Claire Correo Nettleton is the Academic Curator at the Benton Museum of Art at Pomona College, USA, where she was curator of Parisian Ecologies (2022) and organizer of 15 Viral Culture programs including the “COVID-19, Bioart and Society” events. She is the author of The Artist as Animal in 19th-Century French Literature (2019) and multiple articles including in Dix-Neuf and Nineteenth-Century French Studies.Louise Mackenzie is an artist and researcher. She is a lecturer in Contemporary Art Practice at Duncan of Jordanstone College of Art and Design, Dundee, UK, and a Director at ASCUS Art & Science, Edinburgh, UK. Recent publications include BioProtopia (2023) and Viral Experiments (2023) and she exhibits nationally and internationally, including The Stars Beneath Our Feet (2015-22) and BE THE SEA (2023).

This book is rich and insightful , engaging with both art and science; theory and practice. The unusual insights of support the central premise of the book, which is to explore how the humanities, in relation to science, and in particular, biotechnology, engage with important ethical and social issues affecting society at large.

• IllustrationsNotes on ContributorsAcknowledgementsIntroduction: CRISPR, COVID, Creativity and Control, Claire Correo Nettleton (The Benton Museum of Art at Pomona College, USA) and Louise Mackenzie (Duncan of Jordanstone College of Art and Design, Dundee University, UK)Part I. Biotechnology and the Arts: Studies1. Resurrecting the Woolly Mammoth and Muybridge’s Horse: CRISPR, Cinema and Species Revival, Claire Correo Nettleton (The Benton Museum of Art at Pomona College, USA)2. Autopoiesis in Contemporary Bioart – Rethinking Autonomy and Agency, Charissa N. Terranova (University of Texas at Dallas, USA)3. The Exterminating Angels: Bio-Art/Thanatos-Art, Pablo Baler (California State University, Los Angeles, USA)4. Viral Variation(s): Juan Eduardo Cirlot and the Poetics of Permutation, Paul Cahill (Pomona College, USA)Part II. Biotechnology and the Arts: Practice5. Baitul Ma’mur: DNA Manifolds and the House of Angels, Joe Davis (Department of Genetics, Blavatnik Institute, Harvard Medical School and Department of Biology, Massachusetts Institute of Technology, USA)6. Gene Music: Biologically Motivated Musical Serialism, Ira Fleming (University of Colorado School of Medicine, USA)7. Transformation - An Exercise in How to Relate to Lively Material, Louise Mackenzie (Duncan of Jordanstone College of Art and Design, Dundee University, UK)8. Symbiogenesis Begins at the Mouth, Skin, and Genitalia, Ken Rinaldo (Artist Director, Emergent Systems, USA)9. Aphrodisiac in the Machine, Stephanie Rothenberg (University at Buffalo, USA)Part III. COVID and the Arts: Reflections10. Art Worlds Evolving: Notes on Evolutionary Metaphors of Change and the Global Art System, Meredith Tromble (San Francisco Art Institute, USA)11. Embracing Viral Uncertainty? It's Complicated, Roberta Buiani (University of Toronto, Canada)12.The Anosmatic Symposium, Regine Rapp and Christian de Lutz (Art Laboratory Berlin, Germany)13. FEMeeting: Making of an Antibodies Network, Dalila Honorato and Marta de Menezes (Cultivamos Cultura and Ectopia, Portugal / Ionian University, Greece)14. COVID-19 and the Embodiment of Disruption: Assemblages of Agency and the Turducken of Chaos, WhiteFeather Hunter and Molly McKinney (The University of Western Australia, Australia)15. Life in the Time of the Slow Hauling Knowledge, Dolores Steinman (University of Toronto, Canada)Part IV. COVID and the Arts: Practice16. Thermobiopolitics, Oron Catts and Ionat Zurr (The University of Western Australia, Australia)17. Utter: On the Matter of Human Emissions, Paul Vanouse (University at Buffalo, USA)18. Death Tool Kit: Practical and spiritual guidance from artists Adriene Jenik, IONE, Marne Lucas, Linda Mary Montano, and Kira O’Reilly, Kathy High (Rensselaer Polytechnic Institute, USA)19. Creating and Exhibiting Artworks Embedded with SARS-CoV-2 Genetic Material During the COVID-19 Pandemic, Anna Dumitriu (Brighton and Sussex Medical School / University of Hertfordshire, UK)20. Living in the Pandemic Panopticon - Who/What is Watching you While you Think You are Alone?, Karolina Zyniewicz (University of Warsaw, Poland)21. Viruses as Testing Grounds for Speculations, Pei-Ying Lin (Eindhoven University of Technology, The Netherlands)Index

