Designhistoria

Scandinavian Design under segel handlar om hur segelbåtars design utvecklats genom 100 år i våra nordiska länder. Det gäller urval av båtar som matchar begreppet i att vara estetiskt tilltalande, ha bra funktion i hantering och prestanda med rena och tidlösa linjer. Bilderna i boken är noga utvalda för att illustrera de vackra båtarna i fina naturmiljöer. Urvalet spänner över små jollar mycket stora segelyachter. Den har kommit till genom samarbete med professionella seglare, fotografer och intervjuer. Författaren är industridesigner, väl förtrogen med designens betydelse och mycket erfaren seglare, båtbyggare och skärgårdsälskare. Bokens känsla speglas i sin klotbundna kvalitet med schweizisk bindning så sidornas uppslag faller ut fint på bordet.

How Japan adopted and ultimately revived traditional American fashion "A fascinating cultural history." -PeopleA strange thing has happened over the last two decades: the world has come to believe that the most "authentic" American garments are those made in Japan. From high-end denim to oxford button-downs, Japanese brands such as UNIQLO, Kamakura Shirts, Beams, and Kapital have built their global businesses by creating the highest-quality versions of classic American casual garments-a style known in Japan as ametora, or "American traditional."In Ametora, cultural historian W. David Marx traces the Japanese assimilation of American fashion over the past 150 years. Now updated with a new afterword covering the last decade, Ametora shows how Japanese trendsetters and entrepreneurs mimicked, adapted, imported, and ultimately perfected American style, dramatically reshaping not only Japan's culture but also our own.

The bestselling international classic on storytelling and visual communication "You must read this book." - Neil Gaiman Praised throughout the cartoon industry by such luminaries as Art Spiegelman, Matt Groening, and Will Eisner, Scott McCloud's Understanding Comics is a seminal examination of comics art: its rich history, surprising technical components, and major cultural significance. Explore the secret world between the panels, through the lines, and within the hidden symbols of a powerful but misunderstood art form.

Dressing the Man is the definitive guide to what men need to know in order to dress well and look stylish without becoming fashion victims. Alan Flusser's name is synonymous with taste and style. With his new book, he combines his encyclopedic knowledge of men's clothes with his signature wit and elegance to address the fundamental paradox of modern men's fashion: Why, after men today have spent more money on clothes than in any other period of history, are there fewer well-dressed men than at any time ever before? According to Flusser, dressing well is not all that difficult, the real challenge lies in being able to acquire the right personalized instruction. Dressing well pivots on two pillars -- proportion and color. Flusser believes that "Permanent Fashionability," both his promise and goal for the reader, starts by being accountable to a personal set of physical trademarks and not to any kind of random, seasonally served-up collection of fashion flashes. Unlike fashion, which is obliged to change each season, the face's shape, the neck's height, the shoulder's width, the arm's length, the torso's structure, and the foot's size remain fairly constant over time.Once a man learns how to adapt the fundamentals of permanent fashion to his physique and complexion, he's halfway home. Taking the reader through each major clothing classification step-by-step, this user-friendly guide helps you apply your own specifics to a series of dressing options, from business casual and formalwear to pattern-on-pattern coordination, or how to choose the most flattering clothing silhouette for your body type and shirt collar for your face. A man's physical traits represent his individual road map, and the quickest route toward forging an enduring style of dress is through exposure to the legendary practitioners of this rare masculine art. Flusser has assembled the largest andmost diverse collection of stylishly mantled men ever found in one book. Many never-before-seen vintage photographs from the era of Cary Grant, Tyrone Power, and Fred Astaire are employed to help illustrate the range and diversity of authentic men's fashion. Dressing the Man's sheer magnitude of options will enable the reader to expand both the grammar and verbiage of his permanent-fashion vocabulary.For those men hoping to find sartorial fulfillment somewhere down the road, tethering their journey to the mind-set of permanent fashion will deliver them earlier rather than later in life.

