Eric J. Sundquist is Andrew W. Mellon Professor Emeritus of the Humanities at Johns Hopkins University, and the editor of many books, including (with David Cesarani) After the Holocaust: Challenging the Myth of Silence.

"Written in every European language, in every conceivable manner, and from every point on the Holocaust compass—prisons, ghettos, transports, concentration and labor camps, killing fields, bunkers and makeshift shelters, camps for displaced persons—these diary entries, letters, testimonies, eyewitness accounts, poems, stories, sermons and inscriptions demand that they be heard. Written by Jewish men, women, and children; by Christian bystanders and yes, even by two German perpetrators, they depict the living nightmare as it unfolds. Six nightmare years and their aftermath are rendered in a language that defies the limits of language; an inescapable present that eclipses the past and cries out to an unattainable future. In the beginning was the Holocaust, and this is its story as told by its original responders." — David G. Roskies, author of Holocaust Literature: A History and Guide"Writing in Witness is a devastatingly and deeply honest work of testimony by those whose worlds were shattered by the catastrophic rupture of the Holocaust. It is also, and primarily, a testament to the strength and courage of those who experienced the atrocities of Nazism and who felt compelled to write about those events in clear, unsparing language. Eric Sundquist, editor of this important collection, provides a sensitive selection of primary texts by men and women who witnessed the machinery and implementation of genocide. In his thoughtful and knowledgeable introduction, Sundquist establishes the framework for the ethical engagement of reader and eyewitness in the calculation of enormous loss. The various genres of witnessing included in this collection—diaries, poems, memoirs, letters, records—evoke in their clarity ancient forms of lamentation and Midrash, giving voice to memory. With judiciously interpretive preliminary material introducing each section, Sundquist lets the witnesses speak for themselves. No course on Holocaust literature or history should be without this anthology." — Victoria Aarons, editor of Third-Generation Holocaust Narratives: Memory in Memoir and Fiction"This wide-ranging and affecting collection of first-hand accounts of the Holocaust, each expertly chosen and deftly introduced and contextualized, will be ideal for teaching purposes and indispensable to anyone intent on recovering a sense of what the horror felt like. Eric Sundquist has assembled an extraordinarily illuminating and powerful book." — Peter Hayes, Theodore Zev Weiss Holocaust Educational Foundation Professor Emeritus, Northwestern University"Writing in Witness is a rich assortment of written accounts of diverse aspects of the experience of the Holocaust that are skillfully chosen and masterfully introduced and contextualized. What emerges from an overarching reading of these collective texts is a sense of how the actors who experienced or witnessed the events of the Holocaust registered them in language and through the sometimes immediate, sometimes reflective process of writing." — Erin McGlothlin, author of Second-Generation Holocaust Literature: Legacies of Survival and Perpetration

• AcknowledgmentsIntroductionA Note on Sources and the Text Prisoners: A Prologue Victor Klemperer, The Yellow Star Jean Amery, Torture Anonymous Warsaw Man, A Warsaw Jew Writes to His Gentile Friend Yehoshua Moshe Aaronson, The Scroll of the House of Bondage Hilda Dajč, Letters from a Concentration Camp in Serbia Odd Nansen, A Decent Man Yitzhak Katzenelson, Vittel Prison Diary Ella Lingens‑Reiner, Prisoners of Fear Abraham Levite, For an Auschwitz Anthology In the Ghetto Yankev Glatshteyn (Jacob Glatstein), Good Night, World Samuel Golfard, "One must write with blood" Avraham Tory, Kovno Diary—Roundup and Murders at the Ninth Fort Herman Kruk, Vilna Diary—Eyewitness to Murder at Ponary Abraham Sutzkever, Three Poems from the Vilna Ghetto Oskar Rosenfeld, Starvation in the Ghetto Simkhe Bunem Shayevitsh, Lekh‑Lekho Anonymous Łodź Boy, "To ease my bitter heart" Emanuel Ringelblum, "Why is the world silent?" Chaim A. Kaplan, Scroll of Agony Gusta Davidson Draenger, Resistance in Krakow The Final Solution Lidia Maximovna Slipchenko, Mass Murder in Odessa Piotr Rawicz, Blood from the Sky Hermann Friedrich Graebe, Massacre, Resistance, and Rescue Philip Mechanicus, "Inside the belly of the venomous snake": Transports from Westerbork Alexander Donat, "Hell has no bottom": Majdanek Kurt Gerstein, Witness at Belżec Seweryna Szmaglewska, Slave Labor and Death in Birkenau Primo Levi, "The saved and the drowned": The Prominents and the Muselmanner Abraham Krzepicki, Transport to Treblinka Rachel Auerbach, The Road to Heaven Oskar Strawczynski, The Treblinka Orchestra Paul Celan, Death Fugue The Gray Zone Chaim Rumkowski, "Give me your children" Josef Zelkowicz, "The heart of a slaughterer": The Jewish Police at Work Calel Perechodnik, Am I a Murderer? Sara Nomberg‑Przytyk, The Block of Death Gisella Perl, Childbirth in Auschwitz‑Birkenau Szlama Winer, Inside the Chełmno Death Camp Zalmen Gradowski, "In the deep sea of corpses": The Czech Transport Holy Days Shimon Huberband, Kiddush Hashem David Kahane, "How shall we sing the Lord’s song?" Kalonymus Kalmish Shapira, "Love God with all your heart": The Lesson of Rabbi Akiva Zelig Kalmanovitch, "What is a Jew and who is a Jew?" Etty Hillesum, "The thinking heart of a whole concentration camp" Anonymous Warsaw Poet, And I Will Impart My Revenge upon Edom Abel J. Herzberg, Jewish Faith, Jewish Unity Survivors Hanna Levy‑Hass, Last Days of Bergen‑Belsen Robert Antelme, Death March through Germany Jorge Semprun, "But can the story be told?" Charlotte Delbo, The Stream Yekhiel Kirshnbaum, The City without Jews Elie Wiesel, Why I Write Ruth Kluger, Still Alive Aharon Appelfeld, The Awakening NotesSelected BibliographyIndex

