Khadija von Zinnenburg Carroll is an artist and historian, leading the project REPATRIATES: Artistic Research in Museums and Communities in the Process of Repatriation from Europe. She is Professor at the Central European University, Austria and Honorary Professor and Chair of Global Art at the University of Birmingham, UK.

The book provides an enlightening alternative prism through which we can rediscover the Pacific agency in Tupaia, beyond the gaze of the dominant colonial history, which often revolves around Captain Cook’s view of the world. It is a must-read collection of narratives woven together into an intellectually illuminating tapestry of cultural history with a strong Pacific flavour. A highly recommended text.

• List of Figures List of ContributorsAcknowledgements 1. Taonga and Tupaia: Introduction to a Material History, Khadija von Zinnenburg Carroll (Central European University, Austria) and Simon Layton (Queen Mary, University of London, UK)2. The Whale and Wave that Washed our Minds: Notes from the Making of a Documentary, Kay Robin, Jody Toroa and Khadija von Zinnenburg Carroll. Featuring words by Emalani Case, Tina Ngata and Hinane Teavai-MurphySection One: The Wave of Tupaia3. Tupaia and the Heva Tupapa'u: Voyages Past, Present and Future, Pauline Reynolds (Norfolk Island Museum) and Julie Adams (British Museum, UK)4. Art and History in Conversation: Tupaia's Drawing of a Marae, Harriet Parsons (University of Melbourne, Australia) and Katerina Teaiwa (Australian National University)5. The Pacific and the Tasman: A Conversation with Alison Bashford, Alison Bashford (University of New South Wales, Australia)6. ‘When it’s Rough, Don’t Pray for Good Weather. Pray for Courage’: An Interview with Anne Salmond, Anne Salmond (University of Auckland, New Zealand)7. Rangiiwaho Ihu Ki Te Moana: Encountering the Pacific at the National Maritime Museum, Sylvia Cockburn (Australian War Memorial)8. Western Histories of the Endeavour Voyage: Erasures and Creations Performed, Archived and Activated, Huw Rowlands (Royal Holloway, University of London, UK)Section Two: In the Wake of Tupaia9. I Didn’t Know What I Was Doing: Tupaia’s Postcolonial Funeral and Ritual Art in Britain, Naomi Vogt (Warwick University, UK)10. Conversation Pieces: Between Creases and Edges, Ruby Hoette (Goldsmiths, University of London, UK)11. Museopiracy and the Vacuum Package: Redressing the Commemoration of the Endeavour's Voyage to the Pacific in Processions for Tupaia, Khadija von Zinnenburg Carroll (Central European University, Austria)12. Fishing for Pirates: Institutional Violence and the Cook Commemoration, Simon Layton (Queen Mary, University of London, UK)13. A New Atlantic: Wayfinding Beyond the Totalizing Claims and Epistemic Violence of Eurocentric Modernity, Tom Trevor (The Atlantic Project, UK)14. Tupaia's New Cloak as Transformative Healing Object, Vita Peacock (Kings College London, UK)15. Look at Me/Don’t Look at Me: A Voyage and a Journey Around High-Vis Materials; or Explorations in Fluorescent Matters, Juliette Kristensen (Goldsmiths, University of London, UK)16. Reparation as a Crossing: On the Filming of Procession for Tupaia as a Performative Documentary Process, Ludovica Fales (Kitchen Sink Collective, London17. Rubbishing Counterpoint: An Interview with Johanes (Mo’ong) Santoso Pribadi on Tupaia’s Funeral Music in Batavia, Johanes Santoso Pribadi (Independent Composer and Music Writer, Indonesia) and Hana Qugana (University of Sussex, UK)18. Savaging the Sonic: Tupaia, Indigeneity and Commemorative Dissonance, Hana Qugana (University of Sussex, UK)

Khadija von Zinnenburg Carroll is an artist and historian, leading the project REPATRIATES: Artistic Research in Museums and Communities in the Process of Repatriation from Europe. She is Professor at the Central European University, Austria and Honorary Professor and Chair of Global Art at the University of Birmingham, UK.

The book provides an enlightening alternative prism through which we can rediscover the Pacific agency in Tupaia, beyond the gaze of the dominant colonial history, which often revolves around Captain Cook’s view of the world. It is a must-read collection of narratives woven together into an intellectually illuminating tapestry of cultural history with a strong Pacific flavour. A highly recommended text.

