Nora J. Williams is the Associate Dean for Access and Participation at BIMM University. Her work has previously been published in journals such as Shakespeare Bulletin and PARtake: The Journal of Performance as Research, as well as several edited collections. She is the co-host of Not Another Shakespeare Podcast! and the Notes section editor for Borrowers and Lenders: The Journal of Shakespeare and Appropriation.

Canonical Misogyny is the book that all scholars, creators and teachers of Shakespeare need to read, whether you think Shakespeare desperately needs decolonising or whether you think you’re already one of the allies in that fight. Working from careful scholarship and with a keen practitioner’s eye, Williams demonstrates how to move from “incomplete” dramaturgies that cause more harm than good and toward genuine social justice work in the making and teaching of Shakespeare.

• AcknowledgementsIntroductionPart I1. Incomplete Dramaturgies2. Direct Address and Dramaturgical Framing3. Physical DramaturgiesPart II4. Measure for Measure Now5. Measure (Still) for Measure: Design6. Measure (Still) for Measure: Key Project PhasesCoda: On EndingsBibliographyIndex

Nora J. Williams is the Associate Dean for Access and Participation at BIMM University. Her work has previously been published in journals such as Shakespeare Bulletin and PARtake: The Journal of Performance as Research, as well as several edited collections. She is the co-host of Not Another Shakespeare Podcast! and the Notes section editor for Borrowers and Lenders: The Journal of Shakespeare and Appropriation.

Canonical Misogyny is the book that all scholars, creators and teachers of Shakespeare need to read, whether you think Shakespeare desperately needs decolonising or whether you think you’re already one of the allies in that fight. Working from careful scholarship and with a keen practitioner’s eye, Williams demonstrates how to move from “incomplete” dramaturgies that cause more harm than good and toward genuine social justice work in the making and teaching of Shakespeare.

• AcknowledgementsIntroductionPart I1. Incomplete Dramaturgies2. Direct Address and Dramaturgical Framing3. Physical DramaturgiesPart II4. Measure for Measure Now5. Measure (Still) for Measure: Design6. Measure (Still) for Measure: Key Project PhasesCoda: On EndingsBibliographyIndex

Nora J. Williams is the Associate Dean for Access and Participation at BIMM University. Her work has previously been published in journals such as Shakespeare Bulletin and PARtake: The Journal of Performance as Research, as well as several edited collections. She is the co-host of Not Another Shakespeare Podcast! and the Notes section editor for Borrowers and Lenders: The Journal of Shakespeare and Appropriation.

Canonical Misogyny is the book that all scholars, creators and teachers of Shakespeare need to read, whether you think Shakespeare desperately needs decolonising or whether you think you’re already one of the allies in that fight. Working from careful scholarship and with a keen practitioner’s eye, Williams demonstrates how to move from “incomplete” dramaturgies that cause more harm than good and toward genuine social justice work in the making and teaching of Shakespeare.

• AcknowledgementsIntroductionPart I1. Incomplete Dramaturgies2. Direct Address and Dramaturgical Framing3. Physical DramaturgiesPart II4. Measure for Measure Now5. Measure (Still) for Measure: Design6. Measure (Still) for Measure: Key Project PhasesCoda: On EndingsBibliographyIndex