The complete, definitive and never-before-published catalogue of Hipgnosis, Vinyl • Album • Cover • Art finally does justice to the work of the most important design collective in music history, which, according to Roddy Bogawa, director of the documentary Taken by Storm (2011), ‘designed half your record collection’. Founded in 1967 by Storm Thorgerson, Aubrey ‘Po’ Powell and Peter Christopherson, Hipgnosis gained legendary status in graphic design, transforming the look of album art forever and winning five Grammy nominations for package design. Their revolutionary cover art moved away from the conventional group shots favoured by record companies of the day, resulting in the ground-breaking, often surreal designs which define the albums of many of the biggest names in the history of popular music: 10cc, AC/DC, Black Sabbath, Peter Gabriel, The Police, Genesis, Led Zeppelin, Pink Floyd, Paul McCartney, Robert Plant, Syd Barrett, Throbbing Gristle, T. Rex, Wings, Yes and XTC, to name but a few. Arranged chronologically, Vinyl • Album • Cover • Art features stunning reproductions of every single Hipgnosis cover – 372 in total – coupled with detailed information by Po and Storm Thorgerson on the artworks and the compelling stories behind their creation. Additional contributions by Peter Gabriel, Marcus Bradbury, and Pentagram’s Harry Pearce provide engrossing insights into the way these incredible artworks came into being; place the covers in context; and reflect on their enduring impact on album design. A highly accessible stand-alone volume, Vinyl • Album • Cover • Art will also make the perfect pop partner to the groundbreaking Hipgnosis | Portraits (2014) with its rare revelations and behind-the-scenes photography.

Following the success of Jazz Covers, this epic volume of groove assembles over 500 legendary covers from a golden era in Black music. Psychedelia meets Black Power, sexual liberation meets social conscience, and street portraiture meets fantastical comic art in this dazzling anthology of visualized funk and soul. Gathering both classic and rare covers, the collection celebrates each artwork’s ability to capture not only a buyer’s interest, but an entire musical mood. Browse through and discover the brilliant, the bold, the outlandish and the incredibly beautiful designs that fans rushed to get their hands on as the likes of Marvin Gaye, James Brown, Curtis Mayfield, Michael Jackson, and Prince changed the world with their unique and unforgettable sounds. Featuring interviews with key industry figures, Funk & Soul Covers also provides cultural context and design analysis for many of the chosen record covers.

What it means to design at a time when, for many people, the future seems to have become an impossibility.When reality fails us, what can designers do? Question design’s relationship to reality, as Anthony Dunne and Fiona Raby do, in this exhilarating, yet thoughtful, journey to the edges of science, philosophy, and literature to find new ways of thinking about the possible—and about the meaning, function, and place of design in that speculative world of “not here, not now.” A conceptual travelogue of sorts, Not Here, Not Now brings together words, images, and objects that capture, in design form, some of the ideas encountered along the way. Itself a design experiment, the richly illustrated book explores ways to bring these ideas into conversation with objects through imagined archives, libraries, glossaries, taxonomies, lists, tales, and essays.The design responses in Not Here, Not Now—to a stone raft, for example, or a vegetable lamb, swatches of imaginary colors, a pocket universe in the home, objects undergoing space-time collapse—are, like the most compelling utopias, impossible by design, aiming instead to nourish the creative, intellectual, and imaginative ground from which new possibilities, still unknown, might begin to emerge.

Sedan Parisutställningen 1925 har omvärlden betraktat Sverige som ett ledande designland. Men det var inte den blonda enkelheten, som de flesta idag förknippar med svensk design, som banade vägen. Tvärtom, publiken i Paris fascinerades av rikt dekorerade föremål utförda i krävande hantverkstekniker. Här fanns Orrefors graverade glas, Nordiska Kompaniets intarsiamöbler, Svenskt Tenns väggspeglar och Näfveqvarns trädgårdsurnor av gjutjärn. Idag kallar vi stilen Swedish Grace. Utställningar är ett flyktigt fenomen. När den sista besökaren gått hem rivs de och kvar finns spridda föremål, fotografier, arkivmaterial och personliga minnen. Cilla Robach har grävt djupt i dessa för att, så långt det är möjligt, ta oss med på en vandring genom Parisutställningens unika miljöer med fokus på de svenska inredningar och föremål som öppnade designdörren mot världen. Cilla Robach är chef för Samlingsenheten vid Nationalmuseum. Hon är docent i konstvetenskap med fokus på 1900- och 2000-talens konsthantverk och design. 2022 ansvarade hon för Nationalmuseums hyllade utställning Swedish Grace. Konst och design i 1920-talets Sverige. Swedish Grace i Paris 1925 är den tredje publikationen i Nationalmuseums bokserie Forskning i fokus.

