Foregrounds the diversity of periodicals, fiction and other printed matter targeted at women in the postwar periodForegrounds the diversity and the significance of print cultures for women in the postwar period across periodicals, fiction and other printed matterExamines changes and continuities as women's magazines have moved into digital formatsHighlights the important cultural and political contexts of women's periodicals including the Women's Liberation Movement and SocialismExplores the significance of women as publishers, printers and editorsWomen's Periodicals and Print Culture in Britain, 1940s-2000s draws attention to the wide range of postwar print cultures for women. The collection spans domestic, cultural and feminist magazines and extends to ephemera, novels and other printed matter as well as digital magazine formats. The range of essays indicates both the history of publishing for women and the diversity of readers and audiences over the mid-late twentieth century and the early twenty-first century in Britain. The collection reflects in detail the important ways in magazines and printed matter contributed to, challenged, or informed British women's culture. A range of approaches, including interview, textual analysis and industry commentary are employed in order to demonstrate the variety of ways in which the impact of postwar print media may be understood.

New perspectives on women's contributions to periodical culture in the era of modernismThis collection highlights the contributions of women writers, editors and critics to periodical culture in the late nineteenth and early twentieth centuries. It explores women's role in shaping conversations about modernism and modernity across varied aesthetic and ideological registers, and foregrounds how such participation was shaped by a wide range of periodical genres. The essays focus on well-known publications and introduce those as yet obscure and understudied including middlebrow and popular magazines, movement-based, radical papers, avant-garde titles and classic Little Magazines. Examining neglected figures and shining new light on familiar ones, the collection enriches our understanding of the role women played in the print culture of this transformative period.Key FeaturesHelps recover neglected women writers and cast new light on canonical onesHighlights the geographical diversity of modern British print cultureEmphasises the interdisciplinary nature of modernism, including essays on modernist dance, music, cinema, drama and architecture Includes a section on social movement periodicals

Provides new perspectives on women's print media in the long eighteenth centuryThis innovative volume presents for the first time collective expertise on women's magazines and periodicals of the long eighteenth century. While this period witnessed the birth of modern periodical culture and its ability to shape aspects of society from the popular to the political, most studies have traditionally obscured the very active role women's voices and women readers played in shaping the periodicals that in turn shaped Britain. The 30 essays here demonstrate the importance of periodicals to women, the importance of women to periodicals, and, crucially, they correct the destructive misconception that the more canonized periodicals and popular magazines were enemy or discontinuous forms. This collection shows how both periodicals and women drove debates on politics, education, theatre, celebrity, social practice, popular reading and everyday life itself.Divided into 6 thematic parts, the book uses innovative methodologies for historical periodical studies, thereby mapping new directions in eighteenth-century and Romantic studies, women's writing as well as media and cultural history. While our period witnessed the birth of modern periodical culture, most studies have obscured the active role women's voices and women readers played in shaping the periodicals that in turn shaped Britain.Key Features Presents the first major study of the key role women played as authors, editors, and readers of periodicals and magazines in the long eighteenth centuryFeatures cutting-edge and interdisciplinary research by senior and early career specialists in the fields of periodical studies, material culture studies, theatre history, and cultural historyIn its exposition of innovative methodologies for historical periodical studies, the book maps new directions in eighteenth-century and Romantic studies, women's writing, and media and cultural historyMoves British women's print media to the centre of long eighteenth-century print culture

Provides new perspectives on women's print media in interwar BritainThis collection of new essays recovers and explores a neglected archive of women's print media and dispels the myth of the interwar decades as a retreat to 'home and duty' for women. The volume demonstrates that women produced magazines and periodicals ranging in forms and appeal from highbrow to popular, private circulation to mass-market, and radical to reactionary. It shows that the 1920s and 1930s gave rise to a plurality of new challenges and opportunities for women as consumers, workers and citizens, as well as wives and mothers. Featuring interdisciplinary research by recognised specialists in the fields of literary and periodical studies as well as women's and cultural history, this volume recovers overlooked or marginalised media and archival sources, as well as reassessing well-known commercial titles. Designed as a 'go-to' resource both for readers new to the field and for specialists seeking the latest developments in this area of research, it opens up new directions and methodologies for modern periodical studies and cultural history.Organised by sections devoted to the arts, modern style, domestic and service magazines, and feminist and organizationally-based media, this volume foregrounds connections between different genres of women's periodical publishing and makes a major contribution to revisionist scholarship on the interwar period. The detailed appendix provides a valuable resource to facilitate new research on interwar women's magazines. Key Features Presents new essays on women's print media in interwar Britain, revealing the diversity of genres addressed to women readers, from domestic magazines, pulps and women's pages to highbrow reviews and feminist periodicalsFeatures innovative, interdisciplinary research by recognized specialists in the fields of literary and periodical studies, and women's and cultural historyContributes to the recent expansion of scholarship on the interwar period by recovering overlooked or marginalized media and archival sources, as well as reassessing well-known commercial titlesDesigned as a 'go to' resource both for readers new to the field and for specialists seeking the latest developments in this area of research opening up new directions and methodologies for modern periodicals studies and cultural history