Claire Correo Nettleton is the Academic Curator at the Benton Museum of Art at Pomona College, USA, where she was curator of Parisian Ecologies (2022) and organizer of 15 Viral Culture programs including the “COVID-19, Bioart and Society” events. She is the author of The Artist as Animal in 19th-Century French Literature (2019) and multiple articles including in Dix-Neuf and Nineteenth-Century French Studies.Louise Mackenzie is an artist and researcher. She is a lecturer in Contemporary Art Practice at Duncan of Jordanstone College of Art and Design, Dundee, UK, and a Director at ASCUS Art & Science, Edinburgh, UK. Recent publications include BioProtopia (2023) and Viral Experiments (2023) and she exhibits nationally and internationally, including The Stars Beneath Our Feet (2015-22) and BE THE SEA (2023).

This book is rich and insightful , engaging with both art and science; theory and practice. The unusual insights of support the central premise of the book, which is to explore how the humanities, in relation to science, and in particular, biotechnology, engage with important ethical and social issues affecting society at large.

• IllustrationsNotes on ContributorsAcknowledgementsIntroduction: CRISPR, COVID, Creativity and Control, Claire Correo Nettleton (The Benton Museum of Art at Pomona College, USA) and Louise Mackenzie (Duncan of Jordanstone College of Art and Design, Dundee University, UK)Part I. Biotechnology and the Arts: Studies1. Resurrecting the Woolly Mammoth and Muybridge’s Horse: CRISPR, Cinema and Species Revival, Claire Correo Nettleton (The Benton Museum of Art at Pomona College, USA)2. Autopoiesis in Contemporary Bioart – Rethinking Autonomy and Agency, Charissa N. Terranova (University of Texas at Dallas, USA)3. The Exterminating Angels: Bio-Art/Thanatos-Art, Pablo Baler (California State University, Los Angeles, USA)4. Viral Variation(s): Juan Eduardo Cirlot and the Poetics of Permutation, Paul Cahill (Pomona College, USA)Part II. Biotechnology and the Arts: Practice5. Baitul Ma’mur: DNA Manifolds and the House of Angels, Joe Davis (Department of Genetics, Blavatnik Institute, Harvard Medical School and Department of Biology, Massachusetts Institute of Technology, USA)6. Gene Music: Biologically Motivated Musical Serialism, Ira Fleming (University of Colorado School of Medicine, USA)7. Transformation - An Exercise in How to Relate to Lively Material, Louise Mackenzie (Duncan of Jordanstone College of Art and Design, Dundee University, UK)8. Symbiogenesis Begins at the Mouth, Skin, and Genitalia, Ken Rinaldo (Artist Director, Emergent Systems, USA)9. Aphrodisiac in the Machine, Stephanie Rothenberg (University at Buffalo, USA)Part III. COVID and the Arts: Reflections10. Art Worlds Evolving: Notes on Evolutionary Metaphors of Change and the Global Art System, Meredith Tromble (San Francisco Art Institute, USA)11. Embracing Viral Uncertainty? It's Complicated, Roberta Buiani (University of Toronto, Canada)12.The Anosmatic Symposium, Regine Rapp and Christian de Lutz (Art Laboratory Berlin, Germany)13. FEMeeting: Making of an Antibodies Network, Dalila Honorato and Marta de Menezes (Cultivamos Cultura and Ectopia, Portugal / Ionian University, Greece)14. COVID-19 and the Embodiment of Disruption: Assemblages of Agency and the Turducken of Chaos, WhiteFeather Hunter and Molly McKinney (The University of Western Australia, Australia)15. Life in the Time of the Slow Hauling Knowledge, Dolores Steinman (University of Toronto, Canada)Part IV. COVID and the Arts: Practice16. Thermobiopolitics, Oron Catts and Ionat Zurr (The University of Western Australia, Australia)17. Utter: On the Matter of Human Emissions, Paul Vanouse (University at Buffalo, USA)18. Death Tool Kit: Practical and spiritual guidance from artists Adriene Jenik, IONE, Marne Lucas, Linda Mary Montano, and Kira O’Reilly, Kathy High (Rensselaer Polytechnic Institute, USA)19. Creating and Exhibiting Artworks Embedded with SARS-CoV-2 Genetic Material During the COVID-19 Pandemic, Anna Dumitriu (Brighton and Sussex Medical School / University of Hertfordshire, UK)20. Living in the Pandemic Panopticon - Who/What is Watching you While you Think You are Alone?, Karolina Zyniewicz (University of Warsaw, Poland)21. Viruses as Testing Grounds for Speculations, Pei-Ying Lin (Eindhoven University of Technology, The Netherlands)Index