A complete and unabridged full-color edition of the classic sourcebook on ornamental designFirst published in 1856, The Grammar of Ornament remains a design classic. Its inspiration came from pioneering British architect and designer Owen Jones (1809–1874), who produced a comprehensive design treatise for the machine age, lavishly illustrated in vivid chromolithographic color. Jones made detailed observations of decorative arts on his travels in Europe, the Middle East, and in his native London, where he studied objects on display at the Great Exhibition of the Works of Industry of All Nations in 1851 and at local museums. His aim was to improve the quality of Western design by changing the habits of Victorian designers, who indiscriminately mixed elements from a wide variety of sources.Jones's resulting study is a comprehensive analysis of styles of ornamental design, presenting key examples ranging from Maori tattoos, Egyptian columns, and Greek borders to Byzantine mosaic, Indian embroidery, and Elizabethan carvings. At once splendidly Victorian and insistently modern, The Grammar of Ornament celebrates objects of beauty from across time periods and continents, and remains an indispensable sourcebook today.

Detailed plates from the Bible: the Creation scenes, Adam and Eve, horrifying visions of the Flood, the battle sequences with their monumental crowds, depictions of the life of Jesus and visions of the new Jerusalem. Each of the 241 plates is accompanied by the appropriate verses from the King James version of the Bible.

Historisk dräkt – inifrån och ut: 1400-talets andra hälft – Kvinnodräkt, är handboken för dig som vill få ett grepp om periodens kläder, material och snitt i Nordeuropa. I denna utförliga bok presenteras kvinnans kläder från särken närmast kroppen till huvudduk och överkjortel. På ett enkelt och pedagogiskt sätt placerar de erfarna författarna dräkten i ett historiskt perspektiv samtidigt som de går nära inpå dess detaljer. Här avhandlas inte bara skärningar utan även influenser, materialval, tidens färger och accessoarer. Handboken är späckad med moderna illustrationer, målningar från tiden och foton av rekonstruktioner och fynd. Det är kort sagt den oumbärliga hjälpredan för dig som vill skapa din egen 1400-talsgarderob. I serien Historisk dräkt – inifrån och ut finns också broderboken 1400-talets andra hälft – Mansdräkt. I serien kommer även andra tidsperioder att publiceras, se mer på chronocopiapublishing.com.

'He makes us see a subject we thought we knew so well from a completely different angle; in writing that is deeply researched, but inviting, warm, and full of personality' Katy Hessel'Charlie Porter is a magician' Olivia Laing Why do we wear what we wear? To answer this question, we must go back and unlock the wardrobes of the early twentieth century, when fashion as we know it was born.In Bring No Clothes, acclaimed fashion writer Charlie Porter brings us face to face with six members of the Bloomsbury Group-the collective of creatives and thinkers who were in the vanguard of a social and sartorial revolution. Each of them offers fresh insight into the constraints and possibilities of fashion today: from the stifling repression of E. M. Forster's top buttons to the creativity of Vanessa Bell's wayward hems; from the sheer pleasure of Ottoline Morrell's lavish dresses to the clashing self-consciousness of Virginia Woolf's orange stockings; from Duncan Grant's liberated play with nudity to John Maynard Keynes's power play in the traditional suit. As Porter carefully unpicks what they wore and how they wore it, we see how clothing can be a means of artistic, intellectual and sexual liberation, or, conversely, a tool for patriarchal control.As he travels through libraries, archives, attics and studios, Porter uncovers new evidence about his subjects, revealing them in a thrillingly intimate, vivid new light. And, as he begins making his own clothing, his own perspective on fashion-and on life-starts to change. In the end, he shows, we should all 'bring no clothes', embracing not just a new way with fashion but a new philosophy of living-one which activates the connections between the way we dress and the way we think, act and love. Now with a new Afterword by the author