Provides new perspectives on women's print media in the long eighteenth centuryThis innovative volume presents for the first time collective expertise on women's magazines and periodicals of the long eighteenth century. While this period witnessed the birth of modern periodical culture and its ability to shape aspects of society from the popular to the political, most studies have traditionally obscured the very active role women's voices and women readers played in shaping the periodicals that in turn shaped Britain. The 30 essays here demonstrate the importance of periodicals to women, the importance of women to periodicals, and, crucially, they correct the destructive misconception that the more canonized periodicals and popular magazines were enemy or discontinuous forms. This collection shows how both periodicals and women drove debates on politics, education, theatre, celebrity, social practice, popular reading and everyday life itself.Divided into 6 thematic parts, the book uses innovative methodologies for historical periodical studies, thereby mapping new directions in eighteenth-century and Romantic studies, women's writing as well as media and cultural history. While our period witnessed the birth of modern periodical culture, most studies have obscured the active role women's voices and women readers played in shaping the periodicals that in turn shaped Britain.Key FeaturesPresents the first major study of the key role women played as authors, editors, and readers of periodicals and magazines in the long eighteenth centuryFeatures cutting-edge and interdisciplinary research by senior and early career specialists in the fields of periodical studies, material culture studies, theatre history, and cultural historyIn its exposition of innovative methodologies for historical periodical studies, the book maps new directions in eighteenth-century and Romantic studies, women's writing, and media and cultural historyMoves British women's print media to the centre of long eighteenth-century print culture

The period covered in this volume witnessed the proliferation of print culture and the greater availability of periodicals for an increasingly diverse audience of women readers. This was also a significant period in women’s history, in which the ‘Woman Question’ dominated public debate, and writers and commentators from a range of perspectives engaged with ideas and ideals about womanhood ranging from the ‘Angel in the House’ to the New Woman.Essays in this collection gather together expertise from leading scholars as well as emerging new voices in order to produce sustained analysis of underexplored periodicals and authors and to reveal in new ways the dynamic and integral relationship between women’s history and print culture in Victorian society.

The period covered in this volume witnessed the proliferation of print culture and the greater availability of periodicals for an increasingly diverse audience of women readers. This was also a significant period in women's history, in which the 'Woman Question' dominated public debate, and writers and commentators from a range of perspectives engaged with ideas and ideals about womanhood ranging from the 'Angel in the House' to the New Woman.Essays in this collection gather together expertise from leading scholars as well as emerging new voices in order to produce sustained analysis of underexplored periodicals and authors and to reveal in new ways the dynamic and integral relationship between women's history and print culture in Victorian society.

Foregrounds the diversity of periodicals, fiction and other printed matter targeted at women in the postwar periodForegrounds the diversity and the significance of print cultures for women in the postwar period across periodicals, fiction and other printed matterExamines changes and continuities as women's magazines have moved into digital formatsHighlights the important cultural and political contexts of women's periodicals including the Women's Liberation Movement and SocialismExplores the significance of women as publishers, printers and editorsWomen's Periodicals and Print Culture in Britain, 1940s-2000s draws attention to the wide range of postwar print cultures for women. The collection spans domestic, cultural and feminist magazines and extends to ephemera, novels and other printed matter as well as digital magazine formats. The range of essays indicates both the history of publishing for women and the diversity of readers and audiences over the mid-late twentieth century and the early twenty-first century in Britain. The collection reflects in detail the important ways in magazines and printed matter contributed to, challenged, or informed British women's culture. A range of approaches, including interview, textual analysis and industry commentary are employed in order to demonstrate the variety of ways in which the impact of postwar print media may be understood.

New perspectives on women's contributions to periodical culture in the era of modernismThis collection highlights the contributions of women writers, editors and critics to periodical culture in the late nineteenth and early twentieth centuries. It explores women's role in shaping conversations about modernism and modernity across varied aesthetic and ideological registers, and foregrounds how such participation was shaped by a wide range of periodical genres. The essays focus on well-known publications and introduce those as yet obscure and understudied including middlebrow and popular magazines, movement-based, radical papers, avant-garde titles and classic Little Magazines. Examining neglected figures and shining new light on familiar ones, the collection enriches our understanding of the role women played in the print culture of this transformative period.Key FeaturesHelps recover neglected women writers and cast new light on canonical onesHighlights the geographical diversity of modern British print cultureEmphasises the interdisciplinary nature of modernism, including essays on modernist dance, music, cinema, drama and architecture Includes a section on social movement periodicals

