Alasdair Gray (1934–2019) is widely recognised as a key figure in Scottish literature and culture. His work reached a new audience in 2024 due to the release of the Oscar-nominated adaptation of his novel Poor Things. In the wake of this recent attention, The Edinburgh Companion to Alasdair Gray and the Arts interrogates both Gray’s literary and visual artistic practice as well as, crucially, facilitating conversation between these forms. With chapters on his prefatory spaces, his depictions of women, his complex relationship to empire and his role as a public intellectual, it provides a historicised view of Gray’s output while also introducing fresh critical approaches. The accounts of Gray’s visual art gathered here provide new insights into his collaborative projects, including his work with fellow artists and assistants on large-scale murals like Oran Mor and the Hillhead Subway commission, as well as his mobilisation of exhibitions not only for himself but in support of contemporary and more junior artists. Featuring contributions from prominent authors, academics, artists, politicians and curators, this Companion explores Gray’s political commitments and artistic partnerships to understand how his work has been remade and reincarnated, particularly in transmedial ways.

Alasdair Gray (1934–2019) is widely recognised as a key figure in Scottish literature and culture. His work reached a new audience in 2024 due to the release of the Oscar-nominated adaptation of his novel Poor Things. In the wake of this recent attention, The Edinburgh Companion to Alasdair Gray and the Arts interrogates both Gray’s literary and visual artistic practice as well as, crucially, facilitating conversation between these forms. With chapters on his prefatory spaces, his depictions of women, his complex relationship to empire and his role as a public intellectual, it provides a historicised view of Gray’s output while also introducing fresh critical approaches. The accounts of Gray’s visual art gathered here provide new insights into his collaborative projects, including his work with fellow artists and assistants on large-scale murals like Oran Mor and the Hillhead Subway commission, as well as his mobilisation of exhibitions not only for himself but in support of contemporary and more junior artists. Featuring contributions from prominent authors, academics, artists, politicians and curators, this Companion explores Gray’s political commitments and artistic partnerships to understand how his work has been remade and reincarnated, particularly in transmedial ways.