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      Singing on Stage

      An Actor's Guide

      AvJane Streeton,Philip Raymond

      Häftad, Engelska, 2014

      Del i serien RADA Guides

      393 kr

      Beställningsvara. Skickas inom 10-15 vardagar. Fri frakt över 249 kr.

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      E-bok

      424 kr

      E-bok

      420 kr

      Beskrivning

      Singing on stage can be a daunting prospect for actors, particularly for those who have not sung before. Yet singing should be an essential part of every actor’s toolkit. Singing on Stage: An Actor’s Guide gives an insight for the first time into the vocal techniques and practical approaches that have been developed over generations as an integral part of the training at the Royal Academy of Dramatic Art. Jane Streeton and Philip Raymond are highly experienced performers and teachers; their book encourages each actor to explore their own authentic voice as opposed to offering a ‘one-size-fits-all’ or ‘quick-fix’ approach. Written in an accessible, friendly and enabling style, Singing on Stage: An Actor’s Guide is packed with exercises to develop the actor’s skills and gives an overview of: • elements of technique • how to work on a song • the process of singing theatrically • how to choose the best songs for you Featuring inspirational listening suggestions and the observations of successful performers and practitioners, Singing on Stage: An Actor’s Guide is the must-have companion for complete beginners as well as for experienced actors who wish to develop their understanding of singing on stage.

      Produktinformation

      • Utgivningsdatum:2014-05-08
      • Mått:186 x 244 x 12 mm
      • Vikt:360 g
      • Format:Häftad
      • Språk:Engelska
      • Serie:RADA Guides
      • Antal sidor:176
      • Förlag:Bloomsbury Publishing PLC
      • ISBN:9781408145470

      Utforska kategorier

      • Teater inom Kultur

      Mer om författaren

      Jane Streeton studied at the Royal College of Music and is a soprano soloist in opera and concert internationally. Jane has worked as singing coach and vocal adviser for film and with the BBC, in West End Musicals, at the RSC, the National Theatre and Shakespeare’s Globe. She is Co-ordinator of the Singing Team and Course Leader for the Musical Theatre Short Courses at RADA. Philip Raymond studied at the Royal College of Music. He has been a tenor soloist in recital, oratorio and opera in the UK and abroad. He was Head of Music at the Webber Douglas Academy of Dramatic Art and currently teaches singing on the BA, MA Theatre Lab and Foundation Courses at RADA.

      Recensioner i media

      The authors of this book explain the excellent singing techniques taught at RADA, which are vital for any actor or serious drama student. My singing training at RADA has seen me through musicals and Shakespeare from Miss Saigon to King Lear.

      Innehållsförteckning

      • DedicationPreludeIntroductionChapter 1 A Short History of Singing at RADAChapter 2 The Actor’s Way InChapter 3 Bel Canto in PerspectiveChapter 4 The Role of the Singing TeacherChapter 5 The Role of the StudentChapter 6 Making a Plan – The ContractChapter 7 Fundamental Principles – Posture and BreathingChapter 8 Ways we Work with Actors – ExercisesChapter 9 The Role of the Coach and the AccompanistChapter 10 The Actor’s Solar SystemChapter 11 Acting Through SongChapter 12 Musical Form and StorytellingChapter 13 Listening and the Voice as a Musical InstrumentChapter 14 An Approach to Vocal and Theatrical StylesChapter 15 Some Stylistic InfluencesChapter 16 Thoughts on RepertoireChapter 17 Unaccompanied SingingChapter 18 Practising and Taking the ReinsChapter 19 The Next Step – Workshops, Masterclasses, Cabarets, Small RolesChapter 20 Preparation for AuditionsChapter 21 Rehearsals and PerformancesChapter 22 TroubleshootingChapter 23 MiscellanyConclusionCodaBibliographyIndex of Listening SuggestionsPhotograph and Illustration Credits
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