Recension På Svaneholms slott i Skåne finns en samling kläder från slutet av 1700-talet fram till 1960-talet. En del av dessa finns utställda på slottet. Som ett led i bevarandet av samlingen för eftervärlden har Emma Severinsson skrivit boken Skräddat för herrskap, med bilder av Helene Toresdotter. Projektet har genomförts med bidrag från Riksantikvarieämbetet. Modet har alltid varit en markör för tiden det skapas i, och via kreationerna i boken får läsaren en bild av hur slottets herrskap levt under årtiondena och hur de påverkats av sin omvärld. Det här är en lättillgänglig och vacker bok med ett stort innehåll. Boken lär tilltala både historieälskaren och den modeintresserade. Den senare lär särskilt uppskatta närbilderna på plaggen, där man kan studera konstruktioner och broderier. BTJ-häftet nr 11 2022, Lektör Stina Lodén

Scandinavian design is still seen as democratic, functional and simple, its products exemplifying the same characteristics now as they have done since the 1950s. But both the essence and the history of Scandinavian design are much more complex than this. Scandinavian Design: Alternative Histories presents a radically new assessment, a corrective to the persistent mythologies and reductive accounts of Scandinavian design.The book brings together case studies from the early twentieth century to today. Drawn from fields as diverse as transport, engineering, packaging, photography, law, interiors, and corporate identity, these studies tell new or unfamiliar stories about the production, mediation and consumption of design. An alternative history is created, one much more alive to national and regional differences and to types of product.Scandinavian Design analyses a century of design culture from Denmark, Finland, Norway and Sweden and, in so doing, presents a sophisticated introduction to Scandinavian design.

The authoritative and wide-ranging visual essay on the aesthetics of Japan, a classic volume now back in print with a stunning new cover design‘Japan style’ is an aesthetic recognizable to everyone: a beautifully displayed flower, an elegant piece of calligraphy, or a simple rock garden, yet it is also difficult to define.Written by one of the world’s most respected scholars of Japanese art and culture, this book does just that. Illustrated with over 150 stunning images that unlock the essence of Japanese art and culture, alongside Gian Carlo Calza’s groundbreaking and insightful text, Japan Style explores specific achievements in Japanese art and architecture and offers an in-depth analysis of the whole of Japanese culture, its vision of the world and of humankind.

Historisk dräkt – inifrån och ut, mannens dräkt under 1400-talets andra hälft, är handboken för dig som vill få ett grepp om periodens kläder, material och snitt i Nordeuropa. I denna utförliga bok presenteras mannens kläder från brokorna närmast kroppen till mantel och hatt. På ett enkelt och pedagogiskt sätt placerar de erfarna författarna dräkten i ett historiskt perspektiv samtidigt som de går nära inpå dess detaljer. Här avhandlas inte bara skärningar utan även influenser, materialval, tidens färger och accessoarer. Handboken är späckad med moderna illustrationer, målningar från tiden och foton av rekonstruktioner och fynd. Det är kort sagt den oumbärliga hjälpredan för dig som vill skapa din egen 1400-talsgarderob. I serien Historisk dräkt – inifrån och ut finns också systerboken Kvinnans dräkt under 1400-talets andra hälft. I serien kommer även andra tidsperioder att publiceras, se mer på www.ChronoCopiaPublishing.com.