Eric J. Sundquist is Andrew W. Mellon Professor Emeritus of the Humanities at Johns Hopkins University, and the editor of many books, including (with David Cesarani) After the Holocaust: Challenging the Myth of Silence.

"Written in every European language, in every conceivable manner, and from every point on the Holocaust compass—prisons, ghettos, transports, concentration and labor camps, killing fields, bunkers and makeshift shelters, camps for displaced persons—these diary entries, letters, testimonies, eyewitness accounts, poems, stories, sermons and inscriptions demand that they be heard. Written by Jewish men, women, and children; by Christian bystanders and yes, even by two German perpetrators, they depict the living nightmare as it unfolds. Six nightmare years and their aftermath are rendered in a language that defies the limits of language; an inescapable present that eclipses the past and cries out to an unattainable future. In the beginning was the Holocaust, and this is its story as told by its original responders." — David G. Roskies, author of Holocaust Literature: A History and Guide"Writing in Witness is a devastatingly and deeply honest work of testimony by those whose worlds were shattered by the catastrophic rupture of the Holocaust. It is also, and primarily, a testament to the strength and courage of those who experienced the atrocities of Nazism and who felt compelled to write about those events in clear, unsparing language. Eric Sundquist, editor of this important collection, provides a sensitive selection of primary texts by men and women who witnessed the machinery and implementation of genocide. In his thoughtful and knowledgeable introduction, Sundquist establishes the framework for the ethical engagement of reader and eyewitness in the calculation of enormous loss. The various genres of witnessing included in this collection—diaries, poems, memoirs, letters, records—evoke in their clarity ancient forms of lamentation and Midrash, giving voice to memory. With judiciously interpretive preliminary material introducing each section, Sundquist lets the witnesses speak for themselves. No course on Holocaust literature or history should be without this anthology." — Victoria Aarons, editor of Third-Generation Holocaust Narratives: Memory in Memoir and Fiction"This wide-ranging and affecting collection of first-hand accounts of the Holocaust, each expertly chosen and deftly introduced and contextualized, will be ideal for teaching purposes and indispensable to anyone intent on recovering a sense of what the horror felt like. Eric Sundquist has assembled an extraordinarily illuminating and powerful book." — Peter Hayes, Theodore Zev Weiss Holocaust Educational Foundation Professor Emeritus, Northwestern University"Writing in Witness is a rich assortment of written accounts of diverse aspects of the experience of the Holocaust that are skillfully chosen and masterfully introduced and contextualized. What emerges from an overarching reading of these collective texts is a sense of how the actors who experienced or witnessed the events of the Holocaust registered them in language and through the sometimes immediate, sometimes reflective process of writing." — Erin McGlothlin, author of Second-Generation Holocaust Literature: Legacies of Survival and Perpetration

