Invention of a People

Janae Sholtz is Professor of Philosophy, Director of General Education, and Coordinator of Women’s and Gender Studies at Alvernia University and Research Associate at the University of Johannesburg Philosophy Department. Sholtz received the Senior Neag Scholar award and the Junior Neag Scholar award from Alvernia University. She is the author of The Invention of a People, Heidegger and Deleuze on Art and the Political (Edinburgh University Press), co-editor of Deleuze and the Schizoanalysis of Feminism, and French and Italian Stoicisms: From Sartre to Agamben. She is an internationally recognized feminist and Deleuzian scholar, publishing on social justice and gender; aesthetics, affect, and desire; and Deleuze and the cosmic, currently writing on Deleuze, new materialism and a new image of thought.

This is a groundbreaking study of remarkable lucidity and depth that offers an insightful comparison of two of the most influential philosophers of the 20th century. In fact it is much more than a comparison. One who reads this book is rewarded with an extraordinarily insightful, independent account of both Heidegger and Deleuze and this is what makes the comparisons so cogent and effective. Sholtz also effectively shows the indissoluble connection between aesthetics and politics in both of these authors and argues persuasively that the future of politics will follow the path Heidegger and Deleuze have opened.

• Introduction: The People Are MissingA. InspirationsB. Communities and PeoplesC. DisplacementsPart I: Divergence, the Point of Nietzsche1: Heidegger’s NietzscheA. Nietzsche, Metaphysician of the SensuousB. Revaluating Art on Nietzsche’s BodyC. Temporalizing the Moment, Eternal RecurrenceD. Transforming Epochs of Thought and Types of Man2: Deleuze’s NietzscheA. Nietzsche, Sage of the SimulacrumB. Unveiling ForceC. Doubling Moment of Affirmation, Eternal Return , D. Transforming Sensibility Beyond/Over ManPart II: (Un)Thinking, What Must Be Thought3: Heidegger on Art and OntologyA. From Ruins Another BeginningB. Event, Art as the Saving PowerC. Poets, Thinking and Language, Klee Plateau: The (Deferred) Possibility of (Art’s) Other Beginning4: Deleuze on Art and Ontology, Axelos Plateau: From Earth to the CosmicA. From Multiplicity, Unfolding EventsB. Capture, Art as Abstract MachineC. Affect, Becoming, and Indirect DiscoursePart III: (Un)Earthing, A People To Come5: Heidegger and the PoliticalA. Hölderlin’s Heimat and Origin’s EarthB. Wandering ReturnC. Reflections of Geist and Volk, Rimbaud Plateau: Car il arrive à l’inconnu? 6: Deleuze and the Political, Fridge Plateau: Being True to the Earth, or Cosmic ArtisantryA. A Model-less Model: Missing, Minor, CosmicB. Nomadic WanderingC. Reflections on Ethos and InventionPart III: (Un)Earthing, A People To ComeConcluding EventFluxus Plateau: Ontology to Fluxology