Historisk dräkt – inifrån och ut: Kvinnodräkten i norra Europa 1360-1415, är en bok för dig som vill få ett grepp om periodens kläder, material och snitt i Nordeuropa. Detta är en bra bok för dig som vill börja återskapa medeltiden, men även ett utmärkt utbildningsmaterial inom dräkthistoria. Alla delar av dräkten tas upp och man får en överblick av de vanligaste plaggen och dräktdetaljerna. Det finns även förslag på fördjupningsmaterial för den som vill lära sig mer. Dräktskicket i norra Europa liknar under denna period till viss del Västeuropas moden men skiljer sig ganska markant från södra och östra Europa. De plagg och accessoarer som beskrivs i boken är giltiga för hela det nordeuropeiska området från norra Tyskland till Mellansverige, från Östersjöområdet till Norges västkust. Bokens fokus ligger på hantverkare, välbärgade bönder och köpmän men tar även upp hur dräkten kan anpassas till adel och bondeklass. Val av material i tyg och dräktdetaljer utgjorde stor del av skillnaden mellan de olika samhällsklassernas klädsel. Boken tar upp dräktens formspråk, vilka de vanligaste tygerna och färgerna var för perioden, samt sömnadstekniker. De plagg som beskrivs i boken är hosor, kortärmad särk, långärmad särk, mantel och tre varianter på kjortel. Även huvudbonader, skor, bälten, frisyrer, smycken och väskor tas upp. Lager för lager visas vad man hade på sig för att få en komplett bild av kvinnans dräkt. Varje plaggtyp visas tillsammans med dåtida konst och principskisser av hur mönsterdelarna kan se ut. Dessa är inte avsedda att användas som mönsterdelar att sy efter, även om den erfarne historiske mönsterkonstruktören kan använda dom som grund för tillverkning av egna mönster. Handboken innehåller moderna illustrationer, målningar från tiden och foton av rekonstruktioner och fynd. Vilket hjälper läsaren som vill fördjupa sig att förstå vad man ser i historiska bilder. Det är kort sagt en introduktion på 48 sidor som ger en översikt av de vanligaste plaggen och hur man sätter dom samman för att få en komplett dräkt för perioden 1360-1415 för norra Europa. I serien Historisk dräkt – inifrån och ut finns också böckerna 1400-talets andra hälft, mansdräkt respektive Kvinnodräkt. I serien kommer även andra tidsperioder att publiceras som 1200-tal och vikingatid, se mer på chronocopiapublishing.com

"Fascinating." - The New YorkerWhat can psychoanalysis tell us about the power and allure of fashion? Valerie Steele, author of Dress, Dreams and Desire, was described by critic Suzy Menkes as “the Freud of fashion.” In this pathbreaking book, the first cultural history of fashion and psychoanalysis, Steele does not merely hold a mirror up to fashion’s surface, she looks into its soul.A renowned fashion historian, Steele draws on key psychoanalytic concepts about the body, sexuality, and the unconscious – from the dream theories of Freud and Jung to Lacan’s mirror stage and Anzieu’s skin ego – to interpret the work of designers such as Elsa Schiaparelli, Gianni Versace, and Alexander McQueen. She explores how fashion is the lens through which we see ourselves – and how others see us. Far from being superficial, fashion can be regarded as a “deep surface” that communicates our unconscious desires and anxieties, with none of us fully aware of what we are "saying" with the clothes we wear.

A long-overdue English translation of Munari's seminal tract on the everyday value of architecture and design educationThe first ever English translation of Bruno Munari's Design and Visual Communication (1968) fills a gap in Munari's output for the English-speaking world and provides a highly relevant guide to bridging architecture and design education and everyday life.Published in 1968 after Munari was invited to the Carpenter Center at Harvard to teach, the book transforms over 50 lessons, class materials and letters addressed to the city of Milan, into a book on the future of art, architecture and design. Conceived as a living volume, the book is written to inspire current and future designers to push beyond past events, however recent, and develop new tools to see and understand tomorrow's world.Accompanying the facsimile reproduction of the original volume are in-depth contextual annotations by Jeffrey Schnapp. As a Munari scholar and design historian, Schnapp has spent years unearthing the radical potential of critical historical material. His annotations and micro-interventions throughout the facsimile reprint seek to fulfill Munari's call for an evolution of the book in form and content and highlight how this work is as relevant today as when originally published.Bruno Munari (1907–98) was an Italian artist, designer and inventor who contributed fundamentals to many fields of visual arts (painting, sculpture, film, industrial design, graphic design) in modernism, futurism, and concrete art and in nonvisual arts (literature, poetry) with his research on games, didactic method, movement, tactile learning, kinesthetic learning and creativity.