Claire Correo Nettleton is the Academic Curator at the Benton Museum of Art at Pomona College, USA, where she was curator of Parisian Ecologies (2022) and organizer of 15 Viral Culture programs including the “COVID-19, Bioart and Society” events. She is the author of The Artist as Animal in 19th-Century French Literature (2019) and multiple articles including in Dix-Neuf and Nineteenth-Century French Studies.Louise Mackenzie is an artist and researcher. She is a lecturer in Contemporary Art Practice at Duncan of Jordanstone College of Art and Design, Dundee, UK, and a Director at ASCUS Art & Science, Edinburgh, UK. Recent publications include BioProtopia (2023) and Viral Experiments (2023) and she exhibits nationally and internationally, including The Stars Beneath Our Feet (2015-22) and BE THE SEA (2023).

This book is rich and insightful , engaging with both art and science; theory and practice. The unusual insights of support the central premise of the book, which is to explore how the humanities, in relation to science, and in particular, biotechnology, engage with important ethical and social issues affecting society at large.

• IllustrationsNotes on ContributorsAcknowledgementsIntroduction: CRISPR, COVID, Creativity and Control, Claire Correo Nettleton (The Benton Museum of Art at Pomona College, USA) and Louise Mackenzie (Duncan of Jordanstone College of Art and Design, Dundee University, UK)Part I. Biotechnology and the Arts: Studies1. Resurrecting the Woolly Mammoth and Muybridge’s Horse: CRISPR, Cinema and Species Revival, Claire Correo Nettleton (The Benton Museum of Art at Pomona College, USA)2. Autopoiesis in Contemporary Bioart – Rethinking Autonomy and Agency, Charissa N. Terranova (University of Texas at Dallas, USA)3. The Exterminating Angels: Bio-Art/Thanatos-Art, Pablo Baler (California State University, Los Angeles, USA)4. Viral Variation(s): Juan Eduardo Cirlot and the Poetics of Permutation, Paul Cahill (Pomona College, USA)Part II. Biotechnology and the Arts: Practice5. Baitul Ma’mur: DNA Manifolds and the House of Angels, Joe Davis (Department of Genetics, Blavatnik Institute, Harvard Medical School and Department of Biology, Massachusetts Institute of Technology, USA)6. Gene Music: Biologically Motivated Musical Serialism, Ira Fleming (University of Colorado School of Medicine, USA)7. Transformation - An Exercise in How to Relate to Lively Material, Louise Mackenzie (Duncan of Jordanstone College of Art and Design, Dundee University, UK)8. Symbiogenesis Begins at the Mouth, Skin, and Genitalia, Ken Rinaldo (Artist Director, Emergent Systems, USA)9. Aphrodisiac in the Machine, Stephanie Rothenberg (University at Buffalo, USA)Part III. COVID and the Arts: Reflections10. Art Worlds Evolving: Notes on Evolutionary Metaphors of Change and the Global Art System, Meredith Tromble (San Francisco Art Institute, USA)11. Embracing Viral Uncertainty? It's Complicated, Roberta Buiani (University of Toronto, Canada)12.The Anosmatic Symposium, Regine Rapp and Christian de Lutz (Art Laboratory Berlin, Germany)13. FEMeeting: Making of an Antibodies Network, Dalila Honorato and Marta de Menezes (Cultivamos Cultura and Ectopia, Portugal / Ionian University, Greece)14. COVID-19 and the Embodiment of Disruption: Assemblages of Agency and the Turducken of Chaos, WhiteFeather Hunter and Molly McKinney (The University of Western Australia, Australia)15. Life in the Time of the Slow Hauling Knowledge, Dolores Steinman (University of Toronto, Canada)Part IV. COVID and the Arts: Practice16. Thermobiopolitics, Oron Catts and Ionat Zurr (The University of Western Australia, Australia)17. Utter: On the Matter of Human Emissions, Paul Vanouse (University at Buffalo, USA)18. Death Tool Kit: Practical and spiritual guidance from artists Adriene Jenik, IONE, Marne Lucas, Linda Mary Montano, and Kira O’Reilly, Kathy High (Rensselaer Polytechnic Institute, USA)19. Creating and Exhibiting Artworks Embedded with SARS-CoV-2 Genetic Material During the COVID-19 Pandemic, Anna Dumitriu (Brighton and Sussex Medical School / University of Hertfordshire, UK)20. Living in the Pandemic Panopticon - Who/What is Watching you While you Think You are Alone?, Karolina Zyniewicz (University of Warsaw, Poland)21. Viruses as Testing Grounds for Speculations, Pei-Ying Lin (Eindhoven University of Technology, The Netherlands)Index