Complete Enderby

Anthony Burgess was born in Manchester in 1917 and educated at Xaverian College and Manchester University. He served in the British army from 1940 to 1946 and was a schoolteacher in England before becoming a colonial education officer in 1954. His Malayan trilogy of novels and a history of English literature were published while he was living in Malaya and Brunei.He became a full-time writer in 1959 and achieved a worldwide reputation as one of the most versatile novelists of his day. His writings include biographies of Shakespeare and Hemingway, critical studies of James Joyce, stage plays, and two volumes of autobiography. His work as a composer and librettist includes the Broadway musical, Cyrano, and Blooms of Dublin, an operetta based on Joyce's Ulysses.His 33 novels continue to be published all over the world. They include A Clockwork Orange, Nothing Like the Sun, The Complete Enderby, Earthly Powers, Napoleon Symphony, and Beard's Roman Women, a collaboration with the photographer David Robinson.Anthony Burgess died in London in 1993.

"The Enderby series are even finer comedies than those by Evelyn Waugh" -- Gore Vidal "Ferociously funny and wildly verbally inventive" The Times "Burgess is at his most inventive in these books, especially when he gives us the full text of Enderby's songs and sonnets (many of which are laughably bad). Poetry, Burgess seems to conclude, is rather like shitting: it's really about purging oneself of dead matter" -- Andrew Biswell Observer "Burgess is the great postmodern storehouse of British writing-an important experimentalist; an encyclopaedic amasser, but also a maker of form; a playful comic, with a dark gloom" -- Malcolm Bradbury "No less an authority than Harold Bloom rates the Enderby books among the great comic fictions of our time. Certainly Anthony Burgess, that dizzying polymath and flamboyant novelist, never created a more engaging hero than this hapless poet... All in all, these four books, though diverse in tone and character, strikingly exhibit the narrative gusto and linguistic sprezzatura of Anthony Burgess at his best" Washington Post