Dr Faith Binckes is Senior Lecturer in Modern and Contemporary Literature at Bath Spa University. She publishes on women’s writing, modernist literature, the visual arts and periodical culture. Her monograph Modernism, Magazines, and the British avant-garde: reading Rhythm was published by Oxford University Press in 2010. In addition to co-editing the current volume, she is working on an edition of the later art writings of Wyndham Lewis for Oxford University Press. Carey Snyder (1968–2025) was Professor of English at Ohio University from 2001to 2025. She was co-editor, with Faith Binckes, of Women, Periodicals, and Print Culturein Britain, 1890s–1920s: The Modernist Period (2019); editor of H. G. Wells’s AnnVeronica (2015); and author of British Fiction and Cross-Cultural Encounters: Ethnographic Modernism from Wells to Woolf (2008), as well as numerous articles and essays in the fields of feminist modernist studies and periodical studies.

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• List of IllustrationsAcknowledgementsGeneral Introduction: ‘The Kaleidoscope, the Mirror and the Magnifying Glass: Reading through the Lens of Periodical Culture’, Faith Binckes and Carey SnyderI. LocationsIntroduction, Faith Binckes1. ‘Watch this space:’ Late Nineteenth-Century Women’s Periodicals in Ireland, Elizabeth Tilley 2. Opening Doors: Women and Print Media in Scotland, Margery McCulloch3. Marginal Places, Liminal Spaces: Welsh Women’s Modernist Writing and the English ‘Little Magazine’, Claire Flay-Petty4. Home and Homeland: English National Identity in the Women’s Magazines of Newnes and Pearson, Chris Mourant and Natasha PeriyanII. The Sister ArtsIntroduction, Faith Binckes5. ‘A theme with many variations’: Gertrude Hudson, musical criticism, and turn-of-the-century periodical culture, Charlotte Purkis6. Women, Drama and Print Culture 1890–1929, Elizabeth Wright7. Dance, Modernism, and the Female Critic in the New Age, Rhythm, and the Outlook, Susan Jones8. Mixing the Brows in Print: Iris Barry’s Film Criticism of the 1920s, Miranda Dunham-Hickman9. The Avant-Garde in the Drawing Room: Women, Writing and Architectural Modernism in Britain, Elizabeth Darling10. The Dialogic Magazine: Advertisements and Femininity in the Lady’s Realm, Annie PaigeIII. Key Literary FiguresIntroduction, Carey Snyder11. ‘An Outpour of Ink’: From the ‘Young Rebecca’ to ‘the most important signature of these years’, Rebecca West 1911–1920, Kathryn Laing12. Time and Tide Waited for Her: Rebecca West’s Journalism in the 1920s, Margaret Stetz13. Writing Revolution: Dorothy Richardson’s Contributions to Early Twentieth-Century Periodicals, Scott McCracken and Elizabeth Pritchett14. Violet Hunt, Periodical Culture, and Emergent (Female) Modernisms, Louise Kane15. Dora Marsden and Anarchist Modernisms, Henry Mead16. Beatrice Hastings: Debating Suffrage in the New Age and Votes for Women, Carey Snyder17. ‘A kind of minute note-book, to be published some day’: Katherine Mansfield in the Adelphi, 1923-1924, Faith Binckes18. May Sinclair Magazine Writer: Exploring Modernisms through Diverse Journals, Laurel ForsterIV. Networks, circles, and marginsIntroduction, Carey Snyder19. On Poets and Publishing Networks: Charting the Careers of Charlotte Mew and Anna Wickham, Helen Southworth and Alina Oboza20. Women’s Poetry in the Modern British Magazines: A Case for Medium Reading, Bartholomew Brinkman21. Wheelpolitik: The Moral and Aesthetic Project of Edith Sitwell’s Wheels, 1916–1921, Melissa Bradshaw22. New Age Women’s Writing: Edith Nesbit, Florence Farr, and Nietzschean Socialist Modernism, Lee Garver23. Horror in the Wax Museum: Edith Nesbit’s ‘The Power of Darkness’ and the Strand Magazine, Anthony CamaraV. Social MovementsIntroduction, Carey Snyder24. Women, Periodicals, and Esotericism in Modernist-Era Print Culture, Mark Morrisson25. Lysistrata on the Home Front: Locating Women’s Reproductive Bodies in the Birth Strike Rhetoric of the Malthusian during World War One, Layne Parish Craig26. A Column of Our Own: Women’s Columns in Socialist Newspapers, Elizabeth Miller27. Prayer Warriors: Denominational Feminism, the Vote, and the Church League for Women’s Suffrage Monthly Paper, Krista LysackAppendixNotes on ContributorsIndex

