Genre, Reception, and Adaptation in the 'Twilight' Series

Anne Morey is associate professor of English at Texas A&M University. She is presently at work on a history of religious filmmaking in the United States.

'By seriously and thoughtfully examining a cultural phenomenon that has been a site of both adoration and ridicule, this collection illuminates the complex, ambiguous and significant place the Twilight novels have assumed in contemporary culture. The contributors eschew easy judgments, offering, instead, fresh and engaging interdisciplinary perspectives to scholars of young adult literature, youth culture, gender studies, romance, gothic literature and fan culture.' Annette Wannamaker, Coordinator of Children's Literature Studies at Eastern Michigan University 'This new volume from Ashgate is revelatory in terms of the study of Twilight. The amount of material covered [...] is noteworthy for both its breadth and its quality... Morey and her writers elevate the discourse and discussion surrounding Twilight to levels more frequently given to the classics of any literature.' Children’s Literature Association Quarterly '... [a] well-argued and thoughtful examination of the [...] series as [it] exists now: phenomenally popular, culturally challenging, and clearly commenting on where we are now.' The Looking Glass 'This volume succeeds at providing smart analysis where heated debate has reigned, and, because Twilight is an almost unavoidable commodity for anyone working in pop culture, it could be a useful resource for any scholar wanting a more nuanced understanding of the text and larger phenomenon... [This book] is accessible to scholars of all levels...' Transformative Works and Culture 'Morey has compiled a useful collection of scholarly work on an important contemporary popular culture phenomenon that will appeal to a range of readers’ interests in a variety of issues involving the cultural circulation of texts.' The Journal of the Fantastic in the Arts

• Introduction, Anne Morey; Chapter 1 “Famine for Food, Expectation for Content”: Jane Eyre as Intertext for the “Twilight” Saga, Anne Morey; Chapter 2 Fantasy, Subjectivity, and Desire in Twilight and Its Sequels, Jackie C. Horne; Chapter 3 Postfeminist Fantasies: Sexuality and Femininity in Stephenie Meyer’s “Twilight” Series, Kristine Moruzi; Chapter 4 Narrative Intimacy and the Question of Control in the “Twilight” Saga, Sara K. Day; Chapter 5 Bridges, Nodes, and Bare Life: Race in the “Twilight” Saga, Alexandra Hidalgo; Chapter 6 Girl Culture and the “Twilight” Franchise, Catherine Driscoll; Chapter 7 “Twilight” Fans Represented in Commercial Paratexts and Inter-Fandoms: Resisting and Repurposing Negative Fan Stereotypes, Matt Hills; Chapter 8 Coming to a Violent End: Narrative Closure and the Death Drive in Stephenie Meyer’s “Twilight” Series, Rachel DuBois; Chapter 9 The Giddyshame Paradox: Why “Twilight”‘s Anti-Fans Cannot Stop Reading a Series They (Love to) Hate, Sarah Wagenseller Goletz; Chapter 10 Between Twi-Hards and Twi-Haters: The Complicated Terrain of Online “Twilight” Audience Communities, Anne Gilbert; Chapter 11 “I’d Never Given Much Thought to How I Would Die”: Uses (and the Decline) of Voiceover in the “Twilight” Films, Katie Kapurch; Chapter 12 Traveling in the Same Boat: Adapting Stephenie Meyer’s Twilight, New Moon, and Eclipse to Film, Mark D. Cunningham; Chapter 13 Adaptation and Reception: The Case of the “Twilight” Saga in Korea, Hye Chung Han, Chan Hee Hwang;