• AcknowledgmentsIntroductionA Note on Sources and the Text Prisoners: A Prologue Victor Klemperer, The Yellow Star Jean Amery, Torture Anonymous Warsaw Man, A Warsaw Jew Writes to His Gentile Friend Yehoshua Moshe Aaronson, The Scroll of the House of Bondage Hilda Dajč, Letters from a Concentration Camp in Serbia Odd Nansen, A Decent Man Yitzhak Katzenelson, Vittel Prison Diary Ella Lingens‑Reiner, Prisoners of Fear Abraham Levite, For an Auschwitz Anthology In the Ghetto Yankev Glatshteyn (Jacob Glatstein), Good Night, World Samuel Golfard, "One must write with blood" Avraham Tory, Kovno Diary—Roundup and Murders at the Ninth Fort Herman Kruk, Vilna Diary—Eyewitness to Murder at Ponary Abraham Sutzkever, Three Poems from the Vilna Ghetto Oskar Rosenfeld, Starvation in the Ghetto Simkhe Bunem Shayevitsh, Lekh‑Lekho Anonymous Łodź Boy, "To ease my bitter heart" Emanuel Ringelblum, "Why is the world silent?" Chaim A. Kaplan, Scroll of Agony Gusta Davidson Draenger, Resistance in Krakow The Final Solution Lidia Maximovna Slipchenko, Mass Murder in Odessa Piotr Rawicz, Blood from the Sky Hermann Friedrich Graebe, Massacre, Resistance, and Rescue Philip Mechanicus, "Inside the belly of the venomous snake": Transports from Westerbork Alexander Donat, "Hell has no bottom": Majdanek Kurt Gerstein, Witness at Belżec Seweryna Szmaglewska, Slave Labor and Death in Birkenau Primo Levi, "The saved and the drowned": The Prominents and the Muselmanner Abraham Krzepicki, Transport to Treblinka Rachel Auerbach, The Road to Heaven Oskar Strawczynski, The Treblinka Orchestra Paul Celan, Death Fugue The Gray Zone Chaim Rumkowski, "Give me your children" Josef Zelkowicz, "The heart of a slaughterer": The Jewish Police at Work Calel Perechodnik, Am I a Murderer? Sara Nomberg‑Przytyk, The Block of Death Gisella Perl, Childbirth in Auschwitz‑Birkenau Szlama Winer, Inside the Chełmno Death Camp Zalmen Gradowski, "In the deep sea of corpses": The Czech Transport Holy Days Shimon Huberband, Kiddush Hashem David Kahane, "How shall we sing the Lord’s song?" Kalonymus Kalmish Shapira, "Love God with all your heart": The Lesson of Rabbi Akiva Zelig Kalmanovitch, "What is a Jew and who is a Jew?" Etty Hillesum, "The thinking heart of a whole concentration camp" Anonymous Warsaw Poet, And I Will Impart My Revenge upon Edom Abel J. Herzberg, Jewish Faith, Jewish Unity Survivors Hanna Levy‑Hass, Last Days of Bergen‑Belsen Robert Antelme, Death March through Germany Jorge Semprun, "But can the story be told?" Charlotte Delbo, The Stream Yekhiel Kirshnbaum, The City without Jews Elie Wiesel, Why I Write Ruth Kluger, Still Alive Aharon Appelfeld, The Awakening NotesSelected BibliographyIndex

Eric J. Sundquist is Andrew W. Mellon Professor Emeritus of the Humanities at Johns Hopkins University, and the editor of many books, including (with David Cesarani) After the Holocaust: Challenging the Myth of Silence.

"Written in every European language, in every conceivable manner, and from every point on the Holocaust compass—prisons, ghettos, transports, concentration and labor camps, killing fields, bunkers and makeshift shelters, camps for displaced persons—these diary entries, letters, testimonies, eyewitness accounts, poems, stories, sermons and inscriptions demand that they be heard. Written by Jewish men, women, and children; by Christian bystanders and yes, even by two German perpetrators, they depict the living nightmare as it unfolds. Six nightmare years and their aftermath are rendered in a language that defies the limits of language; an inescapable present that eclipses the past and cries out to an unattainable future. In the beginning was the Holocaust, and this is its story as told by its original responders." — David G. Roskies, author of Holocaust Literature: A History and Guide"Writing in Witness is a devastatingly and deeply honest work of testimony by those whose worlds were shattered by the catastrophic rupture of the Holocaust. It is also, and primarily, a testament to the strength and courage of those who experienced the atrocities of Nazism and who felt compelled to write about those events in clear, unsparing language. Eric Sundquist, editor of this important collection, provides a sensitive selection of primary texts by men and women who witnessed the machinery and implementation of genocide. In his thoughtful and knowledgeable introduction, Sundquist establishes the framework for the ethical engagement of reader and eyewitness in the calculation of enormous loss. The various genres of witnessing included in this collection—diaries, poems, memoirs, letters, records—evoke in their clarity ancient forms of lamentation and Midrash, giving voice to memory. With judiciously interpretive preliminary material introducing each section, Sundquist lets the witnesses speak for themselves. No course on Holocaust literature or history should be without this anthology." — Victoria Aarons, editor of Third-Generation Holocaust Narratives: Memory in Memoir and Fiction"This wide-ranging and affecting collection of first-hand accounts of the Holocaust, each expertly chosen and deftly introduced and contextualized, will be ideal for teaching purposes and indispensable to anyone intent on recovering a sense of what the horror felt like. Eric Sundquist has assembled an extraordinarily illuminating and powerful book." — Peter Hayes, Theodore Zev Weiss Holocaust Educational Foundation Professor Emeritus, Northwestern University"Writing in Witness is a rich assortment of written accounts of diverse aspects of the experience of the Holocaust that are skillfully chosen and masterfully introduced and contextualized. What emerges from an overarching reading of these collective texts is a sense of how the actors who experienced or witnessed the events of the Holocaust registered them in language and through the sometimes immediate, sometimes reflective process of writing." — Erin McGlothlin, author of Second-Generation Holocaust Literature: Legacies of Survival and Perpetration

