Edinburgh Companion to Literature and Sound Studies

• Utgivningsdatum: 2027-02-28
• Mått: 170 x 244 x undefined mm
• Format: Häftad
• Språk: Engelska
• Serie: Edinburgh Companions to Literature and the Humanities
• Antal sidor: 432
• Förlag: Edinburgh University Press
• ISBN: 9781399574440

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Helen Groth is Professor of English in the School of Arts and Media, University of New South Wales. She is the author of Victorian Photography and Literary Nostalgia (Oxford University Press, 2004), Moving Images. Nineteenth-Century Reading and Screen Practices (Edinburgh University Press, 2013), and co-author of Dreams and Modernity. A Cultural History (Routledge, 2013). She is the co-editor of a number of books and special journal issues, most recently Sounding Modernism: Rhythm and Sonic Mediation in Modern Literature and Film (Edinburgh University Press, 2017) and Writing the Global Riot (Oxford University Press, 2023). Julian Murphet is Jury Professor of English Language and Literature at the University of Adelaide. He is the author, previously, of Literature and Race in Los Angeles (Cambridge University Press, 2001), Multimedia Modernism (Cambridge University Press, 2009), Faulkner’s Media Romance (Oxford University Press, 2017) and Todd Solondz (Northern Illinois University Press, 2019), and of the forthcoming Modern Character: 1888–1905 (Oxford University Press, 2023) and Twentieth-Century Prison Writing: A Literary Guide (Edinburgh University Press, 2023).

This expertly organised volume, composed of foundational and up-and-coming voices, asserts the rightful place of writing and language in the study of sound. While it’s long been a truism that the sonic turn is against the linguistic, this volume begins from a deconstructive premise to encounter the literary anew in the most vital debates in sound studies today.

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