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    1. Kultur
    2. Scenkonst och film
    3. Film

    Contemporary Thai Cinema

    New Movements and Social Change

    AvWikanda Promkhuntong,Mary Ainslie

    Inbunden, Engelska, 2027

    1 138 kr

    Kommande

    Beskrivning

    Focusing upon Southeast Asia’s most vibrant and internationally prolific film industry, this collection of essays charts the rise of Thai cinema in its contemporary incarnation. Beginning after the 1997 economic crisis with the renaissance of the Thai film industry and its globally renowned auteurs, the collection provides new insight into the transnational nature and industrial formation of the contemporary Thai film and screen industries.Bringing together Thai and international film scholars, the volume explores the development of local genre films, transnational co-productions, and the significance of queer cinema in relation to the wider queer screen culture, as well as the growth of film culture through micro-cinema, para-industry bodies and foreign-film service production sector.Throughout these chapters, the collection highlights the development of Thai cinema through key moments of industrial and economic transition, outlining the intricate relationship between popular film, the avant-garde and indie cinema in Thailand today.

    Produktinformation

    • Utgivningsdatum:2027-01-31
    • Mått:156 x 234 x undefined mm
    • Format:Inbunden
    • Språk:Engelska
    • Antal sidor:224
    • Förlag:Edinburgh University Press
    • ISBN:9781399547840

    Utforska kategorier

    • Film inom Kultur

    Mer om författaren

    Wikanda Promkhuntong is a lecturer in Film and Cultural Studies at the Research Institute for Languages and Cultures of Asia, Mahidol University. She is the author of ‘Film Authorship in Contemporary Transmedia Culture: The Paratextual Lives of Asian Auteurs’ (2023). Mary Jane Ainslie is Associate Professor in Film and Media at the University of Nottingham Ningbo China Campus. She is the author of ‘Contemporary Thai Horror Film: A Monstrous Hybrid’ (EUP, 2023) and Anti-Semitism in Contemporary Malaysia: Malay Nationalism, Philosemitism and Pro-Israel Expressions (2019) as well as the co-editor of Southeast Asia On Screen: From Independence to Financial Crisis (1945-1998) (2020) and Thai Cinema: The Complete Guide’ (2015).

    Innehållsförteckning

    • Notes on ContributorsIntroductionMary J. Ainslie and Wikanda PromkhuntongSection I. Making the Nation: Nationalism and Thai Genre FilmsIntroduction: Making the Nation: Nationalism and Thai Genre FilmsMary J. Ainslie and Wikanda Promkhuntong1. Thai Nationalism and Cinematic Superheroes in the Time of ThaksinAdam Knee.2. The Myth of Justice: Nakleng Heroes, Magic and National Allegory in the Khun Pan TrilogyNatawan Wongchalard3. They Are All Around Us: The Folk Horror Turn in Thai CinemaKatarzyna AncutaSection II. Thailand goes Global North and South: The Transnational Screen and Sensorial LandscapesIntroduction: Thailand goes Global North and South: The Transnational Screen and Sensorial LandscapesMary J. Ainslie and Wikanda Promkhuntong4. Thai Film as Transnational Cinema: The post-1997 Thai and Foreign Film Co-production and CollaborationVeluree Metaveevinij5. Seeing the Bangkok Gas Accident Again: Transnational Screen Hauntology in The EyeLiew Kai Khiun6. Exploring the Next Phase of Transnational Co-Production: South-South Collaboration in Apichatpong Weerasethakul’s Memoria (2021)Palita ChunsaengchanSection III. The Transformation of Queer Screen Culture: Independent cinema, Katoey films and Boys Love MediaIntroduction: The Transformation of Queer Screen Culture: Independent cinema, Katoey films and Boys Love MediaMary J. Ainslie and Wikanda Promkhuntong7. Tom Yum Spectacle: Remediation, Carnival, and the Cinema of Poj ArnonBrett Farmer8. Remembering Love of Siam: Cinema, Memory and Boys Love Culture in Contemporary ThailandNatthanai Prasannam9. Thai Queer Cinema and Queer Ecologies: Compromising Lesbian Separatism and Thai Modernity in Solids by the Seashore Atit Pongpanit and Rachel HarrisonSection IV. Exploring the Industry Context: Networks, Festivals and the COVID ImpactIntroduction: Exploring the Industry Context: Networks, Festivals and the COVID ImpactMary J. Ainslie and Wikanda Promkhuntong10. Positive Thai-ness and the Thai State Film Incentives: Objective Content and Cash RebatesMary J. Ainslie11. Film Cultures between the Market and the State: Alternative Infrastructure and Cultural Commoning Practices in ThailandWikanda Promkhuntong12. The Micro-Cinema Phenomenon in Thailand after the COVID-19 PandemicSasawat Boonsri