Provides new perspectives on women's print media in the long eighteenth centuryThis innovative volume presents for the first time collective expertise on women's magazines and periodicals of the long eighteenth century. While this period witnessed the birth of modern periodical culture and its ability to shape aspects of society from the popular to the political, most studies have traditionally obscured the very active role women's voices and women readers played in shaping the periodicals that in turn shaped Britain. The 30 essays here demonstrate the importance of periodicals to women, the importance of women to periodicals, and, crucially, they correct the destructive misconception that the more canonized periodicals and popular magazines were enemy or discontinuous forms. This collection shows how both periodicals and women drove debates on politics, education, theatre, celebrity, social practice, popular reading and everyday life itself.Divided into 6 thematic parts, the book uses innovative methodologies for historical periodical studies, thereby mapping new directions in eighteenth-century and Romantic studies, women's writing as well as media and cultural history. While our period witnessed the birth of modern periodical culture, most studies have obscured the active role women's voices and women readers played in shaping the periodicals that in turn shaped Britain.Key Features Presents the first major study of the key role women played as authors, editors, and readers of periodicals and magazines in the long eighteenth centuryFeatures cutting-edge and interdisciplinary research by senior and early career specialists in the fields of periodical studies, material culture studies, theatre history, and cultural historyIn its exposition of innovative methodologies for historical periodical studies, the book maps new directions in eighteenth-century and Romantic studies, women's writing, and media and cultural historyMoves British women's print media to the centre of long eighteenth-century print culture

Provides new perspectives on women's print media in interwar BritainThis collection of new essays recovers and explores a neglected archive of women's print media and dispels the myth of the interwar decades as a retreat to 'home and duty' for women. The volume demonstrates that women produced magazines and periodicals ranging in forms and appeal from highbrow to popular, private circulation to mass-market, and radical to reactionary. It shows that the 1920s and 1930s gave rise to a plurality of new challenges and opportunities for women as consumers, workers and citizens, as well as wives and mothers. Featuring interdisciplinary research by recognised specialists in the fields of literary and periodical studies as well as women's and cultural history, this volume recovers overlooked or marginalised media and archival sources, as well as reassessing well-known commercial titles. Designed as a 'go-to' resource both for readers new to the field and for specialists seeking the latest developments in this area of research, it opens up new directions and methodologies for modern periodical studies and cultural history.Organised by sections devoted to the arts, modern style, domestic and service magazines, and feminist and organizationally-based media, this volume foregrounds connections between different genres of women's periodical publishing and makes a major contribution to revisionist scholarship on the interwar period. The detailed appendix provides a valuable resource to facilitate new research on interwar women's magazines. Key Features Presents new essays on women's print media in interwar Britain, revealing the diversity of genres addressed to women readers, from domestic magazines, pulps and women's pages to highbrow reviews and feminist periodicalsFeatures innovative, interdisciplinary research by recognized specialists in the fields of literary and periodical studies, and women's and cultural historyContributes to the recent expansion of scholarship on the interwar period by recovering overlooked or marginalized media and archival sources, as well as reassessing well-known commercial titlesDesigned as a 'go to' resource both for readers new to the field and for specialists seeking the latest developments in this area of research opening up new directions and methodologies for modern periodicals studies and cultural history

Provides new perspectives on women's print media in the long eighteenth centuryThis innovative volume presents for the first time collective expertise on women's magazines and periodicals of the long eighteenth century. While this period witnessed the birth of modern periodical culture and its ability to shape aspects of society from the popular to the political, most studies have traditionally obscured the very active role women's voices and women readers played in shaping the periodicals that in turn shaped Britain. The 30 essays here demonstrate the importance of periodicals to women, the importance of women to periodicals, and, crucially, they correct the destructive misconception that the more canonized periodicals and popular magazines were enemy or discontinuous forms. This collection shows how both periodicals and women drove debates on politics, education, theatre, celebrity, social practice, popular reading and everyday life itself.Divided into 6 thematic parts, the book uses innovative methodologies for historical periodical studies, thereby mapping new directions in eighteenth-century and Romantic studies, women's writing as well as media and cultural history. While our period witnessed the birth of modern periodical culture, most studies have obscured the active role women's voices and women readers played in shaping the periodicals that in turn shaped Britain.Key FeaturesPresents the first major study of the key role women played as authors, editors, and readers of periodicals and magazines in the long eighteenth centuryFeatures cutting-edge and interdisciplinary research by senior and early career specialists in the fields of periodical studies, material culture studies, theatre history, and cultural historyIn its exposition of innovative methodologies for historical periodical studies, the book maps new directions in eighteenth-century and Romantic studies, women's writing, and media and cultural historyMoves British women's print media to the centre of long eighteenth-century print culture

The period covered in this volume witnessed the proliferation of print culture and the greater availability of periodicals for an increasingly diverse audience of women readers. This was also a significant period in women’s history, in which the ‘Woman Question’ dominated public debate, and writers and commentators from a range of perspectives engaged with ideas and ideals about womanhood ranging from the ‘Angel in the House’ to the New Woman.Essays in this collection gather together expertise from leading scholars as well as emerging new voices in order to produce sustained analysis of underexplored periodicals and authors and to reveal in new ways the dynamic and integral relationship between women’s history and print culture in Victorian society.

The period covered in this volume witnessed the proliferation of print culture and the greater availability of periodicals for an increasingly diverse audience of women readers. This was also a significant period in women's history, in which the 'Woman Question' dominated public debate, and writers and commentators from a range of perspectives engaged with ideas and ideals about womanhood ranging from the 'Angel in the House' to the New Woman.Essays in this collection gather together expertise from leading scholars as well as emerging new voices in order to produce sustained analysis of underexplored periodicals and authors and to reveal in new ways the dynamic and integral relationship between women's history and print culture in Victorian society.