Marcia Feuerstein, Virginia Tech, USA and Gray Read, Florida International University, USA Gray Read, Alberto Perez-Gomez, Lisa Landrum, Paul Emmons, Carolina Dayer, Sarah Bonnemaison, Peter P. Goche, Timothy Gray, Melli Hoppe, Ann Marie Borys, Tracey Eve Winton, Louise Pelletier, Christine Macy, Beth Weinstein, Marcia Feuerstein.

• Introduction: The Play’s the Thing, Gray Read; Part 1 Designing Performance; Chapter 1 Architecture as a Performing Art: Two Analogical Reflections, Alberto P?rez-Gómez; Chapter 2 Performing The?ria: Architectural Acts in Aristophanes’ Peace, Lisa Landrum; Chapter 3 Toward Performative Architectural Drawing: Paul Klee’s Enacted Lines, Paul Emmons, Carolina Dayer; Chapter 4 Performing the Modernist Dwelling: The Unité d’Habitation of Marseille, Sarah Bonnemaison; Chapter 5 Staging: Making a Scene, Peter P. Goché; Chapter 6 Salvaged Layers: A Collaborative Site-Specific Performance, Timothy Gray, Melli Hoppe; Part 2 Performing Design; Chapter 7 Through the Lens: Image and Illusion at Play in the Ideal City, Ann Marie Borys; Chapter 8 The Satyric Scene: Palladio’s Villa Rotonda, Tracey Eve Winton; Chapter 9 Performing Architecture: From Medieval Festival to Modern-Day Carnival, Louise Pelletier; Chapter 10, Christine Macy; Chapter 11 Turned Tables: The Public as Performers in Jean Nouvel’s Pre-performance Spaces, Beth Weinstein; Chapter 12 Theatrical Doubles: The Affecting Presence of Oskar Schlemmer’s Wall Designs, Marcia Feuerstein; Chapter 13 Paideia: Theater of Discussion, Gray Read;

Marcia Feuerstein, Virginia Tech, USA and Gray Read, Florida International University, USA Gray Read, Alberto Perez-Gomez, Lisa Landrum, Paul Emmons, Carolina Dayer, Sarah Bonnemaison, Peter P. Goche, Timothy Gray, Melli Hoppe, Ann Marie Borys, Tracey Eve Winton, Louise Pelletier, Christine Macy, Beth Weinstein, Marcia Feuerstein.

• Introduction: The Play’s the Thing, Gray Read; Part 1 Designing Performance; Chapter 1 Architecture as a Performing Art: Two Analogical Reflections, Alberto P?rez-Gómez; Chapter 2 Performing The?ria: Architectural Acts in Aristophanes’ Peace, Lisa Landrum; Chapter 3 Toward Performative Architectural Drawing: Paul Klee’s Enacted Lines, Paul Emmons, Carolina Dayer; Chapter 4 Performing the Modernist Dwelling: The Unité d’Habitation of Marseille, Sarah Bonnemaison; Chapter 5 Staging: Making a Scene, Peter P. Goché; Chapter 6 Salvaged Layers: A Collaborative Site-Specific Performance, Timothy Gray, Melli Hoppe; Part 2 Performing Design; Chapter 7 Through the Lens: Image and Illusion at Play in the Ideal City, Ann Marie Borys; Chapter 8 The Satyric Scene: Palladio’s Villa Rotonda, Tracey Eve Winton; Chapter 9 Performing Architecture: From Medieval Festival to Modern-Day Carnival, Louise Pelletier; Chapter 10, Christine Macy; Chapter 11 Turned Tables: The Public as Performers in Jean Nouvel’s Pre-performance Spaces, Beth Weinstein; Chapter 12 Theatrical Doubles: The Affecting Presence of Oskar Schlemmer’s Wall Designs, Marcia Feuerstein; Chapter 13 Paideia: Theater of Discussion, Gray Read;

Marcia Feuerstein, Virginia Tech, USA and Gray Read, Florida International University, USA Gray Read, Alberto Perez-Gomez, Lisa Landrum, Paul Emmons, Carolina Dayer, Sarah Bonnemaison, Peter P. Goche, Timothy Gray, Melli Hoppe, Ann Marie Borys, Tracey Eve Winton, Louise Pelletier, Christine Macy, Beth Weinstein, Marcia Feuerstein.

• Introduction: The Play’s the Thing, Gray Read; Part 1 Designing Performance; Chapter 1 Architecture as a Performing Art: Two Analogical Reflections, Alberto P?rez-Gómez; Chapter 2 Performing The?ria: Architectural Acts in Aristophanes’ Peace, Lisa Landrum; Chapter 3 Toward Performative Architectural Drawing: Paul Klee’s Enacted Lines, Paul Emmons, Carolina Dayer; Chapter 4 Performing the Modernist Dwelling: The Unité d’Habitation of Marseille, Sarah Bonnemaison; Chapter 5 Staging: Making a Scene, Peter P. Goché; Chapter 6 Salvaged Layers: A Collaborative Site-Specific Performance, Timothy Gray, Melli Hoppe; Part 2 Performing Design; Chapter 7 Through the Lens: Image and Illusion at Play in the Ideal City, Ann Marie Borys; Chapter 8 The Satyric Scene: Palladio’s Villa Rotonda, Tracey Eve Winton; Chapter 9 Performing Architecture: From Medieval Festival to Modern-Day Carnival, Louise Pelletier; Chapter 10, Christine Macy; Chapter 11 Turned Tables: The Public as Performers in Jean Nouvel’s Pre-performance Spaces, Beth Weinstein; Chapter 12 Theatrical Doubles: The Affecting Presence of Oskar Schlemmer’s Wall Designs, Marcia Feuerstein; Chapter 13 Paideia: Theater of Discussion, Gray Read;