• List of Figures List of ContributorsAcknowledgements 1. Taonga and Tupaia: Introduction to a Material History, Khadija von Zinnenburg Carroll (Central European University, Austria) and Simon Layton (Queen Mary, University of London, UK)2. The Whale and Wave that Washed our Minds: Notes from the Making of a Documentary, Kay Robin, Jody Toroa and Khadija von Zinnenburg Carroll. Featuring words by Emalani Case, Tina Ngata and Hinane Teavai-MurphySection One: The Wave of Tupaia3. Tupaia and the Heva Tupapa'u: Voyages Past, Present and Future, Pauline Reynolds (Norfolk Island Museum) and Julie Adams (British Museum, UK)4. Art and History in Conversation: Tupaia's Drawing of a Marae, Harriet Parsons (University of Melbourne, Australia) and Katerina Teaiwa (Australian National University)5. The Pacific and the Tasman: A Conversation with Alison Bashford, Alison Bashford (University of New South Wales, Australia)6. ‘When it’s Rough, Don’t Pray for Good Weather. Pray for Courage’: An Interview with Anne Salmond, Anne Salmond (University of Auckland, New Zealand)7. Rangiiwaho Ihu Ki Te Moana: Encountering the Pacific at the National Maritime Museum, Sylvia Cockburn (Australian War Memorial)8. Western Histories of the Endeavour Voyage: Erasures and Creations Performed, Archived and Activated, Huw Rowlands (Royal Holloway, University of London, UK)Section Two: In the Wake of Tupaia9. I Didn’t Know What I Was Doing: Tupaia’s Postcolonial Funeral and Ritual Art in Britain, Naomi Vogt (Warwick University, UK)10. Conversation Pieces: Between Creases and Edges, Ruby Hoette (Goldsmiths, University of London, UK)11. Museopiracy and the Vacuum Package: Redressing the Commemoration of the Endeavour's Voyage to the Pacific in Processions for Tupaia, Khadija von Zinnenburg Carroll (Central European University, Austria)12. Fishing for Pirates: Institutional Violence and the Cook Commemoration, Simon Layton (Queen Mary, University of London, UK)13. A New Atlantic: Wayfinding Beyond the Totalizing Claims and Epistemic Violence of Eurocentric Modernity, Tom Trevor (The Atlantic Project, UK)14. Tupaia's New Cloak as Transformative Healing Object, Vita Peacock (Kings College London, UK)15. Look at Me/Don’t Look at Me: A Voyage and a Journey Around High-Vis Materials; or Explorations in Fluorescent Matters, Juliette Kristensen (Goldsmiths, University of London, UK)16. Reparation as a Crossing: On the Filming of Procession for Tupaia as a Performative Documentary Process, Ludovica Fales (Kitchen Sink Collective, London17. Rubbishing Counterpoint: An Interview with Johanes (Mo’ong) Santoso Pribadi on Tupaia’s Funeral Music in Batavia, Johanes Santoso Pribadi (Independent Composer and Music Writer, Indonesia) and Hana Qugana (University of Sussex, UK)18. Savaging the Sonic: Tupaia, Indigeneity and Commemorative Dissonance, Hana Qugana (University of Sussex, UK)

Khadija von Zinnenburg Carroll is an artist and historian, leading the project REPATRIATES: Artistic Research in Museums and Communities in the Process of Repatriation from Europe. She is Professor at the Central European University, Austria and Honorary Professor and Chair of Global Art at the University of Birmingham, UK.

The book provides an enlightening alternative prism through which we can rediscover the Pacific agency in Tupaia, beyond the gaze of the dominant colonial history, which often revolves around Captain Cook’s view of the world. It is a must-read collection of narratives woven together into an intellectually illuminating tapestry of cultural history with a strong Pacific flavour. A highly recommended text.

• List of Figures List of ContributorsAcknowledgements 1. Taonga and Tupaia: Introduction to a Material History, Khadija von Zinnenburg Carroll (Central European University, Austria) and Simon Layton (Queen Mary, University of London, UK)2. The Whale and Wave that Washed our Minds: Notes from the Making of a Documentary, Kay Robin, Jody Toroa and Khadija von Zinnenburg Carroll. Featuring words by Emalani Case, Tina Ngata and Hinane Teavai-MurphySection One: The Wave of Tupaia3. Tupaia and the Heva Tupapa'u: Voyages Past, Present and Future, Pauline Reynolds (Norfolk Island Museum) and Julie Adams (British Museum, UK)4. Art and History in Conversation: Tupaia's Drawing of a Marae, Harriet Parsons (University of Melbourne, Australia) and Katerina Teaiwa (Australian National University)5. The Pacific and the Tasman: A Conversation with Alison Bashford, Alison Bashford (University of New South Wales, Australia)6. ‘When it’s Rough, Don’t Pray for Good Weather. Pray for Courage’: An Interview with Anne Salmond, Anne Salmond (University of Auckland, New Zealand)7. Rangiiwaho Ihu Ki Te Moana: Encountering the Pacific at the National Maritime Museum, Sylvia Cockburn (Australian War Memorial)8. Western Histories of the Endeavour Voyage: Erasures and Creations Performed, Archived and Activated, Huw Rowlands (Royal Holloway, University of London, UK)Section Two: In the Wake of Tupaia9. I Didn’t Know What I Was Doing: Tupaia’s Postcolonial Funeral and Ritual Art in Britain, Naomi Vogt (Warwick University, UK)10. Conversation Pieces: Between Creases and Edges, Ruby Hoette (Goldsmiths, University of London, UK)11. Museopiracy and the Vacuum Package: Redressing the Commemoration of the Endeavour's Voyage to the Pacific in Processions for Tupaia, Khadija von Zinnenburg Carroll (Central European University, Austria)12. Fishing for Pirates: Institutional Violence and the Cook Commemoration, Simon Layton (Queen Mary, University of London, UK)13. A New Atlantic: Wayfinding Beyond the Totalizing Claims and Epistemic Violence of Eurocentric Modernity, Tom Trevor (The Atlantic Project, UK)14. Tupaia's New Cloak as Transformative Healing Object, Vita Peacock (Kings College London, UK)15. Look at Me/Don’t Look at Me: A Voyage and a Journey Around High-Vis Materials; or Explorations in Fluorescent Matters, Juliette Kristensen (Goldsmiths, University of London, UK)16. Reparation as a Crossing: On the Filming of Procession for Tupaia as a Performative Documentary Process, Ludovica Fales (Kitchen Sink Collective, London17. Rubbishing Counterpoint: An Interview with Johanes (Mo’ong) Santoso Pribadi on Tupaia’s Funeral Music in Batavia, Johanes Santoso Pribadi (Independent Composer and Music Writer, Indonesia) and Hana Qugana (University of Sussex, UK)18. Savaging the Sonic: Tupaia, Indigeneity and Commemorative Dissonance, Hana Qugana (University of Sussex, UK)