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    Companion to Medieval Art

    Romanesque and Gothic in Northern Europe

    AvRudolph,Conrad Rudolph

    Häftad, Engelska, 2009

    Del 3 i serien Blackwell Companions to Art History

    624 kr

    Beställningsvara. Skickas inom 5-8 vardagar. Fri frakt över 249 kr.

    Beskrivning

    A Companion to Medieval Art brings together cutting-edge scholarship devoted to the Romanesque and Gothic traditions in Northern Europe. Brings together cutting-edge scholarship devoted to the Romanesque and Gothic traditions in Northern Europe.Contains over 30 original theoretical, historical, and historiographic essays by renowned and emergent scholars.Covers the vibrancy of medieval art from both thematic and sub-disciplinary perspectives.Features an international and ambitious range - from reception, Gregory the Great, collecting, and pilgrimage art, to gender, patronage, the marginal, spolia, and manuscript illumination.

    Produktinformation

    • Utgivningsdatum:2009-12-04
    • Mått:173 x 247 x 38 mm
    • Vikt:1 216 g
    • Format:Häftad
    • Språk:Engelska
    • Serie:Blackwell Companions to Art History
    • Antal sidor:704
    • Förlag:John Wiley and Sons Ltd
    • ISBN:9781405198783

    Utforska kategorier

    • Konstböcker inom Kultur

    Mer om författaren

    Conrad Rudolph is Professor of Medieval Art at the University of California, Riverside. He is the author of Violence and Daily Life: Reading, Art, and Polemics in the Cîteaux Moralia in Job (1997) and Pilgrimage to the End of the World: The Road to Santiago de Compostela (2004).

    Innehållsförteckning

    • List of Illustrations viiiNotes on Contributors xiiiSeries Editor’s Preface xixPreface xx1 Introduction: A Sense of Loss: An Overview of the Historiography of Romanesque and Gothic Art 1 Conrad Rudolph2 Vision 44 Cynthia Hahn3 Reception of Images by Medieval Viewers 65 Madeline Harrison Caviness4 Narrative 86 Suzanne Lewis5 Formalism 106 Linda Seidel6 Gender and Medieval Art 128 Brigitte Kurmann-Schwarz7 Gregory the Great and Image Theory in Northern Europe during the Twelfth and Thirteenth Centuries 151 Herbert L. Kessler8 Art and Exegesis 173 Christopher G. Hughes9 Whodunnit? Patronage, the Canon, and the Problematics of Agency in Romanesque and Gothic Art 193 Jill Caskey10 Collecting (and Display) 213 Pierre Alain Mariaux11 The Concept of Spolia 233 Dale Kinney12 The Monstrous 253 Thomas E. A. Dale13 Making Sense of Marginalized Images in Manuscripts and Religious Architecture 274 Laura Kendrick14 Romanesque Architecture 295 Eric Fernie15 Romanesque Sculpture in Northern Europe 314 Colum Hourihane16 Modern Origins of Romanesque Sculpture 334 Robert A. Maxwell17 The Historiography of Romanesque Manuscript Illumination 357 Adam S. Cohen18 The Study of Gothic Architecture 382 Stephen Murray19 Gothic Sculpture from 1150 to 1250 403 Martin Büchsel20 Gothic Manuscript Illustration: The Case of France 421 Anne D. Hedeman21 Glazing Medieval Buildings 443 Elizabeth Carson Pastan22 Toward a Historiography of the Sumptuous Arts 466 Brigitte Buettner23 East Meets West: The Art and Architecture of the Crusader States 488 Jaroslav Folda24 Gothic in the East: Western Architecture in Byzantine Lands 510 Tassos C. Papacostas25 Architectural Layout: Design, Structure, and Construction in Northern Europe 531 Marie-Thérèse Zenner26 Sculptural Programs 557 Bruno Boerner27 Cistercian Architecture 577 Peter Fergusson28 Art and Pilgrimage: Mapping the Way 599 Paula Gerson29 “The Scattered Limbs of the Giant”: Recollecting Medieval Architectural Revivals 619 Tina Waldeier Bizzarro30 The Modern Medieval Museum 639 Michelle P. BrownIndex 656
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