Dr Faith Binckes is Senior Lecturer in Modern and Contemporary Literature at Bath Spa University. She publishes on women’s writing, modernist literature, the visual arts and periodical culture. Her monograph Modernism, Magazines, and the British avant-garde: reading Rhythm was published by Oxford University Press in 2010. In addition to co-editing the current volume, she is working on an edition of the later art writings of Wyndham Lewis for Oxford University Press. Carey Snyder (1968–2025) was Professor of English at Ohio University from 2001to 2025. She was co-editor, with Faith Binckes, of Women, Periodicals, and Print Culturein Britain, 1890s–1920s: The Modernist Period (2019); editor of H. G. Wells’s AnnVeronica (2015); and author of British Fiction and Cross-Cultural Encounters: Ethnographic Modernism from Wells to Woolf (2008), as well as numerous articles and essays in the fields of feminist modernist studies and periodical studies.

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• List of IllustrationsAcknowledgementsGeneral Introduction: ‘The Kaleidoscope, the Mirror and the Magnifying Glass: Reading through the Lens of Periodical Culture’, Faith Binckes and Carey SnyderI. LocationsIntroduction, Faith Binckes1. ‘Watch this space:’ Late Nineteenth-Century Women’s Periodicals in Ireland, Elizabeth Tilley 2. Opening Doors: Women and Print Media in Scotland, Margery McCulloch3. Marginal Places, Liminal Spaces: Welsh Women’s Modernist Writing and the English ‘Little Magazine’, Claire Flay-Petty4. Home and Homeland: English National Identity in the Women’s Magazines of Newnes and Pearson, Chris Mourant and Natasha PeriyanII. The Sister ArtsIntroduction, Faith Binckes5. ‘A theme with many variations’: Gertrude Hudson, musical criticism, and turn-of-the-century periodical culture, Charlotte Purkis6. Women, Drama and Print Culture 1890–1929, Elizabeth Wright7. Dance, Modernism, and the Female Critic in the New Age, Rhythm, and the Outlook, Susan Jones8. Mixing the Brows in Print: Iris Barry’s Film Criticism of the 1920s, Miranda Dunham-Hickman9. The Avant-Garde in the Drawing Room: Women, Writing and Architectural Modernism in Britain, Elizabeth Darling10. The Dialogic Magazine: Advertisements and Femininity in the Lady’s Realm, Annie PaigeIII. Key Literary FiguresIntroduction, Carey Snyder11. ‘An Outpour of Ink’: From the ‘Young Rebecca’ to ‘the most important signature of these years’, Rebecca West 1911–1920, Kathryn Laing12. Time and Tide Waited for Her: Rebecca West’s Journalism in the 1920s, Margaret Stetz13. Writing Revolution: Dorothy Richardson’s Contributions to Early Twentieth-Century Periodicals, Scott McCracken and Elizabeth Pritchett14. Violet Hunt, Periodical Culture, and Emergent (Female) Modernisms, Louise Kane15. Dora Marsden and Anarchist Modernisms, Henry Mead16. Beatrice Hastings: Debating Suffrage in the New Age and Votes for Women, Carey Snyder17. ‘A kind of minute note-book, to be published some day’: Katherine Mansfield in the Adelphi, 1923-1924, Faith Binckes18. May Sinclair Magazine Writer: Exploring Modernisms through Diverse Journals, Laurel ForsterIV. Networks, circles, and marginsIntroduction, Carey Snyder19. On Poets and Publishing Networks: Charting the Careers of Charlotte Mew and Anna Wickham, Helen Southworth and Alina Oboza20. Women’s Poetry in the Modern British Magazines: A Case for Medium Reading, Bartholomew Brinkman21. Wheelpolitik: The Moral and Aesthetic Project of Edith Sitwell’s Wheels, 1916–1921, Melissa Bradshaw22. New Age Women’s Writing: Edith Nesbit, Florence Farr, and Nietzschean Socialist Modernism, Lee Garver23. Horror in the Wax Museum: Edith Nesbit’s ‘The Power of Darkness’ and the Strand Magazine, Anthony CamaraV. Social MovementsIntroduction, Carey Snyder24. Women, Periodicals, and Esotericism in Modernist-Era Print Culture, Mark Morrisson25. Lysistrata on the Home Front: Locating Women’s Reproductive Bodies in the Birth Strike Rhetoric of the Malthusian during World War One, Layne Parish Craig26. A Column of Our Own: Women’s Columns in Socialist Newspapers, Elizabeth Miller27. Prayer Warriors: Denominational Feminism, the Vote, and the Church League for Women’s Suffrage Monthly Paper, Krista LysackAppendixNotes on ContributorsIndex

