Bokus
Adam Kelly - American Fiction in Transition, Inbunden

Inbunden, Engelska, 2013

American Fiction in Transition

Observer-Hero Narrative, the 1990s, and Postmodernism

Av Adam Kelly

1950 kr

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Beskrivning
American Fiction in Transition is a study of the observer-hero narrative, a highly significant but critically neglected genre of the American novel. Through the lens of this transitional genre, the book explores the 1990s in relation to debates about the end of postmodernism, and connects the decade to other transitional periods in US literature. Novels by four major contemporary writers are examined: Philip Roth, Paul Auster, E. L. Doctorow and Jeffrey Eugenides. Each novel has a similar structure: an observer-narrator tells the story of an important person in his life who has died. But each story is equally about the struggle to tell the story, to find adequate means to narrate the transitional quality of the hero's life. In playing out this narrative struggle, each novel thereby addresses the broader problem of historical transition, a problem that marks the legacy of the postmodern era in American literature and culture.
Produktinformation
  • Utgivningsdatum: 2013-06-20
  • Mått: 157 x 235 x 13 mm
  • Vikt: 370 g
  • Format: Inbunden
  • Språk: Engelska
  • Antal sidor: 176
  • Förlag: Bloomsbury Publishing Plc
  • ISBN: 9781441112859
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Mer om författaren

Adam Kelly is Lecturer in American Literature at the University of York, UK. He previously taught at Harvard University, where he was a postdoctoral fellow, and at University College Dublin. He is the author of American Fiction in Transition: Observer-Hero Narrative, the 1990s, and Postmodernism (Bloomsbury 2013), as well as numerous articles in edited collections and in journals including Twentieth-Century Literature, Studies in the Novel, Critique, and Philip Roth Studies.

Recensioner i media

The book evinces Kelly’s expertise at tracing the genealogy of a literary or theoretical field. His handling of Derrida is particularly impressive, aligning analysis of each novel with a relevant Derridean concept – secrecy, testimony, narcissism, and justice – whilst displaying a flair for synthesizing complex ideas without being reductive. Moreover, his close readings are assured, marrying extensive critical knowledge with original insights, and sophisticated yet lucid syntax. … In simultaneously attempting to define a literary genre, characterize a historical era, and posit theoretical developments ‘after’ postmodernism, Kelly is attempting to do a great deal in such a slender volume, and yet he handles his tripartite project with aplomb, abetted by his clear writing style and convincing methodology. On the whole, this ambitious book is an enlightening and challenging contribution to nascent studies of the 1990s, and of ‘post-’ postmodernism.

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