Bokus
Tyrus Miller - Georg Lukács and Critical Theory, Inbunden

Inbunden, Engelska, 2022

Georg Lukács and Critical Theory

Aesthetics, History, Utopia

Av Tyrus Miller

1229 kr

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Beskrivning
This book examines the heritage of critical theory from the Hungarian Marxist philosopher Georg Lukacs through the early Frankfurt School up to current issues of authoritarian politics and democratisation. Interweaving discussion of art and literature, utopian thought, and the dialectics of high art and mass culture, it offers unique perspectives on an interconnected group of left-wing intellectuals who sought to understand and resist their society's systemic impoverishment of thought and experience. Starting from Lukacs's reflections on art, utopia, and historical action, it progresses to the Frankfurt School philosopher Theodor W. Adorno's analyses of music, media, avant-garde and kitsch. It concludes with discussions of erotic utopia, authoritarianism, postsocialism, and organised deceit in show trials topics in which the legacy of Lukacs and Frankfurt School critical theory continues to be relevant today.
Produktinformation
  • Utgivningsdatum: 2022-10-26
  • Mått: 156 x 234 x 22 mm
  • Vikt: 566 g
  • Format: Inbunden
  • Språk: Engelska
  • Antal sidor: 280
  • Upplaga: 22100
  • Förlag: Edinburgh University Press
  • ISBN: 9781399502412
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Mer om författaren

Tyrus Miller is professor of Art History and English at University of California, Irvine. He is the author of Modernism and the Frankfurt School (EUP, 2014); Singular Examples: Artistic Politics and the Neo-Avant-Garde (Northwestern University Press, 2009); Late Modernism: Politics, Fiction, and the Arts Between the World Wars (University of California Press, 1999). He edited the (Cambridge University Press, 2016) and was editor and translator of Georg Lukács’s post-World War II essays in Hungarian, The Culture of People’s Democracy: Hungarian Essays on Literature, Art, and Democratic Transition, 1945-1948 (Brill, 2013).

Recensioner i media

[Miller] comes neither to bury Lukács nor to praise him, but to broaden and enrich our view of his oeuvre. As he concludes: ‘No ultimate verdict has been pronounced either about Lukács himself or about the position he might hold for a future critical theory that for many decades has mostly sought to monumentalize him or keep him discreetly out of sight’ (p. 261). The intellectual historian Martin Jay, in his blurb for the back of the book, calls the work a collection of ‘sprightly essays’, and that is certainly a good way to approach a series of arguments that, at their best, are erudite, informative, surprising, and well-written.

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