Dr Faith Binckes is Senior Lecturer in Modern and Contemporary Literature at Bath Spa University. She publishes on women’s writing, modernist literature, the visual arts and periodical culture. Her monograph Modernism, Magazines, and the British avant-garde: reading Rhythm was published by Oxford University Press in 2010. In addition to co-editing the current volume, she is working on an edition of the later art writings of Wyndham Lewis for Oxford University Press. Carey Snyder (1968–2025) was Professor of English at Ohio University from 2001to 2025. She was co-editor, with Faith Binckes, of Women, Periodicals, and Print Culturein Britain, 1890s–1920s: The Modernist Period (2019); editor of H. G. Wells’s AnnVeronica (2015); and author of British Fiction and Cross-Cultural Encounters: Ethnographic Modernism from Wells to Woolf (2008), as well as numerous articles and essays in the fields of feminist modernist studies and periodical studies.

Select Guide Rating

• List of IllustrationsAcknowledgementsGeneral Introduction: ‘The Kaleidoscope, the Mirror and the Magnifying Glass: Reading through the Lens of Periodical Culture’, Faith Binckes and Carey SnyderI. LocationsIntroduction, Faith Binckes1. ‘Watch this space:’ Late Nineteenth-Century Women’s Periodicals in Ireland, Elizabeth Tilley 2. Opening Doors: Women and Print Media in Scotland, Margery McCulloch3. Marginal Places, Liminal Spaces: Welsh Women’s Modernist Writing and the English ‘Little Magazine’, Claire Flay-Petty4. Home and Homeland: English National Identity in the Women’s Magazines of Newnes and Pearson, Chris Mourant and Natasha PeriyanII. The Sister ArtsIntroduction, Faith Binckes5. ‘A theme with many variations’: Gertrude Hudson, musical criticism, and turn-of-the-century periodical culture, Charlotte Purkis6. Women, Drama and Print Culture 1890–1929, Elizabeth Wright7. Dance, Modernism, and the Female Critic in the New Age, Rhythm, and the Outlook, Susan Jones8. Mixing the Brows in Print: Iris Barry’s Film Criticism of the 1920s, Miranda Dunham-Hickman9. The Avant-Garde in the Drawing Room: Women, Writing and Architectural Modernism in Britain, Elizabeth Darling10. The Dialogic Magazine: Advertisements and Femininity in the Lady’s Realm, Annie PaigeIII. Key Literary FiguresIntroduction, Carey Snyder11. ‘An Outpour of Ink’: From the ‘Young Rebecca’ to ‘the most important signature of these years’, Rebecca West 1911–1920, Kathryn Laing12. Time and Tide Waited for Her: Rebecca West’s Journalism in the 1920s, Margaret Stetz13. Writing Revolution: Dorothy Richardson’s Contributions to Early Twentieth-Century Periodicals, Scott McCracken and Elizabeth Pritchett14. Violet Hunt, Periodical Culture, and Emergent (Female) Modernisms, Louise Kane15. Dora Marsden and Anarchist Modernisms, Henry Mead16. Beatrice Hastings: Debating Suffrage in the New Age and Votes for Women, Carey Snyder17. ‘A kind of minute note-book, to be published some day’: Katherine Mansfield in the Adelphi, 1923-1924, Faith Binckes18. May Sinclair Magazine Writer: Exploring Modernisms through Diverse Journals, Laurel ForsterIV. Networks, circles, and marginsIntroduction, Carey Snyder19. On Poets and Publishing Networks: Charting the Careers of Charlotte Mew and Anna Wickham, Helen Southworth and Alina Oboza20. Women’s Poetry in the Modern British Magazines: A Case for Medium Reading, Bartholomew Brinkman21. Wheelpolitik: The Moral and Aesthetic Project of Edith Sitwell’s Wheels, 1916–1921, Melissa Bradshaw22. New Age Women’s Writing: Edith Nesbit, Florence Farr, and Nietzschean Socialist Modernism, Lee Garver23. Horror in the Wax Museum: Edith Nesbit’s ‘The Power of Darkness’ and the Strand Magazine, Anthony CamaraV. Social MovementsIntroduction, Carey Snyder24. Women, Periodicals, and Esotericism in Modernist-Era Print Culture, Mark Morrisson25. Lysistrata on the Home Front: Locating Women’s Reproductive Bodies in the Birth Strike Rhetoric of the Malthusian during World War One, Layne Parish Craig26. A Column of Our Own: Women’s Columns in Socialist Newspapers, Elizabeth Miller27. Prayer Warriors: Denominational Feminism, the Vote, and the Church League for Women’s Suffrage Monthly Paper, Krista LysackAppendixNotes on ContributorsIndex