Nigel Wilkins is Professor at the University of Paris-Sorbonne, France

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• Contents: Preface; Part I Old and Middle French Literature: Yet more concerning the tavern bills in Jean Bodel's Jeu de Saint Nicolas; The structure of ballades, rondeaux and virelais in Froissart and in Christine de Pisan; Charles d'Orléans: avec musique ou non?; François Villon, poète universel; En regardant vers le païs de France: the ballade and the rondeau, a cross-Channel history. Part II Lyric Poetry and Music in the 14th Century: The Codex Reina: a revised description; Some notes on Philipoctus de Caserta (c.1360?-c.1435); The post-Machaut generation of poet-musicians; Music in the 14th century Miracles de Nostre Dame; Guillaume de Machaut 1300-1377; The late medieval French lyric: with music and without; A pattern of patronage: Machaut, Froissart and the Houses of Luxembourg and Bohemia in the 14th century; Music and poetry at court: England and France in the late Middle Ages; Chaucer and music. Part III Musical Iconography: The birds, the bishop and the music of brass; Le fête de la guilde des Archers du Maître de Francfort (1493) et la musique des confréries. Part IV General Studies in Music, Language and Literature: The Devil's music; Le plurilinguisme au Moyen Age dans le contexte musical; D'où vient la créativité musicale? Le rôle de l'inspiration dans la musique médiévale; Index.

Nigel Wilkins is Professor at the University of Paris-Sorbonne, France

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• Contents: Preface; Part I Old and Middle French Literature: Yet more concerning the tavern bills in Jean Bodel's Jeu de Saint Nicolas; The structure of ballades, rondeaux and virelais in Froissart and in Christine de Pisan; Charles d'Orléans: avec musique ou non?; François Villon, poète universel; En regardant vers le païs de France: the ballade and the rondeau, a cross-Channel history. Part II Lyric Poetry and Music in the 14th Century: The Codex Reina: a revised description; Some notes on Philipoctus de Caserta (c.1360?-c.1435); The post-Machaut generation of poet-musicians; Music in the 14th century Miracles de Nostre Dame; Guillaume de Machaut 1300-1377; The late medieval French lyric: with music and without; A pattern of patronage: Machaut, Froissart and the Houses of Luxembourg and Bohemia in the 14th century; Music and poetry at court: England and France in the late Middle Ages; Chaucer and music. Part III Musical Iconography: The birds, the bishop and the music of brass; Le fête de la guilde des Archers du Maître de Francfort (1493) et la musique des confréries. Part IV General Studies in Music, Language and Literature: The Devil's music; Le plurilinguisme au Moyen Age dans le contexte musical; D'où vient la créativité musicale? Le rôle de l'inspiration dans la musique médiévale; Index.

Nigel Wilkins is Professor at the University of Paris-Sorbonne, France

Select Guide Rating

• Contents: Preface; Part I Old and Middle French Literature: Yet more concerning the tavern bills in Jean Bodel's Jeu de Saint Nicolas; The structure of ballades, rondeaux and virelais in Froissart and in Christine de Pisan; Charles d'Orléans: avec musique ou non?; François Villon, poète universel; En regardant vers le païs de France: the ballade and the rondeau, a cross-Channel history. Part II Lyric Poetry and Music in the 14th Century: The Codex Reina: a revised description; Some notes on Philipoctus de Caserta (c.1360?-c.1435); The post-Machaut generation of poet-musicians; Music in the 14th century Miracles de Nostre Dame; Guillaume de Machaut 1300-1377; The late medieval French lyric: with music and without; A pattern of patronage: Machaut, Froissart and the Houses of Luxembourg and Bohemia in the 14th century; Music and poetry at court: England and France in the late Middle Ages; Chaucer and music. Part III Musical Iconography: The birds, the bishop and the music of brass; Le fête de la guilde des Archers du Maître de Francfort (1493) et la musique des confréries. Part IV General Studies in Music, Language and Literature: The Devil's music; Le plurilinguisme au Moyen Age dans le contexte musical; D'où vient la créativité musicale? Le rôle de l'inspiration dans la musique médiévale; Index.