• AcknowledgmentsIntroductionA Note on Sources and the Text Prisoners: A Prologue Victor Klemperer, The Yellow Star Jean Amery, Torture Anonymous Warsaw Man, A Warsaw Jew Writes to His Gentile Friend Yehoshua Moshe Aaronson, The Scroll of the House of Bondage Hilda Dajč, Letters from a Concentration Camp in Serbia Odd Nansen, A Decent Man Yitzhak Katzenelson, Vittel Prison Diary Ella Lingens‑Reiner, Prisoners of Fear Abraham Levite, For an Auschwitz Anthology In the Ghetto Yankev Glatshteyn (Jacob Glatstein), Good Night, World Samuel Golfard, "One must write with blood" Avraham Tory, Kovno Diary—Roundup and Murders at the Ninth Fort Herman Kruk, Vilna Diary—Eyewitness to Murder at Ponary Abraham Sutzkever, Three Poems from the Vilna Ghetto Oskar Rosenfeld, Starvation in the Ghetto Simkhe Bunem Shayevitsh, Lekh‑Lekho Anonymous Łodź Boy, "To ease my bitter heart" Emanuel Ringelblum, "Why is the world silent?" Chaim A. Kaplan, Scroll of Agony Gusta Davidson Draenger, Resistance in Krakow The Final Solution Lidia Maximovna Slipchenko, Mass Murder in Odessa Piotr Rawicz, Blood from the Sky Hermann Friedrich Graebe, Massacre, Resistance, and Rescue Philip Mechanicus, "Inside the belly of the venomous snake": Transports from Westerbork Alexander Donat, "Hell has no bottom": Majdanek Kurt Gerstein, Witness at Belżec Seweryna Szmaglewska, Slave Labor and Death in Birkenau Primo Levi, "The saved and the drowned": The Prominents and the Muselmanner Abraham Krzepicki, Transport to Treblinka Rachel Auerbach, The Road to Heaven Oskar Strawczynski, The Treblinka Orchestra Paul Celan, Death Fugue The Gray Zone Chaim Rumkowski, "Give me your children" Josef Zelkowicz, "The heart of a slaughterer": The Jewish Police at Work Calel Perechodnik, Am I a Murderer? Sara Nomberg‑Przytyk, The Block of Death Gisella Perl, Childbirth in Auschwitz‑Birkenau Szlama Winer, Inside the Chełmno Death Camp Zalmen Gradowski, "In the deep sea of corpses": The Czech Transport Holy Days Shimon Huberband, Kiddush Hashem David Kahane, "How shall we sing the Lord’s song?" Kalonymus Kalmish Shapira, "Love God with all your heart": The Lesson of Rabbi Akiva Zelig Kalmanovitch, "What is a Jew and who is a Jew?" Etty Hillesum, "The thinking heart of a whole concentration camp" Anonymous Warsaw Poet, And I Will Impart My Revenge upon Edom Abel J. Herzberg, Jewish Faith, Jewish Unity Survivors Hanna Levy‑Hass, Last Days of Bergen‑Belsen Robert Antelme, Death March through Germany Jorge Semprun, "But can the story be told?" Charlotte Delbo, The Stream Yekhiel Kirshnbaum, The City without Jews Elie Wiesel, Why I Write Ruth Kluger, Still Alive Aharon Appelfeld, The Awakening NotesSelected BibliographyIndex