A beautifully illustrated history of the many inventive, poetic, and alluring ways in which color swatches have been selected and stagedThe need to categorize and communicate color has mobilized practitioners and scholars for centuries. Color Charts describes the many different methods and ingenious devices developed since the fifteenth century by doctors, naturalists, dyers, and painters to catalog fragments of colors. With the advent of industrial society, manufacturers and merchants developed some of the most beautiful and varied tools ever designed to present all the available colors. Thanks to them, society has discovered the abundance of color embodied in a plethora of materials: cuts of fabric, leather, paper, and rubber; slats of wood and linoleum; delicate skeins of silk; careful deposits of paint and pastels; fragments of lipstick; and arrangements of flower petals. These samples shape a visual culture and a chromatic vocabulary and instill a deep desire for color.Anne Varichon traces the emergence of modern color charts from a set of processes developed over the centuries in various contexts. She presents illuminating examples that bring this remarkable story to life, from ancient writings revealing attention to precise shade to contemporary designers’ color charts, dyers’ notebooks, and Werner’s famous color nomenclature. Varichon argues that color charts have linked generations of artists, artisans, scientists, industrialists, and merchants, and have played an essential and enduring role in the way societies think about color.Drawing on nearly two hundred documents from public and private collections, almost all of them previously unpublished, this wonderfully illustrated book shows how the color chart, in its many distinct forms and expressions, is a practical tool that has transcended its original purpose to become an educational aid and subject of contemplation worthy of being studied and admired.

As featured in Wallpaper*, The Wall Street Journal, Monocle, and New York Magazine’s, The StrategistThe design, history, and cultural impact of turntables and vinyl technology: the twin powerhouses of the 'vinyl revival' phenomenon Interest in turntables and records is enjoying a renaissance as analog natives and new converts find their enduring style and extraordinary sound inimitable. Revolution, a follow-up to Phaidon's beloved Hi-Fi: The History of High-End Audio Design, explores the design and cultural impact of the turntable, the component at the center of the 'vinyl revival'. An essential book for audiophiles, collectors, and design fans, Revolution showcases the fascinating history of turntables and vinyl technology from the 1950s to today's cutting-edge designs. Written by Schwartz, author of Hi-Fi: The History of High-End Audio Design, who is an audio design expert and passionate about analog music, this book includes 300 illustrations from the world of turntables, from affordable to high-end, and everything in between. An essential addition to the bookshelf for analog natives and those new to the vinyl revival as well as music and design lovers.

From the mangaka who told his life story in A Drifting Life, and gave you Abandon the Old in Tokyo and The Push Man and Other Stories, comes this collection of gekiga of the 1970s which have never before been translated into English. Personally selected for publication exclusively by Landmark Books by Tatsumi, the stories strip away the gloss of the Japanese Economic Miracle to reveal the stresses, desires and angst of the millions of young people who flocked to the cities where life was not what it was promised to be.Compared to Tatsumi's earlier stories, this collection paints a much more pessimistic world. The stories run on a different beat. The banality of modern life and its values bleed through.Yoshihiro Tatsumi plumbs the depths of the lost Japanese youth of the 1970s. Today, 'youth' of every age group appreciates Yoshihiro Tatsumi. They are attracted to him because they connect with the struggles and the darkness of modern life which he portrays.

Critical Design in Context has become a key text in design literature offering a conceptual introduction to the methods and operation of Critical and Speculative Design practice, and explaining how critical design can work in practice through a range of contemporary examples. Critical Design moves away from traditional approaches that limit design's role to the production of profitable objects, focusing instead on a practice that is interrogative, discursive and experimental. Since its publication and continued dissemination there is a much more diverse and plural body of practice that can be presented and discussed in a context of Critical Speculative Design (CSD) beyond the scope and gaze of the industrial designer.This second edition begins to address this plurality in practice and extends the examples presented. It considers Interaction Design (UI, UX), Futures and anticipatory innovation and design examples from critical service design, fashion design and design led social innovation. The text focuses more on the relationship between critical / speculative design and design futures, experiential futures, and foresight. It introduces plural ontological design and its world-building agency in address to complex matters of concern. In this new edition, the author also draws upon and celebrates the theoretical work of Deepa Butoliya, Daniela K Rosner and others who have moved the contextual discourse of critical design to consider more diverse accounts and interpretations of the practice.Finally, a new discussion will demonstrate how the use and prominence of critical and speculative practices in design culture emerges, re-emerges and is today sustained relative to socio-economic agitation and global matters of concern. This discussion will show a direct correlation of CSD to global events and their impacts on the design profession.