Women Who Dared
From the Infamous to the Forgotten
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Ben Fletcher-Watson is Deputy Director of the Institute for Advanced Studies in the Humanities (IASH) at the University of Edinburgh. He holds degrees from the University of St Andrews and the Royal Conservatoire of Scotland. His books include Dangerous Women (Unbound 2022) and The Art of Being Dangerous (Leuven University Press 2021). Jo Shaw is Head of Edinburgh Law School, and has held the Salvesen Chair of European Institutions since January 2005. Since 2018, she has also held a part-time visiting position in the New Social Research programme of Tampere University in Finland. Between 2009-2013, she was Dean of Research of the College of Arts, Humanities and Social Sciences, leading on research development and REF submission for the College. From 2014-2017 she was Director of IASH, where she led the Dangerous Women Project. Sara Sheridan is a Scottish activist and writer. In 2018, she remapped Scotland according to women’s history to memorialise our forgotten foremothers in her imagined guidebook Where are the Women? This book was chosen for the First Minister’s Summer Reading list at the David Hume Institute that year. Her novel The Fair Botanists, set in Edinburgh in 1822, was Waterstones’ Scottish Book of the Year 2022. In 2024, her play Robert Burns: His Psychotherapy and Cure aired on BBC Radio 4, voiced by Elaine C. Smith. Her latest novel, The Secrets of Blythswood Square, was longlisted for the Saltire Prize 2024. The story is set in Victorian Glasgow and examines the early female gaze, bodily autonomy and the nature of shame, uncoveringscandal in what was, at the time, Britain’s second city of Empire. Sara mentors fledgling writers and outside her writing work has a number of other interests.
The long line of rebellious, outspoken and daring women gathered in this anthology transforms the meaning of the word 'dangerous' from its fear-laden connotation into necessary audacity. These numerous essays across times, places and perspectives also illuminate that to write is to disrupt, and these women have all done precisely that.
Du är på sajten för privatpersoner.
1 138 kr
Skickas . Fri frakt över 249 kr.
Ben Fletcher-Watson is Deputy Director of the Institute for Advanced Studies in the Humanities (IASH) at the University of Edinburgh. He holds degrees from the University of St Andrews and the Royal Conservatoire of Scotland. His books include Dangerous Women (Unbound 2022) and The Art of Being Dangerous (Leuven University Press 2021). Jo Shaw is Head of Edinburgh Law School, and has held the Salvesen Chair of European Institutions since January 2005. Since 2018, she has also held a part-time visiting position in the New Social Research programme of Tampere University in Finland. Between 2009-2013, she was Dean of Research of the College of Arts, Humanities and Social Sciences, leading on research development and REF submission for the College. From 2014-2017 she was Director of IASH, where she led the Dangerous Women Project. Sara Sheridan is a Scottish activist and writer. In 2018, she remapped Scotland according to women’s history to memorialise our forgotten foremothers in her imagined guidebook Where are the Women? This book was chosen for the First Minister’s Summer Reading list at the David Hume Institute that year. Her novel The Fair Botanists, set in Edinburgh in 1822, was Waterstones’ Scottish Book of the Year 2022. In 2024, her play Robert Burns: His Psychotherapy and Cure aired on BBC Radio 4, voiced by Elaine C. Smith. Her latest novel, The Secrets of Blythswood Square, was longlisted for the Saltire Prize 2024. The story is set in Victorian Glasgow and examines the early female gaze, bodily autonomy and the nature of shame, uncoveringscandal in what was, at the time, Britain’s second city of Empire. Sara mentors fledgling writers and outside her writing work has a number of other interests.
The long line of rebellious, outspoken and daring women gathered in this anthology transforms the meaning of the word 'dangerous' from its fear-laden connotation into necessary audacity. These numerous essays across times, places and perspectives also illuminate that to write is to disrupt, and these women have all done precisely that.