War Pictures in the Early Years of the Third ReichConclusionSources and BibliographyIndex

Ann Murray is an independent scholar from Ireland. She is the editor of Constructing the Memory of War in Visual Culture since 1914: The Eye on War (2018).

[Murray’s] efforts make a worthy contribution to the scholarship on Dix and are likely to interest scholars intrigued by the often-politicized reception of his work during and after the Great War, as well as in the lead-up to World War II.

• List of IllustrationsNote on TranslationsList of AbbreviationsAcknowledgementsIntroduction1. 1914-19182. The War Amputee as Anti-Icon3. Disenchanting Mars: The Trench and The War4. Metropolis as War Memorialisation 5. War at the Prussian Academy of Arts6. The Fate of the War Pictures in the Early Years of the Third ReichConclusionSources and BibliographyIndex