Christina Lane is Assistant Professor in the Motion Picture Program at the University of Miami. She is the author of Feminist Hollywood: From Born in Flames to Point Break (Wayne State UP, 2000). She has published essays in Culture, Trauma, and Conflict: Cultural Studies Perspectives on the War (Cambridge Scholars, 2007), Contemporary American Independent Film (Routledge, 2004), and Authorship and Film (Routledge, 2003).

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• List of Figures. Acknowledgments.Introduction.1 Magnolia at the Millennium: Historical and Social Contexts.2 Through the Viewfi nder of a Cinematic "Son": Reflexivity, Intertextuality, and "Smart Cinema".3 An Aesthetics of Contradiction: Cinematic Style and Televisuality.4 Sound and Voice: De-Centering Meaning.5 Redemption and Re-Mediation: Framing the Deathbed.Notes.Bibliography.Index.

Christina Lane is Assistant Professor in the Motion Picture Program at the University of Miami. She is the author of Feminist Hollywood: From Born in Flames to Point Break (Wayne State UP, 2000). She has published essays in Culture, Trauma, and Conflict: Cultural Studies Perspectives on the War (Cambridge Scholars, 2007), Contemporary American Independent Film (Routledge, 2004), and Authorship and Film (Routledge, 2003).

Select Guide Rating

• List of Figures. Acknowledgments.Introduction.1 Magnolia at the Millennium: Historical and Social Contexts.2 Through the Viewfi nder of a Cinematic "Son": Reflexivity, Intertextuality, and "Smart Cinema".3 An Aesthetics of Contradiction: Cinematic Style and Televisuality.4 Sound and Voice: De-Centering Meaning.5 Redemption and Re-Mediation: Framing the Deathbed.Notes.Bibliography.Index.

Christina Lane is Assistant Professor in the Motion Picture Program at the University of Miami. She is the author of Feminist Hollywood: From Born in Flames to Point Break (Wayne State UP, 2000). She has published essays in Culture, Trauma, and Conflict: Cultural Studies Perspectives on the War (Cambridge Scholars, 2007), Contemporary American Independent Film (Routledge, 2004), and Authorship and Film (Routledge, 2003).

Select Guide Rating

• List of Figures. Acknowledgments.Introduction.1 Magnolia at the Millennium: Historical and Social Contexts.2 Through the Viewfi nder of a Cinematic "Son": Reflexivity, Intertextuality, and "Smart Cinema".3 An Aesthetics of Contradiction: Cinematic Style and Televisuality.4 Sound and Voice: De-Centering Meaning.5 Redemption and Re-Mediation: Framing the Deathbed.Notes.Bibliography.Index.